INTERPRET | A TITEL | B TITEL | JAHR | LAND | NUMMER |
HOT CHOCOLATE | NO DOUBT ABOUT IT (A.H.A.L.) MIX | GAVE YOU MY HEART | 1980 | EEC | 20 1919 7 |
HOT CHOCOLATE | PUT YOUR LOVE IN ME | LET THEM BE | 1977 | D | 60 166 |
HOT CHOCOLATE | SO YOU WIN AGAIN | A PART OF | 1977 | D | 99 156 |
HOT CHOCOLATE | TEARS ON THE TELEPHONE | IT'S MY BIRTH. | 1983 | EEC | 165 2467 |
HOT CHOCOLATE | TEARS ON THE TELEPHONE (A.H.) | IT'S MY BIRTH. | 1983 | EEC | 165 2467 |
HOT CHOCOLATE | WHAT ABOUT YOU (FILM) | PT.II | 1988 | D | 871 764-7 |
HOT CHOCOLATE | WHAT KINDA BOY | GOT TO GET | 1983 | EEC | 65 110 |
HOT CHOCOLATE | WHAT KINDA BOY (A.H.A.L.) | GOT TO GET | 1983 | NL | 65 110 |
HOT CHOCOLATE | YOU SEXY THING | A WARM SMILE | 1975 | D | 97 109* |
HOT CHOCOLATE | YOU SEXY THING (A.H.) | A WARM SMILE | 1975 | D | 97 109* |
HOT CHOCOLATE | YOU SEXY THING (A.L.) | A WARM SMILE | 1975 | UK | 97 109 |
HOT CHOCOLATE | YOU SEXY THING (A.L.) | EVERY 1'S A | 1975 | EEC | 20 1583 7 |
HOT CHOCOLATE | YOU SEXY THING (A.L.) | EVERY 1'S A | 1975 | EEC | 20 1583 7 |
HOT CHOCOLATE | YOU'LL NEVER BE SO WRONG | ROBOT LOVE | 1981 | D | 64 390 |
HOT CHOCOLATE | YOU'LL NEVER BE SO WRONG (A.H.A.L.) | ROBOT LOVE | 1981 | NL | 64 390 |
HOT DOGS | BUBI, BUBI NOCH EINMAL | JA, MIR SAN | 1972 | D | 30 391 |
HOT DOGS | EH-LA-BAS | CREOLE JAZZ | 0 | D | 28 713 |
HOT DOGS | I' BIN DA WIRT VON STOA | TÖLZER SCHÜTZEN | 0 | D | 28 712 |
HOT DOGS | JA, MIA SAN MIT' M RADL DA | BUBI,BUBI | 1972 | D | 30 391 |
HOT DOGS | JA, SO WARNS, DIE ALTEN RITTERSLEUT' | PT.II | 0 | D | 29 858 |
HOT DOGS | LOUISE | MARGARETHE | 0 | D | 55 426 |
HOT DOGS | SCHAUG HI, DA LIEGT A TOTER FISCH | UNTER'M DOPPELL. | 1974 | D | 30 554 |
HOT EYES | DET' LIGE DET | MIT DIR WILL ICH | 1984 | D | 1395 157 |
HOT GLAS | C'EST L'AMOUR | PT.II | 1979 | D | S 6458 |
HOT GOSSIP | I DON'T DEPEND ON YOU | SOUL WARFARE | 1982 | D | 103 873 |
HOT-LINE | MARBELLA AND YOU | PT.II | 1990 | D | 13 |
HOT POPPERS | ORGAN GRINDER'S HULA | HILO DRUMS | 1973 | D | M 25.519 |
HOT SHOT | ANGEL FROM PARADISE | FRIDAY | 1981 | D | 6 13 313 |
HOT SHOT | FIRE IN THE NIGHT | PT.II | 1981 | D | 6 12 976 |
HOT SHOT | I CAN'T STAND IT NO MORE | LOVE IS A DRAG | 1983 | D | 811 522-7 |
HOT SHOT | LOVE IS TO LOVE A LOVER'S LOVE | PT.II | 1982 | D | 6 13 565 |
