| INTERPRET | A TITEL | B TITEL | JAHR | LAND | NUMMER |
| HOLLIES (NEU) | BUS STOP (FLC) | LOOK THROUGH | 1990 | UK | 4621 |
| HOLLIES (NEU) | BUS STOP | STOP STOP STOP | 1966 | EEC | 5556 |
| HOLLIES (NEU) | BUS STOP | STOP STOP STOP | 1966 | D | 5556 |
| HOLLIES (NEU) | CARRIE - ANNE | HE AIN'T | 1967 | USA | 15 2306 |
| HOLLIES (NEU) | HE AIN'T HEAVY - HE'S MY (FACT) | JENNIFER ECCLES | 1976 | D | 2040 239 |
| HOLLIES (NEU) | HE AIN'T HEAVY - HE'S MY (A.L.) | JENNIFER ECCLES | 1976 | D | 871054-7 |
| HOLLIES (NEU) | HERE I GO AGAIN | JUST ONE LOOK | 1964 | UK | 45 11 |
| HOLLIES (NEU) | LONG COOL WOMAN IN A BLACK | SORRY SUZANNE | 1971 | D | 2135 403 |
| HOLLIES (NEU) | LONG COOL WOMAN IN A BLACK (FLC) | LONG DARK ROAD | 1972 | USA | 15 2318 |
| HOLLIES (NEU) | THE AIR THAT I BREATHE (FLC) | NO MORE RIDERS | 1974 | USA | 11100 |
| HOLLIES (NEU) | THE WOMAN I LOVE | PURPLE RAIN | 1993 | D | 80 533 7 |
| HOLLOWAY BRENDA | GIVE ME A LITTLE INSPIRATION | PT.II | 1988 | D | 1386 |
| HOLLOWAY BRENDA | JUST LOOK WHAT YOU'VE DONE | EVERY LITTLE BIT | 1964 | UK | 512 |
| HOLLOWAY LOLEATTA | WORN OUT BROKEN HEART | DREAMIN' | 1976 | D | 6 12 018 |
| HOLLOWAY NANCY (NEU) | "TU N'ES PAS VENU ""WHIRLPOOL""" | A TRAVERS UNE | 0 | BEL | 79.717-Y |
| HOLLY BUDDY | PEGGY SUE | EVERY DAY | 1957 | USA | 60 004 |
| HOLLY BUDDY | PEGGY SUE (BILDPLATTE) | IT DOESN'T | 1987 | EEC | 16 |
| HOLLY BUDDY | LOOK AT ME | LITTLE BABY | 0 | D | 93 343 |
| HOLLY BUDDY | RAVE ON | READY TEDDY | 1958 | D | 93 267 |
| HOLLY BUDDY | THAT'LL BE THE DAY (BILDPLATTE) | ROCK AROUND | 1987 | EEC | 48 |
| HOLLY BUDDY (NEU) | IT DOESN'T MATTER ANYMORE | OH BOY! (1959) | 1972 | D | 105 870 |
| HOLLY BUDDY (NEU) | JIVE BUDDY (RADIO MIX) | HEARTBEAT | 1992 | NL | 30 122 |
| HOLLY BUDDY (NEU) | PEGGY SUE | BO DIDDLEY | 1957 | D | 6277 |
| HOLLY BUDDY (NEU) | PEGGY SUE | IT DOESN'T | 1957 | EEC | 508 |
| HOLLY BUDDY (NEU) | RAVE ON | BROWN EYED | 1972 | D | 6153 |
| HOLLYWOOD BEYOND | NO MORE TEARS | NO TIME FOR LOSER | 1986 | D | 248 580-7 |
| HOLLYWOOD BEYOND | NO MORE TEARS (FACT/PR) | NO TIME FOR LOSER | 1986 | D | 248 580-7 |
| HOLLYWOOD BEYOND | SAVE ME | MO MORE TEARS | 1987 | D | 248 401-7 |
| HOLLYWOOD BEYOND | WHAT'S THE COLOUR OF MONEY ? | HOLLYWOOD | 1986 | D | 248 662 7 |
