| INTERPRET | A TITEL | B TITEL | JAHR | LAND | NUMMER |
| ENGELBERT | THE WAY IT USED TO BE | A GOOD THING | 0 | DECCA |
| ENGELBERT | TOO BEAUTIFIL TO LAST | A HUNDRED TIMES | 0 | DECCA |
| ENGELBERT | TORERO (SHE BRINGS HIM SPANISH ) | PT.II | 1988 | ARIOLA |
| ENGELBERT | UNDER THE MAN IN THE MOON | I BID YOU GOOD. | 1988 | WHITE REC. |
| ENGELBERT | WE DANCE THE NIGHT AWAY | PT.II | 1992 | POLYDOR |
| ENGELBERT | WINTER OF LOVE | SPANISH EYES | 1989 | LONDON |
| ENGELBERT (NEU) | THE LAST WALTZ | REALESE ME | 1973 | DECCA |
| ENGELBERT HUMPERDINCK | AM I THAT EASY TO FORGET | PRETTY RIBBONS | 1968 | PARROT |
| ENGELBERT HUMPERDINCK | ANOTHER TIME, ANOTHER PLACE | MORNING | 1971 | DECCA |
| ENGELBERT HUMPERDINCK | IT'S NOT EASY TO LIVE TOGETHER | ROYAL AFFAIR | 1980 | EPIC |
| ENGELBERT HUMPERDINCK | I'M A BETTER MAN (FLC) | CAFE | 1964 | PARROT |
| ENGELBERT HUMPERDINCK | RELEASE ME | STAY | 0 | DECCA |
| ENGELBERT HUMPERDINCK | THE LAST WALTZ | THAT PROMISE | 1967 | DECCA |
| ENGELBERT HUMPERDINCK | THE LAST WALTZ (A.H.) | THAT PROMISE | 1967 | DECCA |
| ENGELBERT HUMPERDINCK | THE LAST WALTZ (FLC) | AM I THAT EASY | 0 | PARROT |
| ENGELBERT HUMPERDINCK | THE OTHER WOMAN / THE OTHER MAN | TWENTY YEARS | 1984 | FIRST STRI |
| ENGELBERT HUMPERDINCK | THERE GOES MY EVERYTHING | YOU LOVE | 1973 | DECCA |
| ENGELBRECHT | WENN ES DICH WIRKLICH GIBT | VERTRAUT UND | 1985 | WEA |
| ENGELMANN & MORODER | SCARFACE | TONY'S THEME | 1983 | MCA |
| ENGELS CLAUDIA | ET JÖCK-LEED | KUCKE HIER - KUCKE | 1987 | AZ REC |
| ENGELS CLAUDIA | FRISCHER BRÜTCHER | LASS DICH BLOSS | 0 | FLOWER |
| ENGELS CLAUDIA | SCHNEEWEISSCHEN UND ROSENROT | ES LOHNT SICH | 0 | AZ REC |
| ENGELS CLAUDIA | WANN ET MUUZE-MÄNDELCHER GITT | VUN ALLE JUWELE | 0 | WPL |
| ENGERLING | DER ZUG ODER DIE WEISSE ZIEGE | DA HILFT KEIN | 1977 | AMIGA |
| ENGLAND NEW ORDER | WORLD IN MOTION | THE B-SIDE | 1990 | MCA |
| ENGLAND WORLD CUP | BACK HOME - WORLD CUP 1966 | CINNAMON STICK | 1966 | PYE |
| ENGLISH | RECORD 2 - LESSON 6+ 7 | LESSON 8+ 9 | 0 | 0 |
| ENGLISH | RECORD 3 - LESSON 10+11 | LESSON 12+13 | 0 | 0 |
| ENGLISH | RECORD 4 - LESSON 14+15 | LESSON 16+17 | 0 | 0 |
| ENGLISH | RECORD 6 - LESSON 22+23 | LESSON 24+25 | 0 | 0 |
| ENGLISH | RECORD 7 - LESSON 26+27 | LESSON 28+29 | 0 | 0 |
| ENGLISH | RECORD 8 - LESSON 30+31 | LESSON 32+33 | 0 | 0 |
| ENGLISH | RECORD 9 - LESSON 34+35 | LESSON 36+37 | 0 | 0 |