HOT SHOT & SHIVA | TWIST EIGHTY-TWO (FACT) | HE'S JUST A | 1981 | D | 6 13 332 X |
HOT SHOTS | SNOOPY VERSUS THE RED BARON | WHAT DO YOU SAY | 1973 | NL | 6073 334 |
HOT SHOTS | SNOOPY VERSUS THE ( A.H.) | WHAT DO YOU SAY | 1973 | NL | 6073 334 |
HOT TODDY'S | HOLIDAY ROCK | HOE-DOWN | 0 | D | 55 265 |
HOTCHA MUNDHARMONIKA | THE ABA DABA HONEYMOON | RAG OF RAGS | 1953 | D | 84 033 |
HOTCHA MUNDHARMONIKA | TOY SHOP RAG | JAN'S KNASTER | 0 | D | 300 409 |
HOTHOUSE FLOWERS | DON'T GO | SAVED | 1988 | D | 886 301-7 |
HOTHOUSE FLOWERS | EASIER IN THE MORNING | CARRICKFERGUS | 1988 | D | 886 315-7 |
HOTHOUSE FLOWERS | GIVE IT UP | IF YOU'RE HAPPY | 1990 | D | 869 004-7 |
HOTHOUSE FLOWERS | I CAN SEE CLEARLY NOW | KANSAS CITY | 1990 | D | 869 102-7 |
HOTHOUSE FLOWERS | I'M SORRY | MOUNTAINS | 1988 | UK | LON 187 |
HOTHOUSE FLOWERS | ONE TONGUE | SAME SONG | 1993 | NL | 857 104-7 |
HOTLEGS | DESPERATE DAN | RUN BABY RUN | 0 | D | 6006 079 |
HOTLEGS | NEANDERTHAL MAN | YOU DIDN'T LIKE | 1970 | D | 6007 019* |
HOTLEGS | NEANDERTHAL MAN (A.L.) | YOU DIDN'T LIKE | 1970 | D | 6007 019* |
HOTLINE | FEEL SO STRONG | PUT A LITTLE | 1983 | D | 813 131 7 |
HOUND LEAF | DROWNED MY LIFE IN FEAR | IT'S GONNA GET | 0 | D | 56 154 |
HOUSE OF LORDS | LOVE DON'T LIE (MUSTER) | LOOKING | 1988 | D | 876 612-7 |
HOUSE OF LOVE | SHINE ON | ALLERGY | 1990 | D | 876 612-7 |
HOUSEMARTINS THE | BUILD | PARIS IN FLARES | 1987 | D | 109 583 |
HOUSEMARTINS THE | CARAVAN OF LOVE | WHEN I FIRST | 1986 | D | 108 799 |
HOUSEMARTINS THE | FIVE GET OVER EXCITED | REBEL WITHOUT | 1987 | D | 109 169 |
HOUSEMARTINS THE | FIVE GET OVER EXCITED (A.L.) | REBEL WITHOUT | 1987 | UK | 18 |
HOUSEMARTINS THE | HAPPY HOUR | THE MIGHTY 'SHIP | 1986 | D | 108 369 |
HOUSEMARTINS THE | ME AND THE FARMER | I BIT MY LIP | 1987 | UK | GOD 19 |
HOUSEMARTINS THE | SHEEP | DROP DOWN DEAD | 1987 | D | 108 990 |
HOUSEMARTINS THE | THINK FOR A MINUTE | WHO NEEDS THE | 1986 | D | 108 584 |
HOUSEMARTINS THE | THERE IS ALWAYS SOMETHING THERE | GET UP OFF OUR | 1987 | D | 109 960 |
HOUSTON THELMA | DON'T KNOW WHY I LOVE YOU | IF IT'S THE | 1978 | D | 99 164 |
HOUSTON THELMA | DON'T LEAVE ME THIS WAY | TODAY WILL SOON | 1976 | D | 98 552 |
HOUSTON THELMA | DON'T LEAVE ME THIS WAY (A.L.) | TODAY WILL SOON | 1976 | NL | 98 552 |