| HOLM MICHAEL | ALLE WÜNSCHE KANN MAN NICHT | ES LIEGT NUR | 1965 | D | 55 817* |
| HOLM MICHAEL | ALLEIN MIT DIR | ZUVIEL RAUCH | 1978 | D | 11 830 |
| HOLM MICHAEL | BABY - DOLL (MUSTERPL.) | LIEBE MICH UND | 1963 | D | 55 493* |
| HOLM MICHAEL | BABY, DU BIST NICHT ALLEINE | GIORGIO UND ICH | 1973 | D | 13 026* |
| HOLM MICHAEL | BABY, DU BIST NICHT ALLEINE (A.H.) | GIORGIO UND ICH | 1973 | D | 13 026* |
| HOLM MICHAEL | BARFUSS IM REGEN | ES TUT WEH | 1970 | D | 14 492* |
| HOLM MICHAEL | DAS KANN DOCH NICHT DAS ENDE | LASS MICH GEHN | 1965 | D | 55 858* |
| HOLM MICHAEL | DAS KANNST DU MIR NICHT (RAR) | CRAZY DAISY | 1964 | D | 55 760* |
| HOLM MICHAEL | DESPERADO | DO YA LOVE | 1977 | D | 17 650 |
| HOLM MICHAEL | DIE JUNGE LIEBE IST SÜSS | JA DAS WIRD | 1963 | D | 55 471* |
| HOLM MICHAEL | DU WEINST UM MICH | BITTE BLEIB EIN | 0 | D | 10 885 |
| HOLM MICHAEL | DU WEINST UM MICH (A.H.) | BITTE BLEIB EIN | 0 | D | 10 885 |
| HOLM MICHAEL | DU WEINST UM MICH (A.L.) | BITTE BLEIB EIN | 0 | D | 10 885 |
| HOLM MICHAEL | EIN VERRÜCKTER TAG | MON AMOUR DIANE | 1971 | D | 14 874* |
| HOLM MICHAEL | EL LUTE | WER LÜGT, GEWINNT | 1979 | D | 881 100 |
| HOLM MICHAEL | EL MATADOR | HELLO MAMA, | 0 | D | 13 888 |
| HOLM MICHAEL | ES IST SCHÖN BEI DIR ZU SEIN | SANTIAGO | 0 | D | 12 159 |
| HOLM MICHAEL | ES KAM WIE DER BLITZ | KEIN ALIBI | 1967 | D | 19 134* |
| HOLM MICHAEL | ES KOMMT DER TAG (MUSTERPL.) | DAS MUSS DIE | 1964 | D | 55 737* |
| HOLM MICHAEL | GIMME GIMME YOUR LOVE | OH OH JULY | 0 | D | 12 303 |
| HOLM MICHAEL | LAUTER SCHÖNE WORTE | LEIDER...LEIDER | 1962 | D | 55 446* |
| HOLM MICHAEL | LADY LOVE | HEY MUSIC | 1976 | D | 16 678 |
| HOLM MICHAEL | LASS DEIN HERZ DOCH FREI | EIN GROSSER | 1976 | D | 16 955 |
| HOLM MICHAEL | LEB WOHL | MENSCHEN OHNE | 1980 | D | PB 5776* |
| HOLM MICHAEL | LIEBE BRAUCHT NÄHE | DIE NACHT HAT | 1981 | D | PB 5884 |
| HOLM MICHAEL | MENDOCINO | ES KÖNNTE | 1969 | D | 14 346* |
| HOLM MICHAEL | MENDOCINO (A.L.) | ES KÖNNTE | 1969 | D | 14 346* |
| HOLM MICHAEL | MUSST DU JETZT GERADE (A.L.) | BRING MICH HEIM | 1977 | D | 11 333 |
| HOLM MICHAEL | MUSST DU JETZT GERADE (LUCILLE) | BRING MICH HEIM | 1977 | D | 11 333 |
| HOLM MICHAEL | MY LADY OF SPAIN | HALTE FEST | 0 | D | 12 634 |
| HOLM MICHAEL | MY LADY OF SPAIN (A.L.) | HALTE FEST, DEN | 0 | D | 12 634 |
