| INTERPRET | A TITEL | B TITEL | JAHR | LAND | NUMMER |
| MATHIAS CLAUS | IRGENDWANN FÄNGT ES IMMER AN | MÄDCHEN, WIR | 1975 | D | 6003 435 |
| MATHIEU MIREILLE | AKROPOLIS ADIEU | DER SOMMER | 1971 | D | 10 377 |
| MATHIEU MIREILLE | AKROPOLIS ADIEU (A.H.) | DER SOMMER | 1971 | D | 10 377 |
| MATHIEU MIREILLE | ALOA-HE | ABSCHIED VON | 1976 | D | 16 716 |
| MATHIEU MIREILLE | AN EINEM SONNTAG IN AVIGNON | AU REVOIR AMOUR | 1970 | D | 14 521 |
| MATHIEU MIREILLE | CHICANO | PEARLYDUMM | 1980 | D | 102 033 |
| MATHIEU MIREILLE | C'EST TON NOM | MON CREDO | 0 | D | M 873 |
| MATHIEU MIREILLE | C'EST TON NOM/NE PARLEZ (A.L.) | MON CREDO/ILS | 0 | F | 70 953 |
| MATHIEU MIREILLE | DER CLOCHARD | NUR DU | 1982 | D | 103 909 |
| MATHIEU MIREILLE | DER PARISER TANGO | WANN KOMMST DU | 0 | D | 10 155 |
| MATHIEU MIREILLE | DER WEIN WAR AUS BORDEAUX | ES IST ZEIT | 1976 | D | 17 133 |
| MATHIEU MIREILLE | DER WIND HAT MIR EIN LIED ERZÄHLT | VERLOREN SEIN | 1985 | D | 107 607 |
| MATHIEU MIREILLE | DER ZAR UND DAS MÄDCHEN | DIE GLOCKEN VON | 1975 | D | 16 300 |
| MATHIEU MIREILLE | DER ZAR UND DAS MÄDCHEN (A.L.) | DIE GLOCKEN VON | 1975 | D | 16 300 |
| MATHIEU MIREILLE | DIE LIEBE EINER FRAU | SO WILL ICH MIT | 1981 | D | 103 523 |
| MATHIEU MIREILLE | DIE LIEBE KENNT NUR DER, DER SIE | GEH, BEVOR DIE | 1977 | D | 11 377 |
| MATHIEU MIREILLE | DIE LIEBE ZU DIR | WAS NUN | 1982 | D | 104 600 |
| MATHIEU MIREILLE | DU MUSST MIR GAR NICHTS VON | MEINE ERSTE | 1981 | D | 103 000 |
| MATHIEU MIREILLE | ES GEHT MIR GUT, CHERI | MEINE WELT IST | 0 | D | 14 626 |
| MATHIEU MIREILLE | GANZ PARIS IST EIN THEATER | DIE KINDER VOM | 0 | D | 14 800 |
| MATHIEU MIREILLE | HANS IM GLÜCK | ABER DICH | 0 | D | 12 230 |
| MATHIEU MIREILLE | HINTER DEN KULISSEN VON PARIS | MARTIN | 1969 | D | 14 285 |
| MATHIEU MIREILLE | ICH SCHAU' IN DEINE AUGEN | WOLKE IM WIND | 1985 | D | 107 300 |
| MATHIEU MIREILLE | J'AI GARDÊ L'ACCENT / A COEUR | JE NE SUIS/QUAND. | 0 | F | 71 249 |
| MATHIEU MIREILLE | KINDER DIESER WELT | FÜR LIEBE IST | 1987 | D | 109 589 |
| MATHIEU MIREILLE | KLEINE SCHWALBE | ES WAR MAL | 1976 | D | 17 377 |
| MATHIEU MIREILLE | KORSIKA | MEINE TRÄUME | 1974 | D | 12 012 |
| MATHIEU MIREILLE | LA DERNIERE VALSE | UN MONDE AVEC | 1967 | D | 25 001 |
| MATHIEU MIREILLE | LA PREMIERE ÉTOILE | UNE SIMPLE | 0 | D | 14 307 |
| MATHIEU MIREILLE | MEIN LETZTER TANZ | LA PALOMA ADE | 1973 | D | 12 995 |