HOUSTON THELMA | IF YOU FEEL IT | HOLLYWOOD | 1981 | NL | 2215 |
HOUSTON THELMA | I'M HERE AGAIN | SHARING | 1977 | D | 99 572 |
HOUSTON WHITNEY | ALL AT ONCE | THINKING ABOUT | 1985 | D | 107 407 |
HOUSTON WHITNEY | ALL AT ONCE (A.H.) | THINKING ABOUT | 1985 | D | 107 185 |
HOUSTON WHITNEY | ALL THE MAN THAT I NEED | DANCIN' ON THE | 1990 | D | 114 000 |
HOUSTON WHITNEY | DIDN'T WE ALMOST HAVE IT ALL | SHOKE ME | 1987 | D | 109 307 |
HOUSTON WHITNEY | GREATEST LOVE OF ALL | THINKING ABOUT | 1985 | D | 108 084 |
HOUSTON WHITNEY | HOW WILL I KNOW | SOMEONE FOR ME | 1985 | D | 107 952 |
HOUSTON WHITNEY | HOW WILL I KNOW (A.H.) | THE GREATEST | 1985 | D | 107 741 |
HOUSTON WHITNEY | I BELONG TO YOU | ONE MOMENT IN TIME | 1988 | D | 114 727 |
HOUSTON WHITNEY | I HAVE NOTHING | WHERE YOU ARE | 1993 | D | 114 158 7 |
HOUSTON WHITNEY | I HAVE NOTHING (A.L.) | WHERE YOU ARE | 1993 | UK | 12 527-7 |
HOUSTON WHITNEY | I WANNA DANCE WITH SOMEBODY | MOMENT OF TRUTH | 1987 | D | 109 008 |
HOUSTON WHITNEY | I WILL ALWAYS LOVE YOU | JESUS LOVES ME | 1992 | D | 112 065 7 |
HOUSTON WHITNEY | I WILL ALWAYS LOVE YOU (A.L.) | JESUS LOVES ME | 1992 | UK | 12 490 7 |
HOUSTON WHITNEY | I'M EVERY WOMAN | WHO DO YOU LOVE | 1990 | D | 113 150 7 |
HOUSTON WHITNEY | I'M YOUR BABY TONIGHT | I'M KNOCKIN' | 1990 | D | 113 594 |
HOUSTON WHITNEY | LOVE WILL SAVE THE DAY | HOLD ME | 1987 | D | 111 516 |
HOUSTON WHITNEY | MY NAME IS NOT SUSAN | PT.II | 1990 | D | 114 313 |
HOUSTON WHITNEY | ONE MOMENT IN TIME | KASHIF | 1988 | D | 111 725 |
HOUSTON WHITNEY | RUN TO YOU | AFTER WE MAKE | 1990 | D | 115 513 7 |
HOUSTON WHITNEY | SAVING ALL MY LOVE FOR YOU | HOW WILL I KNOW | 1985 | D | 107 856 |
HOUSTON WHITNEY | SO EMOTIONAL | FOR THE LOVE OF | 1987 | D | 109 477 |
HOUSTON WHITNEY | SOMEONE FOR ME | THE GREATEST | 1985 | D | 107 198 |
HOUSTON WHITNEY | WHERE DO BROKEN HEARTS GO | WHERE YOU ARE | 1987 | D | 109 793 |
HOUSTON WHITNEY & | I KNOW HIM SO WELL | JUST THE LONELY | 1987 | D | 111 904 |
HOW WE LIVE | ALL THE TIME IN THE WORLD | LOST AT SEA | 1986 | UK | 650 088 7 |
HOWARD MIKI | COME SHARE MY LOVE | I SURRENDER | 1986 | D | 789 351-7 |
HOWARD SINGERS | ALL MY RELATIVES LOOK THE SAME | SO WHAT | 1990 | D | GTG 12 |
HOWARD R.& MAZELLE | WAIT (SHORT) | PT.II | 1988 | D | PB 42 595 |