| HOLM MICHAEL | NACHTS SCHEINT DIE SONNE | SMOG IN FRANKF. | 0 | D | 10 411 |
| HOLM MICHAEL | NUR EIN KUSS MADDALENA | DOCH SIE SCHAUT | 0 | D | 13 225 |
| HOLM MICHAEL | SAUDADE | EINER VON VIEL. | 1978 | D | 15 850 |
| HOLM MICHAEL | S.O.S.-HERZ IN NOT | DER ANFANG VOM | 1967 | D | 19 452* |
| HOLM MICHAEL | TRAUM - HOTEL | LIEBE GEHT NIE | 1978 | D | 15 698 |
| HOLM MICHAEL | TRÄNEN LÜGEN NICHT | ES REGNET | 1974 | D | 13 570* |
| HOLM MICHAEL | TRÄNEN LÜGEN NICHT (A.L.) | ES REGNET | 1974 | D | 13 570* |
| HOLM MICHAEL | WART' AUF MICH | GEH' DOCH HEIM | 1975 | D | 16 225 |
| HOLM MICHAEL | WENN DEIN HERZ SPRICHT | MANHATTAN | 1976 | D | 17 244 |
| HOLM MICHAEL | WIE DER SONNENSCHEIN | SANDY | 1970 | D | 14 717 |
| HOLM MICH.& KING ROCKO | MENDOCINO (LIM.AUFLAGE/8000) | TÖTEN | 1990 | D | 877 062-7 |
| HOLM PETER | SWEET MEMORIES | SHE HURT THE | 1969 | D | MR 28 013 |
| HOLM RENATE | BLUE CANARY | LIED DER NACHTIG. | 0 | D | 10 426 |
| HOLM RENATE | DIE EIFERSUCHT IST EINE PLAGE | LIEBLICH / WILL ICH | 0 | D | 40 118 |
| HOLM RENATE | EINE EINZIGE STUNDE MIT DIR | ICH KANN OHNE | 0 | D | 45 727 |
| HOLM RENATE | KALENDERLIED / BLUE CANARY | DAS ZAUBERLIED | 0 | D | 40 441 CE |
| HOLM RENATE | LIED DER NACHTIGALL / MUSIKANT | EIN SCHWIPSERL | 0 | D | 40 245 CE |
| HOLM RENATE | LIED DER NACHTIGALL/MUSIK.(A.H.) | EIN SCHWIPSERL | 0 | D | 36 647 |
| HOLMAN EDDIE | HEY THERE LONELY GIRL | IT'S ALL IN THE | 0 | D | 91 013 |
| HOLMES RUPERT | BACKJACK | THE MASK | 1980 | D | 102 668 |
| HOLMES RUPERT | ESCAPADE /THE PINA COLADA SONG | DROP IT | 1979 | D | 101 239 |
| HOLMES RUPERT | HIM | GET OUTTA YOURSE. | 1979 | USA | 101 536 |
| HOLT JOHN | HELP ME MAKE IT THROUGH THE | TELL ME WHY | 1974 | D | 6078 301* |
| HOLT JOHN | I'LL TAKE A MELODY (REGGAE) | PEACE AND LOVE | 1976 | D | 6.11 930 |
| HOLTON GARY | RUBY (DON'T TAKE YOUR LOVE) | LOVE IS YOUNG | 1980 | D | 63 778* |
| HOLTON GARY | RUBY (DON'T TAKE YOUR )(A.H.) | LISTEN | 1980 | D | 24 |
| HOLZ GÜNTER & | MASKOTTCHEN | STEINRÖSCHENPO. | 1976 | D | S 3993 |
| HOMELESS | GYPSY WOMAN | STEADY GOING | 1991 | D | 2 04379-7 |
| HOMO SAPIENS | TI AMO DOMANI | MEGLIO ALZARE | 1981 | I | 6077 |
| HONESTY 69 | RICH IN PARADISE | A KISS IN PARADISE | 0 | D | 7373 |