| MATHIEU MIREILLE | NIMM NOCH EINMAL DIE GITARRE | S'AGAPO | 1977 | D | 11 680 |
| MATHIEU MIREILLE | NOUS ON S'AIMERA / POUR UN COEUR | ADIEU A LA NUIT | 0 | F | 71 163 |
| MATHIEU MIREILLE | NUR FÜR DICH | VOR UNS LIEGT | 1983 | D | 105 744 |
| MATHIEU MIREILLE | PARDONNE-MOI CE CAPRICE | POURQOUI LE | 0 | D | 14 630 |
| MATHIEU MIREILLE | PARIS EN COLERE | SOLDATS SAN | 1966 | D | M 908 |
| MATHIEU MIREILLE | PARIS VOR HUNDERT JAHREN | JEDES KIND DER | 0 | D | 13 899 |
| MATHIEU MIREILLE | QUAND FERA-T-IL JOUR CAMARADE | LA VIEILLE | 0 | F | 60 872 |
| MATHIEU MIREILLE | QUAND ON REVIENT | POUR UN COEUR | 1967 | D | M 982 |
| MATHIEU MIREILLE | QU' ELLE EST BELLE | POURQUOI MON | 1966 | D | M 891 |
| MATHIEU MIREILLE | REGEN IST SCHÖN | DREI MATROSEN | 0 | D | 12 550 |
| MATHIEU MIREILLE | ROMA, ROMA, ROMA | MON PERE | 0 | D | 12 750 |
| MATHIEU MIREILLE | SANTA MARIA | GLORY, GLORY | 1978 | D | 11 977 |
| MATHIEU MIREILLE | SANTA MARIA (A.H.) | GLORY, GLORY | 1978 | D | 11 977 |
| MATHIEU MIREILLE | SWEET SOUVENIRS OF STEFAN | SOMETIMES | 0 | D | 14 200 |
| MATHIEU MIREILLE | TAGE WIE AUS GLAS | WENN ZWEI SICH | 1980 | D | 101 380 |
| MATHIEU MIREILLE | TARATA - TING,TARATA - TONG | DAS WUNDER | 0 | D | 14 401 |
| MATHIEU MIREILLE | UN HOMME ET UNE FEMME | VIENS DANS MA RUE | 0 | D | 926 |
| MATHIEU MIREILLE | UN JOUR TU REVIENDRAS | LA MARCHE DE | 0 | D | 13 699 |
| MATHIEU MIREILLE | UNA CANZONE | L'AMOUR EST | 1968 | D | M 25 070 |
| MATHIEU MIREILLE | UND DER WIND WIRD EWIG SINGEN | DER TRAURIGE | 0 | D | 13 550 |
| MATHIEU MIREILLE | UND DER WIND WIRD (A.L.) | DER TRAURIGE | 0 | D | 13 550 |
| MATHIEU MIREILLE | WALZER DER LIEBE | ON VERRA | 1977 | D | 17 644 |
| MATHIEU MIREILLE | WENN DIE LIEBE NICHT WÄR | NIEMAND IST | 1979 | D | 100 309 |
| MATHIEU MIREILLE | WENN ES DIE LIEBE WILL | WIE WAR DEIN | 0 | D | 13 277 |
| MATHIEU MIREILLE | ZUHAUSE WARTET NATASCHA | EIN ROMANTISCH. | 1979 | D | 100 806 |
| MATHIEU MIREILLE | ZURÜCK ZUR ZÄRTLICHKEIT | MAN MUSS AUCH | 1984 | D | 106 808 |
| MATHIEU & ALEXANDER | GOOD-BYE MY LOVE | NUR TRÄUME | 1984 | D | 106 800 |
| MATHIEU & DUFFY | TOGETHER WE'RE STRONG | SOMETHING'S | 1983 | D | 105 077 |
| MATHIS JOHNNY | RAINDROPS KEEP FALLIN' (FILM/MUSTER) | MIDNIGHT COWBOY | 1970 | D | 4993 |
| MATIOSZECK | BUSINESS IN THE CITY (FACT) | COLD, CLEAN | 1983 | D | 110 525 |
| MATISSE | LA DOLCE VITA | SLEEP WALKER | 1987 | I | 651 296 7 |
