INTERPRET | A TITEL | B TITEL | JAHR | LAND | NUMMER |
ASYLUM | SYSTEM OVERLOAD | BORN TO RUN WILD | 1992 | EFA |
ATHINA | MAMA THERESA | WIE GUT, DASS ES | 1975 | POLYDOR |
ATHINA | WENN EIN GROSSER JUNGE VON DER | ER SAGT AUF | 1974 | POLYDOR |
ATLANTIC STARR | ALWAYS | PT.II | 1987 | WARNER |
ATLANTIC STARR | ( LET'S) ROCK 'N ROLL | GIMME YOUR LUVIN' | 1978 | A&M |
ATLANTIC STARR | ONE LOVER AT A TIME | I'M IN LOVE | 1987 | WARNER |
ATLANTIC STARR | SILVER SHADOW | COOL, CALM, COLL,. | 1987 | A&M |
ATLANTIS | KEEP ON MOVIN' AND GROOVIN | PT.II | 1982 | BREAK |
ATLANTIS | ROCK'N ROLL PREACHER | MAYBE IT'S USELESS | 1973 | VERTIGO |
ATLANTIS | SON OF A BITCH'S SON | GOOD FRIENDS | 1974 | VERTIGO |
ATMA TRI | YUMMY MOON (INFO) | AEROLITE | 1986 | TELDEC |
ATMOSPHERE INTRODUCING | ATM - OZ - FEAR | PT.II | 1989 | CBS |
ATOM 10 | MADLY IN LOVE | PT.II | 1990 | CBS |
ATOM 10 | MADLY IN LOVE (GIMMIXCOVER) | PT.II | 1990 | CBS |
ATOMIC ROOSTER | DEVIL'S ANSWER | THE ROCK | 1971 | PHILIPS |
ATTERER LILIAN | WEIL ICH SO SEXY BIN | 77 SUNSET STRIP | 1988 | MPS |
AUDIN J.P / DIEGO MODENA | SONG OF OCARINA | PT.II | 1991 | POLYDOR |
AUGER BRAIN &TRINITY | RED BEANS AND RICE | PT.II | 1967 | MARMALADE |
AUGUSTIN JOSEF & | DREI WEISSE BIRKEN | DIE KLEINE | 1978 | TELEFUNKEN |
AUGUSTIN JOSEF & | HAU RUCK POLKA | VIELE STERNE | 1975 | TELEFUNKEN |
AUGUSTIN JOSEF & | RUCKI ZUCKI | HEUTE SIND WIR | 1973 | TELEFUNKEN |
AUGUSTIN NAT | EGO (MUSTER) | I'LL RESCURE YOU | 1986 | A&M |
AUGUSTINERSCHULE | ABI '91 RECHTE FAUST | LINKE FAUST | 1991 | ARG |
AURA BILLIE | IN THE SUMMER | PT.II | 1987 | TANK PARENT |
AUSTIN PATTI | BABY COME TO ME | SOLERO | 1981 | QWEST |
AUTOGRAPH | TURN UP THE RADO (VINYL) | THRILL OF LOVE | 1984 | RCA |
AVA | I WANT WHAT I WANT | BROTHER BROTHER | 1989 | EMI |
AVA | TRUE LOVE | STAY | 1989 | EMI |
AVALANCHE | BIRD OF PARADISE | NO TIME TO LOSE | 1987 | ULTRA PHONE |
AVALANCHE | I WILL WAIT | MY CHERIE | 1989 | TELDEC |
AVALANCHE | JOHNNY, JOHNNY COME HOME (FACT) | PT.II | 1988 | ULTRA PHONE |
AVALANCHE | LOVE ME, PLEASE LOVE ME (PR) | I MISS YOU | 1988 | EAST WEST |
AVALANCHE | YOUNG GUNS | PT.II | 1991 | EAST WEST |
AVENUE | SAY SAY | LOSE YOUR HEART | 1988 | ARIOLA |
AVERAGE BUSINESSMEN | DOWN THE NILE ON A LILO | YOU'LL BE ON | 1982 | METRONOME |
AVERGAE WHIT BAND | EVERYBODY'S DARLING (FLC) | WHY | 1975 | ATLANTIC |
AVERAGE WHIT BAND | LET'S GO ROUND AGAIN | PT.II | 1980 | RCA |
AVERAGE WHIT BAND | STICK SITUATION | LATER WE'LL BE | 1989 | JAWS REC |
AVERAGE WHIT BAND | THE SPIRIT OF LOVE | PT.II | 1988 | POLYDOR |
AVERY CHET & GARNETT | WHO PUT THE BOMP | MY TRUE STORY | 0 | RCA |
AVERY CHET & MILLS JEFF | RUNAWAY | BUT I DO | 0 | RCA |
AVITABILE ENZO | BLACK OUT | SOUL EXPRESS | 0 | BMC |
AXEN REINER | DEUTSCHLAND VOR NOCH EIN TOR | PT.II | 1990 | DAYLIGHT |
AXIS | ELE ELA | LIVING IN | 1972 | RIVIERA |
AXIS | SOMEONE | LONG TIME AGO | 1972 | RIVIERA |
AXIS (NEU) | ELA ELA | SOMEONE | 1972 | BR.MUSIC |
AXTON HOYT | DELLA AND THE DEALER | GOTTA KEEP | 1979 | GLOBAL |