| ENGLISH | RECORD 10 - LESSON 38+39 | LESSON 40+41 | 0 | 0 |
| ENGLISH | RECORD 11 - LESSON 42+43 | LESSON 44+45 | 0 | 0 |
| ENGLISH | RECORD 12 - LESSON 46+47 | LESSON 48 | 0 | 0 |
| ENGLISH (HOFFMANN) | SPRACHKURS | PLATTE 1-4 | 1968 | MAX HUEBER |
| ENGLISH (LAMBERT) | SPRACHKURS | PLATTE 1-2 | 0 | LAMBERT |
| ENGLISH KLETT VERLAG | BUSINESS ENGLISH FOR ALL | PLATTE 1-3 | 0 | KLETT |
| ENGLISH KLETT VERLAG | ENGLISH FOR ALL READING TEXTS | PLATTE 2-4 | 0 | KLETT |
| ENGLISH KLETT VERLAG | EINFÜHRUNG IN DIE ENGL.SPRACHE | PLATTE 1-3 | 0 | KLETT |
| ENGLISH KLETT VERLAG | LEARNING ENGLISH AUSGABE A TEIL ! | PLATTE 1-3 | 0 | KLETT |
| ENGLISH KLETT VERLAG | LEARNING ENGLISH AUSGABE N TEIL 3 | PLATTE 1 - 3 | 0 | KLETT |
| ENGLISH KLETT VERLAG | TEIL 1, TOM AND SUSAN | PLATTE 1 | 0 | KLETT |
| ENGLISH KLETT VERLAG | TEIL 1, TOM AND SUSAN | PLATTE 2 | 0 | KLETT |
| ENGLISH KLETT VERLAG | TEIL 1, TOM AND SUSAN | PLATTE 3 | 0 | KLETT |
| ENGLISH KLETT VERLAG | TEIL 2, EVERYDAY LIFE | PLATTE 1 | 0 | KLETT |
| ENGLISH KLETT VERLAG | TEIL 2, EVERYDAY LIFE | PLATTE 2 | 0 | KLETT |
| ENGLISH KLETT VERLAG | TEIL 2, EVERYDAY LIFE | PLATTE 3 | 0 | KLETT |
| ENGLISH KLETT VERLAG | TEIL 3, GOING TO BRITAIN | PLATTE 1 | 0 | KLETT |
| ENGLISH KLETT VERLAG | TEIL 3, GOING TO BRITAIN | PLATTE 2 | 0 | KLETT |
| ENGLISH KLETT VERLAG | TEIL 3, GOING TO BRITAIN | PLATTE 3 | 0 | KLETT |
| ENGLISH MODERN | SOMEONE'S CALLING ( VINYL) FORMEL 1 | I MELT WITH YOU | 1982 | INTERCORD |
| ENGLISH SCOTT | BRANDY | LEAD ME BACK | 0 | TROJAN |
| ENGLUND ERNIE | LITTLE DRUMMER BOY | I WHO HAVE | 1987 | HANSA |
| ENGLUND ERNIE | WHITE CHRISTMAS | STILLA NATT | 0 | METRONOME |
| ENIGMA | AIN'T NO STOPPING-DISCO MIX'81 | PT.II | 1981 | CREOLE |
| ENIGMA | AIN'T NO STOPPING-DISCO MIX'81 (A.H.) | PT.II | 1981 | CREOLE |
| ENIGMA | MEA CULPA | PT.II | 1991 | VIRGIN |
| ENIGMA | SADENESS | PT.II | 1990 | VIRGIN |
| ENS GOLDIE | CAN I REACH YOU | YOU REALLY | 1979 | CBS |
| ENS GOLDIE | DISCO BABY (CASANOVA) | GOT TO LEARN | 1976 | CBS |
| ENSEMBLE SINCRON BUK. | EINSAME PAPPELN | SPIEL DER MÄD. | 0 | AMIGA |
| ENTREMONT PHILIPPE | CHOPON WALTZES | PT.II | 0 | MMS |
| ENYA | BOOKS OF DAYS ( SAMPLE) | AS BAILE | 1992 | WEA |
| ENYA | EVENING FALLS | OICHE CHIUN | 1988 | TELDEC |
| ENYA | I WANT TOMORROW | THE CELTS | 1987 | EDELTON |
| ENYA | I WANT TOMORROW | THE CELTS | 1987 | BBC |