HOWCHER | COLDER THAN COLDEST SEA | LOVE DON'T LIVE | 1984 | D | 378 |
HOWLAND CHRIS | DAS HAB ICH IN PARIS GELERNT (FLC) | BLONDER STERN | 1957 | D | 21 095* |
HOWLAND CHRIS | DAS HAB ICH IN PARIS (A.L.) | BLONDER STERN | 1957 | D | 21 095* |
HOWLAND CHRIS | DAS HAT MIR TANTE EMMA AUS ITALIEN | DAS TUT GUT | 1962 | D | 22 289 |
HOWLAND CHRIS | DIE MUTTER IST IMMER DABEI | GEH'N SIE NICHT | 1960 | D | 21 631* |
HOWLAND CHRIS | EUROPA HIESS DIE DAME | AGATHE | 1975 | D | 6003 447 |
HOWLAND CHRIS | FRÄULEIN | MAMA | 1957 | D | 20 387 |
HOWLAND CHRIS | FRÄULEIN (A.L.) | MAMA | 1957 | D | 5625* |
HOWLAND CHRIS | HÄMMERCHEN - POLKA | SIE WEISS NOCH | 1961 | D | 21 965* |
HOWLAND CHRIS | HUNDERT SCHÖNE FRAU'N | ELISABETH | 0 | D | 21 817 |
HOWLAND CHRIS | ICH FAHR' GERNE ANS MEER | DIE MÄDCHEN | 1981 | D | 5882 |
HOWLAND CHRIS | JA, JA, WUDERBAR | VERBOTEN | 0 | D | 21 018 |
HOWLAND CHRIS | JENKKA, JENKKA, BLINDEKUH | WENN ICH JAMES | 1965 | D | 18 268* |
HOWLAND CHRIS | KLEINES MÄDCHEN AUS BERLIN | ES BRAUCHT | 1959 | D | 21 364 |
HOWLAND CHRIS | KLEINES MÄDCHEN AUS BERLIN (A.L.) | ES BRAUCHT | 1959 | D | 21 364 |
HOWLAND CHRIS | LASS' UNS IN DEN GARTEN GEH'N | DER APFEL FÄLLT | 1979 | D | 45 523 |
HOWLAND CHRIS | MINI - BIKINI | PUMPERNICKEL | 1962 | D | 22 766* |
HOWLAND CHRIS | O YES, OKAY, ALLRIGHT | DER DUMME IM | 1961 | D | 21 260* |
HOWLAND CHRIS | PATRICIA (FILMM.) | VENUS | 0 | D | 21 190 |
HOWLAND CHRIS (NEU) | HÄMMERCHEN - POLKA | DAS HAB' ICH IN | 1961 | EEC | 145 535 7 |
HOWLAND CHRIS (NEU) | HÄMMERCHEN - POLKA | ICH HAB DAS FRÄUL. | 0 | A | 145 432 |
HUANG CHUNG | CHINA (FACT) | TI NA NA | 1982 | D | 106 641 |
HUBEN EDELWEISS-KAP. | SCHÖNES OSTTIROL | FRÜHLINGSBLUMEN | 0 | D | 7309 |
HUBER LYDIA | ANGELUS DOMINI | WIE EIN SCHMETTER. | 0 | A | 145 690 |
HUBER WOLFI | SCHWARZE STRAPS UND NETZSTRÜMPFE | PT.II | 1990 | EEC | 147 544 7 |
HUBERTUS | TEARS OF LOVE | MERCI MERCI | 1982 | ESP | 2112 |
HUBERTY ERNST | JUANITO MEXICO (VERK.6000 ST.) | MEXICO AY-AY-AY | 1970 | D | 3148 |
HÜBI | DAS LIED VON DER BUNDESWEHR | WARUM IMMER ICH | 1981 | D | 102 983 |
HÜBNER JOACHIM & ABC | POPPA JOE | ICH LIEB' ALLES WAS | 1972 | D | 2041 254* |
HUDEK JENS | WAS IST GEBLIEBEN (AUTOGRAMM) | ZEIG MIR DIE | 0 | D | 153 |
HUDSON AL & PARTNERS | MUSIC | TONIGHT | 1979 | USA | 101 228 |