| HONEY DRIPPERS | SEA OF LOVE | ROCKIN' AT MIDIGHT | 1984 | D | 799 701 7 |
| HONEY HONEY | SWEET DREAMS | PT.II | 0 | D | 13 421 |
| HONEY TWINS | CHARLY BROWN (FLC) | SCHADE, SCHADE | 1959 | D | 24 028* |
| HONEY TWINS | HERR MEIER (FLC) | BANJO BOY | 1966 | D | 24 230* |
| HONEY TWINS | MODELL 1910 (FLC) | DU | 1959 | D | 24 081* |
| HONEY TWINS | NUR EIN KÜSSCHEN (FLC) | NUR NICHT | 1960 | D | 24 169* |
| HONEY TWINS (NEU) | CHARLY BROWN | SCHADE,SCHADE | 1959 | D | 873 806 7 |
| HONEY YOYO | GROOVE ON | PT.II | 1991 | D | 45 227 |
| HONEYCOMBS | HAVE I THE RIGHT (14899) | PLEASE DON'T | 1969 | D | 14 899 |
| HONEYCOMBS | HAVE I THE RIGHT (16363) | PLEASE DON'T | 1969 | D | 14 205* |
| HONEYCOMBS | IT'S SO HARD | I FELL IN LOVE | 1966 | D | 300 016* |
| HONEYMOON SUITE | LOVE CHANGES EVERYTHING (FACT) | FAST COMPANY | 1988 | D | 258 032-7 |
| HONEYMOON SUITE | NOW GIRL NOW | WAVE BABIES | 1984 | D | 259 486-7 |
| HONG KONG SYNDIKAT | CONCRETE + CLAY | LOOSIN WINNIN' | 1985 | D | 6 14 673 |
| HONG KONG SYNDIKAT | GIRLS I LOVE | ROCK + ROLL HAS | 1986 | D | 6 14 582 |
| HONG KONG SYNDIKAT | NO MORE SORRROW | DON'T STOP TO MOVE | 1987 | D | 6 14 897 |
| HONG KONG SYNDIKAT | REAL MEN DON'T EAT GUMMIBEARS | PT.II | 1989 | D | 246 744-7 |
| HONG KONG SYNDIKAT | TOO MUCH | PT.II | 1985 | D | 6 14 451 |
| HOODOOGURUS | ANOTHER WORLD | LOVER FOR A FRIEND | 1989 | D | 49 325 |
| HOODOOGURUS | COME ANYTIME | CAJUN COUNTRY | 1989 | D | 49 349 |
| HOODOOGURUS | GOOD TIMES | ON MY STREET | 1987 | D | 3151 |
| HOOK MARCUS | LOUISIANA LADY | HOOCIE COOCHIE | 1973 | D | 19 157 |
| HOOKER JOHN LEE & RAITT | I'M IN THE MOOD | THE HEALER | 1989 | D | 43 767 |
| HOOKER TOM | LOOKING FOR LOVE | PT.II | 1986 | D | 108 235 |
| HOOP WYN | AUF WIEDERSEHN, MALLORCA | BONNE NUIT | 1968 | D | 19 930 |
| HOOP WYN | BIST DU EINSAM HEUT' NACHT | DU BIST DAS | 1962 | D | 19 134* |
| HOOP WYN | BONNE NUIT, MA CHERIE | ICH WUSSTE GAR | 0 | D | 19 051 |
| HOOP WYN | ES GIBT KEINE FREUNDE | WEIT IRGENDWO | 0 | D | 10 772 |
| HOOP WYN & MANOLA P. | UKELELE - BABY | KÜSSE IM MONDS. | 1962 | D | D 19 347 |
| HOOTERS | 500 MILES | DELIVER ME | 1990 | NL | 655 445 |
| HOOTERS | ALL YOU ZOMBIES | NERVOUS NIGHT | 1985 | NL | A 6155 |
| HOOTERS | AND WE DANCED | BLOOD FROM A | 1985 | NL | 6487 |