AXXIS | LIVING IN A WORLD | YOUNG SOULS | 1989 | EMI |
AXXIS | TEARS OF THE TREES | NEVER SAY NEVER | 1989 | EMI |
AXXIS | TOUCH THE RAINBOW | GET DOWN | 1990 | HARVEST |
AYLA | FLASH AND THE PAN | PT.II | 1987 | EPIC |
AZEM SLIMANE | KHEM AKHOUDNEK | ATTAS - ISSEVRAGH | 0 | PATHE |
AZNAVOUR CHARLES | C'EST FINI | LE TOREADOR | 0 | BARCLAY |
AZNAVOUR CHARLES | DU LÄSST DICH GEH'N | ICH FRAG' MICH | 1962 | BARCLAY |
AZNAVOUR CHARLES | DU LÄSST DICH GEH'N (A.H:) | ICH FRAG' MICH | 1962 | BARCLAY |
AZNAVOUR CHARLES | DU LÄSST DICH GEH'N (A.H:) | SPIEL ZIGEUNER | 1962 | BARCLAY |
AZNAVOUR CHARLES | ET MOI DANS MON COIN | JE L'AIMERAI | 1966 | BARCLAY |
AZNAVOUR CHARLES | ICH HALTE DICH SCHON WARM | YERUSHALAIM | 1967 | BARCLAY |
AZNAVOUR CHARLES | IL FAUT SAVOIR | LE CARILLONNEUR | 1961 | BARCLAY |
AZNAVOUR CHARLES | ISABELLE | VENEDIG IN GRAU | 0 | BARCLAY |
AZNAVOUR CHARLES | L'AMOUR C'EST COMME UN JOUR | ALLELUIA | 1968 | BARCLAY |
AZNAVOUR CHARLES | LA BOHEME | MIT DIR KAM DAS | 1964 | BARCLAY |
AZNAVOUR CHARLES | LA BOHEME | PLUS RIEN | 1964 | BARCLAY |
AZNAVOUR CHARLES | LA MAMMA | NE DIS RIEN | 1967 | BARCLAY |
AZNAVOUR CHARLES | LES DEUX GUITARES / CE JOUR TANT | RENDEZ:-VOUS / | 1964 | BARCLAY |
AZNAVOUR CHARLES | PLAYBOY'S ABSCHIED | DU ÜBERTREIBST | 0 | BARCLAY |
AZNAVOUR CHARLES | SHE | LA BARRAKA | 1974 | BARCLAY |
AZNAVOUR CHARLES | SYLVIE / LES AVENTURIERS | LA MAMMA / | 1963 | BARCLAY |
AZNAVOUR CHARLES | TANZ' WANGE AN WANGE MIT MIR | WIE SIE SAGEN | 1972 | BARCLAY |
AZNAVOUR CHARLES | UND TROTZDEM LIEB' ICH SIE | GELIEBTE | 1967 | BARCLAY |
AZNAVOUR CHARLES | WE CAN NEVER KNOW | YOU'VE GOT TO | 1974 | BARCLAY |
AZNAVOUR CHARLES | YOU | WOMAN OF TODAY | 1975 | BARCLAY |
AZOR DENIS | ALA LI LA | PT.II | 1990 | MINT |
AZOTO | SAN SALVADOR | PT.II | 1980 | RAMS HORN |
AZRA | STOP ME I'M FALLING | PT.II | 1989 | VIRGIN |
AZTEC CAMERA | ALL I NEED IS EVERYTHING (FACT/PR) | JUMP | 1984 | WEA |
AZTEC CAMERA | DEEP & WIDE & TALL | BAD EDUCATION | 1987 | WEA |
AZTEC CAMERA | HOW MEN ARE | THE RED FLAG | 1988 | WEA |
AZTEC CAMERA | OBLIVIOUS | ORCHID GIRL | 1983 | RACKET REC |
AZTEC CAMERA | OBLIVIOUS (A.H.A.L.) | ORCHID GIRL | 1983 | RACKET REC |
AZTEC CAMERA | SOMEWHERE IN MY HEART | EVERYBODY IS A | 1988 | WEA |
AZTEC CAMERA | SOMEWHERE IN MY HEART (FACT/PR) | EVERYBODY IS A | 1988 | WEA |
AZTEC CAMERA | STILL ON FIRE (FACT/PR) | WALK OUT OF | 1984 | WEA |
AZTEC CAMERA | THE CRYING SCENE | TRUE COLORS | 1990 | WEA |
AZTEC CAMERA | WALK OUT TO WINTER | SET THE KILLING | 1983 | WARNER |
AZTEC CAMERA & JONES M | GOOD MORNING BRITAIN | PT.II | 1990 | WEA |
AZUL Y NEGRO | THE NIGHT | FU-MAN-CHU | 1982 | POLYDOR |
AZZAM BOB | DU SOLLST MEINE LIEBE SEIN | AUF DEM WEG | 0 | DECCA |
AZZAM BOB | LE TWIST EST EN BAISSE | LE MARSUPILAMI | 0 | BARCLAY |
AZZAM BOB | LUNA CAPRESE | AL CHIAR DI LUNA | 0 | POLYDOR |
AZZAM BOB | MUSTAPHA | TINTARELLA DI LUNA | 0 | ARIOLA |
AZZAM BOB | WIR TANZEN BOSTELLA | BOB'S BOSTELLA | 1965 | VOGUE |