HUDSON AL & PARTNERS | NOW THAT I FOUND YOU | ROCK | 1979 | D | 101 241 |
HUDSON AL & PARTNERS | YOU CAN DO IT | HAPPY FEET | 1979 | D | 101 237 |
HUDSON AL & PARTNERS | YOU CAN DO IT (A.H.A.L.) | I DON'T WANT | 1979 | D | 32.712 |
HUDSON AL & PARTNERS | YOU CAN DO IT (ORGINAL) (FLC) | I DON'T WANT | 1979 | USA | 12 459 |
HUDSON AL & PARTNERS | YOU CAN DO IT (TOPHIT) | I DON'T WANT | 1979 | USA | 63 235 |
HUDSON LAVINE | ALL I NEED | TURNED AWAY | 1991 | D | 114 185 |
HUDSON LAVINE | YOU'RE STILL LOVED | ABRAHAM, MARTIN | 1991 | D | 115 038 |
HUE AND CRY | I REFUSE | INDIFFERENCE | 1988 | UK | YR 8 |
HUE AND CRY | LOOKING FOR LINDA | HE WON'T SMILE | 1989 | D | 112 141 |
HUE AND CRY | PEACHEFUL FACE | MOTHER GLASGOW | 1989 | UK | YR 41 |
HUE AND CRY | STRENGTH TO STRENGTH | DANGEROUS WRECK | 1987 | D | 109 446 |
HUE AND CRY | STRENGTH TO STRENGTH (FACT) | DANGEROUS WRECK | 1987 | D | 109 446 |
HUE AND CRY | SWEET INVISIBILITY | GREENOCK TIME | 1989 | UK | YR 37 |
HUE AND CRY | VIOLENTIY | THE MAN WITH | 1989 | D | 112 304 |
HUE AND CRY | VIOLENTIY (FACT) | THE MAN WITH | 1989 | D | 112 304 |
HUEBNER KARIN | MY FAIR LADY | PT.II | 1963 | D | 423 412 |
HUES CORPORATION THE | LOVE CORPORATION | HE'S MY HOME | 1975 | D | 26 11 247 |
HUES CORPORATION THE | ROCK THE BOAT | ALL GOIN' DOWN | 1974 | D | 26 11 201 |
HUES CORPORATION THE | ROCK THE BOAT (A.H.) | ALL GOIN' DOWN | 1974 | D | 26 11 201 |
HUES CORPORATION THE | ROCKIN' SOUL | GO TO THE POET | 1974 | D | 26 11 224 |
HUEY LEWIS AND THE | HE DON'T KNOW (MUSTER/FLC) | BUILD ME UP | 1991 | EEC | 20 4600 7 |
HUEY LEWIS AND THE | TATTOO (FIVING IT ALL UP FOR LOVE) | DO YOU BELIEVE IN | 1982 | UK | 2620 |
HUFSCHMID DIETER | DAS KANN KEIN ZUFALL SEIN | ES WAR LIEBE | 1974 | D | WB 16 342 |
HUGH GRAYSON | BRING IT ALL BACK | WHO ARE YOU | 1989 | D | 49 317 |
HUGH GRAYSON | TALK IT OVER | EMPTY AS THE WIND | 1988 | D | 49 483 |
HUGHES BILL | MARTIN EDEN (FILMM.) | MEXICANA | 1979 | D | 8041 |
HUGO & LUIGI | BABY FACE / PEG O' MY HEART / FOR | PUT YOUR ARMS/ | 0 | USA | 3047 |
HUGO & STAMMTISCHBR. | WIR GRÜNDEN EINE BIER-PARTEI | DAS FLASCHENKI. | 0 | D | 345 766 |
HULA HAWAIIANS DIE | DOCH SIE SAGT IMMER MORGEN | BILL BRONCO | 0 | D | 45-A-379 |
HULA HAWAIIANS DIE | HILO - MARSCH | RAG OF RAGS | 0 | D | 45-A-263 |