| HOOTERS | BROTHER, DON'T YOU WALK AWAY | THE HOUSE OF | 1989 | NL | 655 312 7 |
| HOOTERS | BROTHER, DON'T YOU WALK (FACT) | THE HOUSE OF | 1989 | NL | 655 312 7 |
| HOOTERS | DAY BY DAY | SOUTH FERRY ROAD | 1985 | NL | A 6943 |
| HOOTERS | DON'T KNOCK IT 'TIL YOU TRY IT | ENGINE 999 | 1990 | NL | 655 930-7 |
| HOOTERS | ENGINE 999 | WHERE DO THE | 1987 | NL | 651 564-7 |
| HOOTERS | JOHNNY B | LUCY IN THE SKY | 1985 | NL | 650 982 7 |
| HOOTERS | KARLA WITH A K | WASHINGTON'S DAY | 1987 | NL | 651 302 7 |
| HOOTERS | SATELLITE | ONE WAY HOME | 1987 | NL | 651 168 7 |
| HOOTERS | SATELLITE (FACT) | ONE WAY HOME | 1987 | NL | 651 168 7 |
| HOPFENMÜLLER ANNETTE | FALL FOR YOU | WAKE UP | 1987 | D | 109 500 |
| HOPFENMÜLLER ANNETTE | GOODBYE MR.JONES | POWER, GO | 1987 | D | 109 655* |
| HÖPFNER OTTO | HUMBA,HUMBA,TÄTÄRÄ | SO WIE HEUTE | 0 | D | 52 289 |
| HOPKIN MARY | GOODBYE | THOSE WERE THE | 1968 | EEC | 450 138 |
| HOPKIN MARY | GOODBYE (FLC) | SPARROW | 1969 | UK | 10* |
| HOPKIN MARY | TEMMA HARBOUR (FLC) | LONTANO DAGLI | 1969 | UK | 1816* |
| HOPKIN MARY | THINK ABOUT YOUR CHILDREN | HERITAGE | 1970 | UK | 1825* |
| HOPKIN MARY | THOSE WERE THE DAYS (FLC) | TURN TURN TURN | 1968 | UK | O 23 888* |
| HOPKINS NIGEL | HOCH IN DEN BERGEN | TROMPETEN-SERE. | 0 | D | 267 806 |
| HOPPE HEINZ (NEU) | HEIMAT, DEINE STERNE | VOR MEINEM VAT. | 0 | A | 145.396 |
| HOPPE SIGI | BÖHMERLAND | EIN UNGLÜCK | 0 | D | 14 232 |
| HOPPE SIGI | HEY BARBERINA | KLARA | 0 | D | 14 426 |
| HOPPE SIGI | IN ABESSINIEN | DER MAJOR | 1967 | D | 19 592* |
| HOPPE SIGI | OH SULIMA-NICHTS ZU KÜSSEN, | WAS IST LOS MIT | 0 | D | 18 904 AT |
| HOPPE SIGI | SO HEISS IST MAROKKO | SCHON WIEDER | 0 | D | 14 727 |
| HOPPE SIGI | UND DER HIMMEL HÄNGT VOLLER | IN EINEM POLEN. | 0 | D | 14 058 |
| HOPPE SIGI | WASSER IST ZUM WASCHEN DA | LEILA | 0 | D | 19 874 AT |
| HOPPE SIGI | ZEHN KOSAKEN, KEIN GEWEHR | DU JUNGER | 1966 | D | 19 260* |
| HÖRBIGER PAUL | WIEN BLEIBT WIEN | PT:II | 0 | D | 5140 |
| HÖRBIGER PAUL | WIENER FIAKERLIED / LUSTIG UND FIDEL | JA, JA DER WEIN / | 0 | D | 5601 |
| HORN ANDREA | SOLEY - SOLEY | DIE WELT | 0 | D | 29 139 |
| HORN JOACHIM | DU RUFST MICH, SAN FRANZISCO | ICH WAR VIEL ZU | 1979 | D | 45 453 |
| HORN JOACHIM | VERLOREN | ES GIBT KEINE | 1980 | D | 45 969 |