| MATTERHORN PROJEKT | ANIMAL FARM | I KNOW I'M CRAZY | 0 | A | 145. 351 |
| MATTHEWS DAVID | LADY NICOTINE | I WISH I WAS | 1973 | B | 22 700 |
| MATTHEWS IAN | SHAKE IT | STEALIN' HOME | 1978 | D | 100 250 |
| MATTHEWS IAN | WILD PLACES | WORK ON ALL THIS | 1984 | D | 6 14 102 |
| MATTHEWS' SOUTHERN | WOODSOCK | THE BALLAD OF | 1970 | D | 257 455-7 |
| MAURIAT PAUL | L'AMOUR EST BLEU | A BANDA | 1967 | NL | 328 079 |
| MAURIAT PAUL | L'AMOUR EST BLEU (A.H.) | A BANDA | 1967 | NL | 328 079 |
| MAURIAT PAUL | LOVE IS BLUE | VIVRE POUR | 1968 | D | 370 491 |
| MAURIAT PAUL (NEU) | LOVE IS BLUE /L'AMOUR EST BLEU | VIVRE POUR | 1968 | D | 874 184-7 |
| MAURIAT PAUL | PUPPET ON A STRING (GP 67) | THIS IS MY SONG | 0 | D | 373 975 |
| MAURITZ FRED | LEBE WOHL MEIN BLONDES MÄDCHEN | AHOI, ALTER JOHNNY | 0 | D | 110 |
| MAURO | LADY AFRICA | BOSSANOVEA GIRL | 1988 | D | 110 755 |
| MAURY URS.& MANUEL P. | RIESENGEBIRGLERS HEIMATLIED | 'S IST FEIEROMD | 0 | D | 20 011 |
| MAURY URS.& MANUEL P. | RIESENGEBIRGLERS HEIMATLIED (A.L.) | 'S IST FEIEROMD | 0 | D | 20 011 |
| MAURY URS.& MANUEL P. | RIESENGEBIRGLERS HEIMATLIED (A.L.) | 'S IST FEIEROMD | 0 | D | 509 |
| MAURY URS.& MANUEL P. | RIESENGEBIRGLERS HEIMATLIED (A.L.) | 'S IST FEIEROMD | 0 | D | 509 |
| MAVI | SEI TU (MUSTERPL.) | TOCCA QUI | 1981 | 0 | 25 615 |
| MAVROS GEORGE | "HELLO SUN; HELLO MOON" | RIGHT NOW | 1978 | D | 5594 |
| MAX | DON'T MOVE THE RED CHAIR | ARROWAK | 1990 | D | 171 111-7 |
| MAX | YOUR EYES | LIAR | 1990 | D | 71 347-7 |
| MAX & DIE KLEXE | SCHUBIDUBIDU | WEIL WIR FREUNDE | 0 | D | 40 433 |
| MAX 'N SPECS | DON'T COME STONED AND DON'T | PT.II | 1979 | NL | 144 777 |
| MAX 'N SPECS | DON'T COME STONED AND DON'T (A.L.) | PT.II | 1979 | NL | 144 777 |
| MAX 'N SPECS | HAN'S UP | THE WAY THEY DO | 1981 | NL | 141 714 |
| MAX ZWO | GIBT'S KOANE MAD'LN ZUM HEIRAT'N MEHR | MEIN HERZ IST KEIN | 1992 | A | 145 993 |
| MAXI PRIEST | CLOSE TO YOU | I KNOW LOVE | 1990 | D | 113 249 |
| MAXIM | FIRE FOR HIRE | THE WORLD IS | 1979 | D | 18 080 |
| MAY | EL TRASVASE | APOCALIPSIS | 1980 | ESP | 33 047 |
| MAY APRIL | IF YOU WANT ME TO STAY | PT.II | 1987 | D | 248 403-7 |
| MAY EVA | FÜR HEUT' UND EWIG | SO LIEB' ICH | 0 | D | 345 022 |
| MAY EVA | GUTE NACHT, MEIN LIEBLING | GLICKEN VON DIJON | 0 | D | 35 528 |
| MAY KARL | DER SCHATZ IM SILBERSEE | AUF DEM KRIEGS. | 1964 | D | 423 919 |
| MAY KARL | DER SCHATZ IM SILBERSEE | DIE UTAHS IN | 0 | D | 423 920 |