HULA HAWAIIANS DIE | HILO - MARSCH (A.L.) | RAG OF RAGS | 0 | D | 45-A-263 |
HULA HAWAIIANS DIE | HULA - MOON | STERN VON TAHITI | 0 | D | 45-A-322 |
HULA-HAWAIIAN-QUART. | AM WEISSEN STRAND VON SOURABAY | IN HONOLULU IN | 1954 | D | 22 429* |
HULA-HAWAIIAN-QUART. | DER MOND SCHEINT AUF HAWAII | DU ROSE VON SA. | 0 | D | 23 216 |
HULA-HAWAIIAN-QUART. | DIE PERLE AUF DEM MEERESGRUND | VOR HAWAII | 1955 | D | 23 007 |
HULA-HAWAIIAN-QUART. | ICH KANN DICH NIE VERLIEREN | GITARREN DER | 1958 | D | 23 547 |
HULA-HAWAIIAN-QUART. | IN EINEM ALTEN MÄRCHENWALD | ROTER MOND VON | 1955 | D | 23 065 |
HULA-HAWAIIAN-QUART. | JIM, JONNY UND JONAS (FLC) | HEUT' SINGEN DIE | 1954 | D | 22 283 |
HULA-HAWAIIAN-QUART. | JIM, JONNY UND JONAS / HEUT' | AM WEISSEN / IN | 1955 | D | 20 115* |
HULA-HAWAIIAN-QUART. | KÖNIGE DER SÜDSEE (FLC) | VAYA CON DIOS | 1953 | D | 22 057* |
HUMAN ELECTRICS | OH BABY BE MINE | PT.II | 1989 | BEL | 110 497 |
HUMAN ELECTRICS | UNDERSTAND | WHAT ARE YOU | 1989 | BEL | 110 083 7 |
HUMAN LEAGUE THE | BEING BOILED | CIRCUS OF DEATH | 1980 | EEC | 20 1128 7 |
HUMAN LEAGUE THE | BEING BOILED (A.L.) | CIRCUS OF DEATH | 1980 | EEC | 20 1128 7 |
HUMAN LEAGUE THE | DONT' YOU WANT ME | SECONDS | 1981 | D | 103 890 |
HUMAN LEAGUE THE | DONT' YOU WANT ME (A.H.) | SECONDS | 1981 | D | 103 890 |
HUMAN LEAGUE THE | EMPIRE STATE HUMAN (LC) | INTRODUCING | 1979 | UK | VS 351* |
HUMAN LEAGUE THE | FASCINATION (KEEP FEELING) | TOTAL PANIC | 1983 | D | 105 331 |
HUMAN LEAGUE THE | FASCINATION (KEEP FEELING) (A.L.) | TOTAL PANIC | 1983 | UK | 569 |
HUMAN LEAGUE THE | HEART LIKE A WHEEL | REBOUND | 1990 | D | 113 520 |
HUMAN LEAGUE THE | HUMAN | PT.II | 1986 | D | 108 290 |
HUMAN LEAGUE THE | I NEED YOUR LOVING | PT.II | 1986 | D | 108 666 |
HUMAN LEAGUE THE | LOUISE | THE WORLD TONI. | 1984 | D | 106 746 |
HUMAN LEAGUE THE | LOVE ACTION ( LC) | HARD TIMES | 1981 | UK | VS 435 |
HUMAN LEAGUE THE | LOVE IS ALL THAT MATTERS | PT.II | 1986 | D | 108 901 |
HUMAN LEAGUE THE | MIRROR MAN | YOU REMIND ME | 1972 | D | 104 828 |
HUMAN LEAGUE THE | OPEN YOUR HEART | NON STOP | 1981 | D | 104 366 |
HUMAN LEAGUE THE | THE LEBANON | THIRTEEN | 1984 | D | 106 421 |
HUMBLE PIE | HOT 'N' NASTY (SMALL FACES) | YOU'RE SO GOOD | 1972 | D | 12 183* |