| HORN MARITZA | I KNOW WHAT I AM | IF YOU WALKED | 1976 | D | 16 819 |
| HORN PETER | ICH STON OP KÖLLE | DO LALACHE JO | 1991 | D | 6 004 |
| "HORNE JIMMY ""BO""" | DANCE ACROSS THE FLOOR | IT'S YOUR SWEET | 1978 | NL | 6028 |
| "HORNE JIMMY ""BO""" | SPANK | I WANNA GO HOME | 1978 | D | S 7521 |
| "HORNE JIMMY ""BO""" | SPANK (A.H.) | I WANNA GO HOME | 1978 | NL | TKR 7538 |
| "HORNE JIMMY ""BO""" | SPANK (A.H.) | DANCE ACROSS | 1978 | NL | 451 54 |
| HORNETTES THE | COLUMBUS | DO YOU THINK I'M | 0 | D | 6 13 467 |
| HORNETTES THE | HELLO, MR. RADIO (AUTOGRAMM) | JIMMY DEAN | 1968 | D | 6 13 794 |
| HORNETTES THE | MANNEQUIN | JUKE - BOX | 1981 | D | 6 13 033 |
| HORNETTES THE | WAIKIKI TAMOURÉ | T-E-L-E-F-O-N-E | 0 | D | 6 13 200 |
| HORNETTES THE | YOU'VE GOT A RIGHT | DON'T LET GO | 0 | D | 6 13 692 |
| HORNSBY BR.& RANGE | A NIGHT ON THE TOWN (MUSTER) | SPECIAL NIGHT | 1990 | D | 49 245 |
| HORNSBY BR.& RANGE | ACROSS THE RIVER (MUSTER) | FIRE ON THE CROSS | 1990 | D | 49 269 |
| HORNSBY BR.& RANGE | DEFENDERS OF THE FLAG | LOOK OUT ANY | 1988 | D | 49 511 |
| HORNSBY BR.& RANGE | EVERY LITTLE KISS | THE RIVER RUNS | 1986 | D | 49 797 |
| HORNSBY BR.& RANGE | LOOK OUT ANY WINDOWS | ON THE WESTERN | 1988 | D | 49 533 |
| HORNSBY BR.& RANGE | LOOK OUT ANY WINDOWS (FACT) | ON THE WESTERN | 1988 | D | 49 533 |
| HORNSBY BR.& RANGE | MANDOLIN RAIN | THE RED PLAINS | 1986 | D | 49 769 |
| HORNSBY BR.& RANGE | MANDOLIN RAIN (A.L.) | THE RED PLAINS | 1986 | USA | 5087 7 |
| HORNSBY BR.& RANGE | THE VALLY ROAD | THELONG RACE | 1988 | D | 49 561 |
| HORNSBY BR.& RANGE | THE WAY IT IS | THE RED PLAINS | 1986 | D | 49 805 |
| HORSE | SWEET THING | CAT DANCING | 1990 | EEC | 20 3886 7 |
| HORSE | YOU COULD BE FORGIVEN | SOMEBODY | 1989 | EEC | 20 3041 7 |
| HORSLIPS | DEARG DOOM (FLC) | MORE THAN YOU | 1974 | D | 18 436 |
| HORST & HORST | LASS' SE KOMMEN | E'N HAKEN | 0 | D | 21 658 |
| HORSTI KLAUS UND JOE | ROSEN,TULPEN UND NARZISSEN | DAS HALT ICH | 0 | D | 2122 |
| HORSTI STINKSTIEFEL | DU ALTES RÜBENSCHWEIN | ICH BIN KEIN KIND | 0 | D | 2096 |
| HORSTI STINKSTIEFEL | WIE'S MIR GEHT? | SEGELPOLKA | 0 | D | 2112 |
| HORSTI UND DRÜCKEBERG. | APPELKORN IST IN | SCHEISS DER HUND | 0 | D | 808 |
| HORSTI UND JOE | HIER MUSS EIN SCHEISSHAUS SEIN | SCHEISSHAUS-PARTY | 0 | D | 2171 |