| MAY KARL | DER SCHUT 1 - DIE MÖRDERHÖHLE | PT.II | 1966 | D | 423 935 |
| MAY KARL | DER SCHUT 4 - AN DER VERRÄTER. | PT.II | 1964 | D | 423 938 |
| MAY KARL | WINNETOU 1.FOLGE | DAS GREENHORN | 1965 | D | 423 913 |
| MAY KARL | WINNETOU 2.FOLGE | FLUCH DES FEUER | 1965 | D | 423 914 |
| MAY KARL | WINNETOU 3.FOLGE | WINNETOU IN | 1965 | D | 423 915 |
| MAY KARL | WINNETOU 4.FOLGE | OLD SHATTERHAND | 1965 | D | 423 916 |
| MAY KARL | WINNETOU 4.FOLGE (A.H.) | OLD SHATTERHAND | 1965 | D | 423 916 |
| MAY KARL | WINNETOU 6.FOLGE | AUF LEBEN UND | 1965 | D | 423 918 |
| MAY TANJA | DAS WUNDER DER LIEBE | SINGT DER WIND | 1966 | D | 14 523 |
| MAY TANJA | OHNE VERTRAUEN GEHT ES NICHT | JUNGER MANN | 1966 | D | 14 477 |
| MAYALL JOHN | SENSITIVE KIND | SUGARCANE | 1990 | D | 113 370 |
| MAYDAY | LET ME BE YOUR MAN | WANNA FEEL ALL | 1979 | D | 6 12 558 |
| MAYDAY | LONG, LONG, WAY FROM HOME | GIVE ME A SIGN | 1979 | D | 6 12 484 |
| MAYER HANSL | LIED VON OBERSDORF (BILDPLATTE) | GRUSS VOM NEBEL. | 0 | 0 | 0 |
| MAYER MARTIN | MARABU WALZER | LIEBE UND WEIN | 0 | D | 45 439 |
| MAYFIELD CURTIS | IT'S ALRIGHT | SUPERFLY | 1972 | UK | 2394-271 |
| MAYFIELD CURTIS | KUNG FU (FLC) | RIGHT ON FOR | 1974 | USA | 1999 |
| MAYFIELD CURTIS | SUPERFLY | JUNKIE CHASE | 1972 | D | 2011 131 |
| MAYFLOWER | GEMEINSAM MIT DIR | WEGEN DIR | 1983 | D | 112 543 |
| MAYTE MATEE | I DO I DO | WHEN I GET | 1988 | D | 887 218-7 |
| MAYWOOD | ASK FOR TINA | CURCZNSTANCE | 1982 | EEC | 26 918 |
| MAYWOOD | DISTANT LOVE | I'M IN LOVE FOR | 1981 | D | 0030 368 |
| MAYWOOD | DISTANT LOVE (A.H.A.L.) | I'M IN LOVE FOR | 1981 | NL | 26 633 |
| MAYWOOD | GETAWAY | WHAT A WORLD | 1982 | D | 0030 527 |
| MAYWOOD | GETAWAY (A.H.A.L.) | WHAT A WORLD | 1982 | EEC | 26 800 |
| MAYWOOD | GIVE ME BACK MY LOVE | THAT CERTAIN | 1980 | D | 0030 354 |
| MAYWOOD | GIVE ME BACK MY LOVE (A.H.A.L.) | THAT CERTAIN | 1980 | NL | 26 567 |
| MAYWOOD | HEY, HEY, HEY | IK BLIJF NAAR JOU | 1989 | NL | 110 131 7 |
| MAYWOOD | I BELIEVE IN LOVE | FRIDAY NIGHT | 1982 | EEC | 26 879 |
| MAYWOOD | IT TAKES A LIVE-TIME | YOU | 1985 | NL | 880 647 7 |
| MAYWOOD | LATE AT NIGHT | ONE,TWO,THREE | 1980 | D | 0030 309 |
| MAYWOOD | LATE AT NIGHT (A.H.) | ONE,TWO,THREE | 1980 | D | 0030 309 |
| MAYWOOD | LATE AT NIGHT (A.H.A.L.) | ONE,TWO,THREE | 1980 | NL | 26 508 |
| MAYWOOD | LONELY NIGHTS | YOU | 1985 | NL | 884 124-7 |