HUMBLE PIE | I DON'T NEED NO DOCTOR | A SONG FOR | 1971 | D | 10 431* |
HUMBLE PIE | NATURAL BORN BOOGIE | THE SAD BAG OF | 1969 | D | BF 18 512 |
HUMBLE PIE | NATURAL BORN BUGIE | WRIST JOB | 1975 | D | 90 533* |
HUMPE ANNETTE | ICH KÜSSE IHREN MANN | AYUDAME | 1990 | D | 878 166-7 |
HUMPE HUMPE | YOU DIDN'T WANT ME / GESCHRIEN | BELLE JAR / CAN'T | 1986 | DD | 5 56 1339* |
HUMPE INGA | RIDING INTO BLUE (A.L.) | I GET ALONG | 1990 | D | 71 465-7 |
HUMPE INGA | RIDING INTO BLUE (FACT/PR) | I GET ALONG | 1990 | D | 71 465-7 |
HUMPE INGA & ANETE | CARLESS LOVE | COME CLOSER NOW | 1987 | D | 248 275-7 |
HUMPE INGA & ANETE | CARLESS LOVE (FACT) | COME CLOSER NOW | 1987 | D | 248 275-7 |
HUMPE INGA & ANETE | NO LONGER FRIENDS | BACK INTO YOUR | 1988 | D | 248 113-7 |
HUMPHREY BOBBI | FUN HOUSE | YOU ARE THE | 1975 | 0 | 624 |
HUMPHRIES SINGERS | CARNIVAL | KENTUCKY DEW | 1973 | D | 29 214 |
HUMPHRIES SINGERS | DO YOU WANNA ROCK AND ROLL ? | ROLLS ROYCE | 1974 | D | 6.11 502 |
HUMPHRIES SINGERS | FAMILY SHOW | PASADENA TOWN | 1975 | D | 6 11 687* |
HUMPHRIES SINGERS | INDIAN WAR | LITTLE SPARROW | 1976 | D | 6 11 965 |
HUMPHRIES SINGERS | KANSAS CITY | BACK ON TOUR | 1974 | D | 29 224 |
HUMPHRIES SINGERS | MAMA LOO | I'M FROM THE | 1973 | D | 29 191 |
HUMPHRIES SINGERS | MAMA LOO (A.H.) | I'M FROM THE | 1973 | D | 29 191 |
HUMPHRIES SINGERS | MEGA - REMIX '89 (PR) | MAMA LOO | 1989 | D | 246 839-7 |
HUMPHRIES SINGERS | MEXICO | JENNIFER ADAM | 1972 | D | 29 171 |
HUMPHRIES SINGERS | NEW ORLEANS | LIVE FOR TODAY | 1974 | D | 6 11 558 |
HUMPHRIES SINGERS | O COME ALL YE FAITHFUL | JINGLE BELLS | 1972 | D | 29 183* |
HUMPHRIES SINGERS | OLD MAN MOSES | SOUL BROTHER | 0 | D | 29 144 |
HUMPHRIES SINGERS | PROMISED LAND | THIS OLE HOUSE | 0 | D | 29 080 |
HUMPHRIES SINGERS | ROCK MY SOUL | I BELIEVE | 0 | D | 29 047 |
HUMPHRIES SINGERS | SING SANG SONG | SLOW DOWN | 1976 | D | 6 11 844 |
HUMPHRIES SINGERS | SPANISH DISCOTHEQUE | DAY AFTER DAY | 1976 | D | 6 11 801 |
HUMPHRIES SINGERS | SPIRIT OF FREEDOM | DANCE, DANCE | 1992 | D | 44 0074-7 |
HUMPHRIES SINGERS | TAKE CARE OF ME | SING HALLELUJAH | 0 | D | 29 166 |
HUMPHRIES SINGERS | TOP SZENE HAMBURG | RUN BABY RUN | 1975 | D | 6 11 596 |
HUMPHRIES SINGERS | WE ARE GOIN' DOWN JORDAN | JESUS, JOSEPH | 0 | D | 29 125 |