| HORSTI UND JOE | SCHNELL SCHNELL SCHNELL | MISS MABEL | 0 | D | 2104 |
| HORSTI UND JOE | WATER KLOSETT | SCHEISS EGAL | 0 | D | 2164 |
| HORSTI UND JOE | WILDSAU PARTY | PT.II | 0 | D | 2130 |
| HORSTI UND JOE | ZEIG'SE HER | SUPERSTIMMUNG | 0 | D | 2165 |
| HORSTI UND JOE | ZWISCHEN LEBER UND DER MILZ | DIE SCHÖNSTEN | 0 | D | 2155 |
| HORTON PETER | DAS KANN UNS NICHT PASSIEREN | GEH' NICHT | 1968 | D | 14 766 |
| HORTON PETER | LAND SO WUNDERBAR | JA | 1968 | D | 14 820 |
| HORTON PETER | WIR BRAUCHEN KEINEN BLAUEN | DU UND ICH | 1968 | D | 14 752* |
| HORTON-BROWN,VALERIE | HANDS OFF | DREAMER | 1981 | D | 102 755 |
| HOT BABYS THE | WIRD ER MICH DANN NOCH LIEBEN | WAS KANN ICH | 0 | D | 666 992 |
| HOT BUTTER | APACHE | HOT BUTTER | 1972 | D | 12 348* |
| HOT BUTTER | POPCORN | AT THE MOVIES | 1972 | D | 12 236 |
| HOT BUTTER | POPCORN (BARCLAY) | AT THE MOVIES | 1972 | F | 61 641 |
| HOT CHOCOLATE | ARE YOU GETTING ENOUGH OF | IF GOT YOU ON | 1980 | D | 63 962 |
| HOT CHOCOLATE | ARE YOU GETTING ENOUGH OF | IF GOT YOU ON | 1980 | UK | 318 |
| HOT CHOCOLATE | CHANCES | A NIGHT TO REMEM. | 1982 | EEC | 64 936 |
| HOT CHOCOLATE | CHANCES | A NIGHT TO REMEM. | 1982 | NL | 64 936 |
| HOT CHOCOLATE | CHERI BABE | SEXY LADY | 1974 | D | 96 085 |
| HOT CHOCOLATE | CHERI BABE | SEXY LADY | 1974 | D | 96 085 |
| HOT CHOCOLATE | DISCO QUEEN | BUMP AND DILLY | 1974 | D | 95 810 |
| HOT CHOCOLATE | DISCO QUEEN (A.H.) | BUMP AND DILLY | 1974 | D | 95 810 |
| HOT CHOCOLATE | DON'T STOP IT NOW | BEAUTIFUL LADY | 1976 | D | 97 551 |
| HOT CHOCOLATE | DON'T STOP IT NOW (A.L./FLC) | BEAUTIFUL LADY | 1976 | USA | 16 060 |
| HOT CHOCOLATE | EMMA | MAKIN' MUSIC | 1974 | D | 95 260* |
| HOT CHOCOLATE | EMMA (A.H.) | MAKIN' MUSIC | 1974 | D | 95 260* |
| HOT CHOCOLATE | EMMA (A.H.) | MAKIN' MUSIC | 1974 | D | 95 260* |
| HOT CHOCOLATE | EMMA (A.H.A.L.) | MAKIN' MUSIC | 1974 | D | 95 260* |
| HOT CHOCOLATE | EMMA (A.H.A.L.) | MAKIN' MUSIC | 1974 | D | 95 260* |
| HOT CHOCOLATE | EVERY I'S A WINNER | POWER OF LOVE | 1978 | D | 60 501 |
| HOT CHOCOLATE | EVERY I'S A WINNER (A.L.) | POWER OF LOVE | 1978 | D | 60 501 |
| HOT CHOCOLATE | EVERY I'S A WINNER (A.L.) | POWER OF LOVE | 1978 | UK | RAK 270 |
| HOT CHOCOLATE | EVERY I'S A WINNER (GROOVE MIX) | SO YOU WIN | 1977 | EEC | 20 1745 7 |