| MAYWOOD | MANO | JUST A LITTLE | 1981 | NL | 26 726 |
| MAYWOOD | MOTHER HOW ARE YOU TODAY | LET ME KNOW | 1979 | D | 0030 288 |
| MAYWOOD | RIO | IT'S A DIFFER. | 1981 | D | 0030 406 |
| MAYWOOD | RIO (A.H.A.L.) | IT'S A DIFFER. | 1981 | NL | 26 668 |
| MAYWOOD | SHOW ME THE WAY TO PARADISE | UN POQUITO MAS | 1983 | EEC | 127 050 7 |
| MAYWOOD | STANDING IN THE TWILIGHT | STAY WITH ME | 1984 | NL | 880 208 7 |
| MAYWOOD | STAR | BE MY MAN | 1982 | EEC | 26 858 |
| MAYWOOD | WHEN I LOOK INTO YOUR EYES | OH, WHAT A LONLEY | 1986 | NL | 884 771-7 |
| MAYWOOD | YOU TREATED ME WRONG | I CAN'T LET YOU GO | 0 | NL | 26 324 |
| MAYZE PAT | GARDEN OF DELIGHT | DO IT | 1984 | D | 20 523 |
| MAZE | BACK IN STRIDE | JOY AND PAIN | 1985 | EEC | 20 0530 7 |
| MAZE | I WANNA BE WITH YOU | PT.II | 1986 | UK | CL 421 |
| MAZE | I WANT TO FEEL I'M WANTED (FLC) | TWILIGHT | 1985 | UK | 5510 |
| MAZELLE KYM | GO TO GET YOUR BACK | PT.II | 1989 | EEC | 20 3292 7 |
| MAZELLE KYM | WAS THAT ALL IT WAS | PT.II | 1989 | EEC | 20 3622 7 |
| MAZURKIEWICZA | CRIMINAL TANGO | MANUELA | 0 | POL | 7729 |
| MAZZETTI COCKI | CASANOVA BACIAMI | TO LO SAI | 1963 | I | 91 903 |
| MC AULEY SCHENKER GRO. | ANYTIME | WHAT WE NEED | 1990 | D | 1 47488 7 |
| MC AULEY SCHENKER GRO. | TIME | GET OUT | 1987 | D | 1 47322 7 |
| MC B. (DAISY DEE) | CRAZY | POWER, SEX & BASS | 1990 | D | 1015-7 |
| MC B. (DAISY DEE) | THIS BEAT IS TECHNOTRONIC | MUSQUASH | 0 | D | 107 001 |
| MC CALL C.W. | CONVOY (FILM) | LONG LONESOME | 1975 | D | 2066 956 |
| MC CALL C.W. | CONVOY (A.H.A.L.) (FILM) | LONG LONESOME | 1975 | D | 2006 560 |
| MC CALL C.W. | CONVOY (A.L.) (FILM) | LONG LONESOME | 1975 | UK | 2006 560 |
| MC CARTNEY RUTH | I WILL ALWAYS REMEMBER YOU | LIVIN' IT UP | 1991 | D | 114 782 |
| MC CLAIN CHARLY | WHO'S CHEATIN' WHO | LOVE SCENCE | 1981 | D | 1087 |
| MC CLARY THOMAS | THIN WALLS | LOVE WILL FIND | 1985 | D | 69 274 |
| MC CLINTON DELBERT | GIVING IT UP FOR YOUR LOVE | MY SWEET BABY | 1980 | D | 006-86 293 |
| MC CLINTON DELBERT | GIVING IT UP FOR YOUR LOVE | GOING BACK TO | 1980 | NL | 006-86 2863 |
| MC CLINTON DELBERT | GIVING IT UP FOR YOUR LOVE (FLC) | PT.II | 1980 | USA | 4948 |
| MC CLINTON DELBERT | SANDY BEACHES | I WANNA THANK | 1981 | D | 006-86 459 |
| MC CLOUD NICOLE | DON'T YOU WANT MY LOVE | SHY BOY | 1985 | NL | A 6933 |
| MC CLOUD NICOLE | NEW YORK EYES | ORDINARY GIRL | 1985 | NL | A 6805 |