| ENYA | ORINOCO FLOW | OUT OF THE BLUE | 1988 | WEA |
| ENYA | STORMS IN AFRICE | PT.II | 1989 | WEA |
| EPIDEMICS THE | DO WHAT U DO (PR) | I GOT YOUR MESSA. | 1987 | POLYDOR |
| EPIDEMICS THE | KEEP IT UP | I GOT YOUR MESSA. | 1987 | POLYDOR |
| EPPENDORFER GYMNASI. | ES BEGAB SICH ABER ZU DER ZEIT | PT.II | 1963 | PHILIPS |
| EQUALS | BABY, COME BACK | HOLD ME CLOSER | 1967 | PRESIDENT |
| EQUALS | BABY, COME BACK (A.L.) | HOLD ME CLOSER | 1967 | PRESIDENT |
| EQUALS | BABY, COME BACK (A.L.) (FLC) | HOLD ME CLOSER | 1967 | COLLECTABLE |
| EQUALS | BABY, COME BACK (A.L.) | VIVA BOBBY JOE | 1969 | STRAND |
| EQUALS | BLACK SKIN BLUE EYED BOYS (LC) | AIN'T GOT | 1970 | PRESIDENT |
| EQUALS | DIVERSION | HERE TODAY,GONE | 1973 | PRESIDENT |
| EQUALS | FUNKY FUNKY | LET'S DO IT | 1972 | PRESITENT |
| EQUALS | GREEN LIGHT | LOVE POTION | 1969 | PRESIDENT |
| EQUALS | HELP ME SIMONE | LOVE POTION | 1971 | PRESIDENT |
| EQUALS | HONEY BEE | PUT SOME ROCK | 1973 | PRESIDENT |
| EQUALS | I CAN SEE, BUT YOU DON'T KNOW | GIGOLO SAM | 1970 | PRESIDENT |
| EQUALS | I WON'T BE THERE | BABY,COME BACK | 1967 | PRESIDENT |
| EQUALS | LAUREL AND HARDY | GIDDY UP | 1968 | PRESIDENT |
| EQUALS | LET'S GO TO THE MOON | WATCHING THE | 1971 | PRESIDENT |
| EQUALS | MICHAEL AND THE SLIPPER TREE | HONEY GUM | 1969 | PRESIDENT |
| EQUALS | POLICE ON MY BACK | YOU GOT TOO | 1968 | PRESIDENT |
| EQUALS | RUB A DUB DUB | BUTTERFLY RED | 1970 | PRESIDENT |
| EQUALS | SOFTLY, SOFTLY | LONELY RITA | 1968 | PRESIDENT |
| EQUALS | SOFTLY, SOFTLY (A.L.) | LONELY RITA | 1968 | PRESIDENT |
| EQUALS | SOUL BROTHER CLIFFORD | HAPPY BIRTHDAY | 1970 | PRESIDENT |
| EQUALS | VIVA BOBBY JOE | INSTANT LOVE | 1968 | PRESIDENT |
| EQUALS (NEU) | BABY, COME BACK | SOFLY SOFLY | 1985 | BELLAPHON |
| EQUALS (NEU) | VIVA BOBBY JOE | BLACK IS BLACK | 1986 | BELLAPHON |
| EQUALS (NEU) | VIVA BOBBY JOE | RUB A DUB DUB | 1969 | PRESIDENT |
| EQUIPE 84 | E'DALL'AMORE CHE NASCE L'VOUMO | 29 SETTEMBRE | 0 | RICORDI |
| EQUIPE 84 | SEI GIA' DI UN ALTRO | LA DEN DA DA | 0 | VEDETTE |
| ERASURE | A LITTLE RESPECT | LIKE ZSA ZSA ZSA | 1988 | MUTE |
| ERASURE | ALWAYS | TRAGIC | 1994 | MUTE |
| ERASURE | ABBA-ESQUE / LAY ALL YOUR LOVE ON | TAKE A CHANCE/ SOS | 1992 | MUTE |
| ERASURE | AM I RIGHT ? / CARRY ON.. | LET IT FLOW /.. | 1991 | MUTE |
| ERASURE | BLUE SAVANNAH | RUNAROUND ON | 1990 | MUTE |