| HOT CHOCOLATE | GAVE YOU MY HEART (DIDN'T I) | JEANNIE | 1983 | EEC | 200 0477 |
| HOT CHOCOLATE | GET IT RIGHT | THE FIRST DAY OF | 1988 | D | 100 07 468 |
| HOT CHOCOLATE | GIRL CRAZY | BED GAMES | 1982 | EEC | 64 760 |
| HOT CHOCOLATE | GIRL CRAZY (A.L.) | BED GAMES | 1982 | EEC | 64 760 |
| HOT CHOCOLATE | GIRL CRAZY (A.L.) | BED GAMES | 1982 | NL | 64 760 |
| HOT CHOCOLATE | GOING THROUGH THE MOTIONS | STAY WITH ME | 1979 | D | 63 069 |
| HOT CHOCOLATE | GOING THROUGH THE (A.H.) | STAY WITH ME | 1979 | D | 63 069 |
| HOT CHOCOLATE | GOTTA GIVE UP YOUR LOVE | CHILDREN OF | 1981 | NL | 64 290 |
| HOT CHOCOLATE | HEARTACHE NO 9 | ONE LIFE | 1986 | EEC | 20 1026 7 |
| HOT CHOCOLATE | HEAVEN IS IN THE BACK SEAT | SEX APPEAL | 1976 | D | 98 091 |
| HOT CHOCOLATE | HEAVEN IS IN THE BACK (A.L.) | SEX APPEAL | 1976 | D | 98 091 |
| HOT CHOCOLATE | HEAVEN IS IN THE BACK (A.H.A.L.) | BROTHER LOUIE | 1973 | EEC | 20 2090 7 |
| HOT CHOCOLATE | I BELIEVE (IN LOVE) | CAVEMAN BILLY | 1971 | D | 92 811 |
| HOT CHOCOLATE | I BELIEVE (IN LOVE) (A.H.A.L./FLC) | CAVEMAN BILLY | 1971 | UK | 118 |
| HOT CHOCOLATE | IT STARTED WITH A KISS | EMOTION EXPLOS. | 1982 | EEC | 64 864 |
| HOT CHOCOLATE | IT STARTED WITH A KISS (A.L.) | EMOTION EXPLOS. | 1982 | EEC | 64 864 |
| HOT CHOCOLATE | IT STARTED WITH A KISS (A.L.) | EMOTION EXPLOS. | 1982 | NL | 64 864 |
| HOT CHOCOLATE | I'LL PUT YOU TOGETHER AGAIN | WEST END OF | 1978 | 9 | 61 987 |
| HOT CHOCOLATE | I'M LOSING YOU | CHILDREN OF | 1981 | D | 64 276 |
| HOT CHOCOLATE | I'M SORRY | LOVE IS A GOOD | 1983 | EEC | 165 4347 |
| HOT CHOCOLATE | LOVE ME TO SLEEP | THE GIRL IS A | 1980 | D | 64 176 |
| HOT CHOCOLATE | MAN TO MAN | EYES OF A | 1976 | D | 97 923 |
| HOT CHOCOLATE | MAN TO MAN (A.L.) | EYES OF A | 1976 | D | 97 923 |
| HOT CHOCOLATE | MARY - ANNE | RUTH | 1972 | D | 93 276 |
| HOT CHOCOLATE | MINDLESS BOOGIE | DON'T TURN IT | 1979 | D | 62 666* |
| HOT CHOCOLATE | NEVER PRETEND | PT.II | 1988 | D | 887 918-7 |
| HOT CHOCOLATE | NO DOUBT ABOUT IT | GIMME SOME OF | 1980 | D | 63 853 |
| HOT CHOCOLATE | NO DOUBT ABOUT IT (A.L.) | GIMME SOME OF | 1980 | D | 63 853 |
| HOT CHOCOLATE | NO DOUBT ABOUT IT (A.L.) | GIMME SOME OF | 1980 | NL | 63 853 |
| HOT CHOCOLATE | NO DOUBT ABOUT IT (A.H. A.L.) | GIMME SOME OF | 1984 | NL | 63 853 |