| ERASURE | BJÖRN AGAIN / A LITTLE RESPECT | STOP | 1992 | POLYDOR |
| ERASURE | BREATH OF LIFE | PT.II | 1992 | MUTE |
| ERASURE | CHAINS OF LOVE | DON'T SUPPOSE | 1988 | MUTE |
| ERASURE | CHAINS OF LOVE (A.L.) | DON'T SUPPOSE | 1988 | MUTE |
| ERASURE | CHORUS | OVER THE | 1991 | MUTE |
| ERASURE | CRACKERS INTERNATIONAL STOP | KNOCKING ON | 1988 | MUTE |
| ERASURE | CRACKERS INTERNATIONAL STOP / THE | KNOCKING ON / | 1988 | MUTE |
| ERASURE | DRAMA! | SWEET, SWEET | 1989 | MUTE |
| ERASURE | DRAMA! (A.H.A.L.) | SWEET, SWEET | 1989 | MUTE |
| ERASURE | HEAVENTLY ACTION (VINYL) | DON'T SAY NO | 1985 | MUTE |
| ERASURE | HEAVENTLY ACTION | DON'T SAY NO | 1985 | MUTE |
| ERASURE | I LOVE SATURDAY | DODO | 1994 | MUTE |
| ERASURE | IT DOESN'T HAVE TO BE | IN THE HALL OF | 1987 | MUTE |
| ERASURE | LOVE TO HATE YOU | VITAMIN C | 1991 | MUTE |
| ERASURE | OH L'AMOUR (VINYL) | MARCH ON DOWN | 1986 | MUTE |
| ERASURE | OH L'AMOUR | MARCH ON DOWN | 1986 | MUTE |
| ERASURE | SHIP OF FOOLS | WHEN I NEEDED | 1988 | MUTE |
| ERASURE | SHIP OF FOOLS (FACT) | WHEN I NEEDED | 1988 | MUTE |
| ERASURE | SOMETIMES | SEXUALITY | 1986 | MUTE |
| ERASURE | STAR | DREAMLIKE STATE | 1990 | MUTE |
| ERASURE | THE CIRCUS (VINYL) | PT.II | 1987 | MUTE |
| ERASURE | VICTIM OF LOVE (VINYL) | THE SOLDIER'S | 1987 | MUTE |
| ERASURE | WHO NEEDS LOVE | PUSH ME SHOVE ME | 1985 | MUTE |
| ERASURE | WHO NEEDS LOVE (VINYL) | PUSH ME SHOVE ME | 1985 | MUTE |
| ERASURE | WHO NEEDS LOVE (HAMBURG MIX) | PT.II | 1992 | MUTE |
| ERASURE | YOU SURROUND ME | 91 STEPS | 1989 | MUTE |
| ERB MICHAEL & GREGOR | EIN WEIHNACHTSGESCHENK | SO WIE SIE | 0 | WELT |
| ERHARDT BASI | BEIM JODELNDEN WIRT VON KALTEN. | PT.II | 0 | DECCA |
| ERHARDT BASI | DAS ECHO VON DER ALPENSPITZ (KLC) | I BIN A FRISCHA | 0 | DECCA |
| ERHARDT HEINZ | HÄMMERCHEN - POLKA | STRIPTEASE-SUSI | 1962 | POLYDOR |
| ERHARDT HEINZ | LINKES AUGE BLAU | ICH HAB' ZU | 1963 | POLYDOR |
| ERHARDT HEINZ | NOCH'N GEDICHT UND ANDERE | PT.II | 0 | TELEFUNKEN |
| ERHARDT HEINZ (WERBE.) | IGELEIEN (ALBINGIA VERS.) | HASE U. IGEL | 0 | DECCA |
| ERIC B.& RAKIM | PAID IN FULL | ERIC B IS ON | 1987 | ISLAND |
| ERIC & STONE | EIN LIEBESLIED | ET PUIS VIVRE | 0 | FINGER |
| ERIC'S AFFAIR | FEEL A LITTLE MORE (FILA WERBUNG) | PT.II | 1993 | HANSA |
| EROS | WOLKENREISE | FITO LINTE | 1979 | METRONOME |
| ERSTE ALLGE.VERUNSI. | ALPEN-RAP | I HOB DES G'FÜHL | 1983 | EMI |
| ERSTE ALLGE.VERUNSI. | AN DER COPACABANA | KÜSS' DIE HAND | 1988 | EMI |
| ERSTE ALLGE.VERUNSI. | AN DER COPACABANA (A.H.) | KÜSS' DIE HAND | 1988 | EMI |
| ERSTE ALLGE.VERUNSI. | BA BA BANKÜBERFALL | ES GEWINNT | 1985 | EMI |
| ERSTE ALLGE.VERUNSI. | BURLI BURLI BURLI | KURTI | 1987 | EMI |
| ERSTE ALLGE.VERUNSI. | DING DONG | PT.II | 1990 | EMI |
| ERSTE ALLGE.VERUNSI. | EINER GEHT UM DIE WELT | WO IST DER KAISE | 1990 | EMI |
| ERSTE ALLGE.VERUNSI. | FATA MORGANA | GELD ODER LEBEN | 1986 | EMI |
| ERSTE ALLGE.VERUNSI. | HEISSE NÄCHTE (IN PALERMO) | HELDEN | 1986 | EMI |
| ERSTE ALLGE.VERUNSI. | HEISSE NÄCHTE (IN PALERMO )(A.H.) | HELDEN | 1986 | EMI |
| ERSTE ALLGE.VERUNSI. | HIP-HOP | KUESS DIE HAND, | 1988 | EMI |
| ERSTE ALLGE.VERUNSI. | JAMBO | PT.II | 1991 | EMI |
| ERSTE ALLGE.VERUNSI. | KANN DENN SCHWACHSINN SÜNDE SEIN | DIE BRAUT | 1984 | EMI |
| ERSTE ALLGE.VERUNSI. | KÜSS DIE HAND, SCHÖNE FRAU | SPITALO-A-LA | 1987 | EMI |
| ERSTE ALLGE.VERUNSI. | MÄRCHENPRINZ | EINSAMKEIT | 1985 | EMI |
| ERSTE ALLGE.VERUNSI. | S' MUATERL | WÜRSCHTLSTAND | 1991 | EMI |
| ERSTE ALLGE.VERUNSI. | SAMURAI | TARZAN UND JANE | 1990 | EMI |
| ERUPTION | GO JOHNNIE GO | CALL MY NAME | 1980 | HANSA |
| ERUPTION | I CAN'T HELP MYSELF / IT'S THE SAME | MUCH TOO LATE | 0 | JUPITER |
| ERUPTION | I CAN'T STAND THE RAIN | BE YOURSELF | 1977 | HANSA |
| ERUPTION | IN A 1000 YEARS | WE DON'T NEED | 0 | JUPITER |
| ERUPTION | JOY TO THE WORLD | TIME | 1983 | JUPITER |
| ERUPTION | LEAVE A LIGHT | GIVE ME A | 1978 | HANSA |
| ERUPTION | ONE WAY TICKET | LEFT ME IN THE | 1979 | HANSA |
| ERUPTION | ONE WAY TICKET (A.H.) | LEFT ME IN THE | 1979 | HANSA |
| ERUPTION | ONE WAY TICKET (A.L.) | LEFT ME IN THE | 1979 | HANSA |
| ERUPTION | PARTY, PARTY | WAYWARD LOVE | 1977 | HANSA |
| ERUPTION | RUNAWAY | GOOD GOOD | 1980 | HANSA |
| ERUPTION | UP AND AWAY | SWEET SIDE | 1982 | HANSA |
| ERUPTION | YOU (YOU ARE MY SOUL) | FIGHT FIGHT | 1980 | HANSA |
| ESCAPE CLUB | SHAKE FOR THE SHEIK | WORKING FOR THE | 1988 | WEA |
| ESCAPE CLUB | WALKING THROUG WALLS | STANDING ON BRIDGE | 1988 | WEA |
| ESCAPE CLUB | WILD, WILD WEST | WE CAN RUN | 1988 | WEA |
| ESCHWEILER FANFAREN | GLORY-LAND/ MIT 'NEM TEELÖFEL/ | REITERMARSCH/ | 0 | TON-ATELI. |
| ESCHWEILER FANFAREN | GLORY-LAND/ MIT 'NEM TEELÖFEL/(A.H.) | REITERMARSCH/ | 0 | TON-ATELI. |
| ESCHWEILER FANFAREN | ROTE-FUNKENMARSCH/FREIHEISGL./ | JÄGERCHOR/SAMB. | 0 | TON-ATELI. |
| ESCHWEILER JUGEND | DIE POST IM WALDE | DEUTSCHMEISTER | 0 | LORBY |
| ESCHWEILER TROMPETEN | MUSIK RUND UM DIE WELT | PT.II | 0 | NEDELTSCHL |
| ESCHWEILER TROMPETEN | ST.LOUIS BLUES | SHE'S TOO FAT | 0 | TELEFUNKEN |
| ESCOBAR MANOLO | EL POROMPOMPERO | QUIEREN CAZARME | 1970 | BELTER |
| ESCOBAR MANOLO | EL POROMPOMPERO (A.L.) | QUIEREN CAZARME | 1970 | SAEF |
| ESCORTS | FROM HEAD TO TOE | NIGHT TIME | 1967 | VOGUE |
| ESHA | GUMBOLAI | SHONA MELA | 1988 | EMI |
| ESHA | MISSING MY WORLD | IN MY DREAMS | 1989 | EMI |
| ESKENS MARGOT | AUF DER GROSSEN HIMMELSSTRASSE | DAMALS WAR | 0 | POLYDOR |
| ESKENS MARGOT | AUF EIN WIEDERSEHN ! (FLC) | DER FLIEDER VON | 1958 | POLYDOR |
| ESKENS MARGOT | AUF MEINER KLEINEN HAZIENDA | WENN DU WIEDER. | 1958 | POLYDOR |
| ESKENS MARGOT | BOMBALU | NUR WER LIEBT, | 0 | POLYDOR |
| ESKENS MARGOT | CINDY, OH CINDY | IN DEM KLEINEN | 1957 | POLYDOR |
| ESKENS MARGOT | DIE ZEIGER DER UHR | NUR DEINE | 1965 | POLYDOR |
| ESKENS MARGOT | DU KOMMST VON WEIT, WEIT HER (FLC) | WESWEGEN | 0 | POLYDOR |
| ESKENS MARGOT | EIN HERZ,DAS KANN MAN NICHT (FLC) | JEDER BRAUCHT | 1962 | POLYDOR |
| ESKENS MARGOT | EIN SCHLOSS IM MOND | IM ALTEN HAUS | 0 | POLYDOR |
| ESKENS MARGOT | GLÜCK ZU ZWEIT-ROTER / SPIEL | MARIO/ICH KANN | 1958 | POLYDOR |
| ESKENS MARGOT | ICH MÖCHTE FLIEGEN | VON TAHITI NACH | 0 | POLYDOR |
| ESKENS MARGOT | ICH WILL NUR BEI DIR SEIN | PETER UND | 0 | POLYDOR |
| ESKENS MARGOT | MAMA | BALD SCHON, DA | 1964 | POLYDOR |
| ESKENS MARGOT | MAMATSCHI | PETERLE | 1956 | POLYDOR |
| ESKENS MARGOT | MARIO | SPIEL MIR DEN | 1959 | POLYDOR |
| ESKENS MARGOT | MARIO (AUTOGRAMM) (FLC) | SPIEL MIR DEN | 1959 | POLYDOR |
| ESKENS MARGOT | MUTTI, DU DARFST DOCH NICHT.. | DER STUDENT VON | 0 | POLYDOR |
| ESKENS MARGOT | OB IN BOMBAY, OB IN RIO.. (FLC) | COEUR BLESSE' | 1963 | POLYDOR |
| ESKENS MARGOT | SAG NICHT ADDIO ZU MIR | SO GEFÄLLST DU | 0 | POLYDOR |
| ESKENS MARGOT | SO WUNDERBAR,SO FABELHAFT (FLC) | KOMM,OH KOMM | 0 | POLYDOR |
| ESKENS MARGOT | SOLE, SOLE | SCHAU MICH AN | 1962 | POLYDOR |
| ESKENS MARGOT | SULALEIH | DER TRAUM VOM | 0 | POLYDOR |
| ESKENS MARGOT | TIRITOMBA | OH, MEIN LIEBER | 1956 | POLYDOR |
| ESKENS MARGOT | WARUM BIN ICH EINSAM WIE DU | ZWEI HERZEN | 0 | MONDIAL |