| MC CLYNN PAT | SHE 'D RATHER BE WITH ME | STREET WALKIN' | 1977 | D | 6 12 107 |
| MC COO MARIL.& DAVIS | YOU DON'T HAVE TO BE A STAR | WE'VE GOT TO | 1976 | D | 17 481 |
| MC COY CHARLIE | WILL YOU LOVE ME TOMORROW (FLC) | MY BABE | 0 | USA | 45-842 |
| MC COY GEORGE | LIKE A LADY | PT.II | 1989 | D | 6153-7 |
| MC COY GEORGE | SENDING YOU ROSES | FLY LIKE A BIRD | 1989 | D | 6249-7 |
| MC COY VAN | CHANGE WITH THE TIME | GOOD NIGHT, BABY | 1975 | D | 16 382 |
| MC COY VAN | DISCO BABY | THE HUSTLE | 1975 | D | 16 049 |
| MC COY VAN | LOVE IS THE ANSWER | KILLING ME | 1974 | D | 13 598 |
| MC COY VAN | NIGHT WALK | LOVE CHILD | 1976 | D | 16 945 |
| MC COY VAN | SOUL CHA CHA | THE SHUFFLE | 1976 | D | 17 689 |
| MC COYS THE | COME ON LET'S GO | LITTLE PEOPLE | 1966 | D | 70 168 |
| MC COYS THE | HANG ON SLOOPY | FEVER | 1966 | D | 18 190 |
| MC COYS THE | HANG ON SLOOPY (A.L.) | I CAN'T ESPLAIN | 1965 | D | J 685 |
| MC COYS THE (NEU) | HANG ON SLOOPY | FEVER | 1965 | D | 6 12 372 |
| MC COYS THE (NEU) | HANG ON SLOOPY | FEVER | 1965 | D | 100 07 162 |
| MC CRAE GEORGE | BREATHLESS | PT.II | 1990 | D | S 194 |
| MC CRAE GEORGE | CALLING LOVE | IF YOU WANNA | 1991 | D | 901 019 0 |
| MC CRAE GEORGE | HONEY I | TAKE THIS LOVE | 1975 | D | 26 11 375 |
| MC CRAE GEORGE | I CAN'T LEAVE YOU ALONE | I GET LIFTED | 1974 | D | 26 11 217 |
| MC CRAE GEORGE | I CAN'T LEAVE YOU ALONE (A.H.) | I GET LIFTED | 1974 | D | 26 11 217 |
| MC CRAE GEORGE | IT'S BEEN SO LONG | YOU GOT TO KNOW | 1975 | D | 26 11 285 |
| MC CRAE GEORGE | KISS ME (MUSTERPLATTE) | PT.II | 1977 | D | S 6005 |
| MC CRAE GEORGE | ONE STEP CLOSER | IF IT WASN'T | 1984 | NL | 7004 |
| MC CRAE GEORGE | ROCK ME ALL THE WAY | KEY TO MY HEART | 1989 | NL | KANT 2 |
| MC CRAE GEORGE | ROCK YOUR BABY | KISS ME | 1974 | F | 10 1672 |
| MC CRAE GEORGE | ROCK YOUR BABY | PT.II | 1974 | D | 1004 |
| MC CRAE GEORGE | ROCK YOUR BABY (A.H./TOPHIT) | PT.II | 1974 | D | 1004 |
| MC CRAE GEORGE | ROCK YOUR BABY (REMIXED) | OOH BABY | 1986 | D | 108 715 |
| MC CRAE GEORGE | SING A HAPPY SONG | I NEED SOMEBODY | 1975 | D | 26 11 251 |
| MC CRAE GEORGE | SING A HAPPY SONG | I GET LIFTED | 1974 | UK | BOY 95 |
| MC CRAE GEORGE | THAT'S LOVE | TAKE IT EASY | 1987 | D | 109 499 |
| MC CRAE GEORGE | YOU CAN HAVE IT ALL | MAKE IT RIGHT | 1974 | F | 020 12 |
| MC CRAE GEORGE & GWEN | LET'S DANCE, DANCE, DANCE | WINNERS | 1976 | D | 26 11 407 |
| MC CRAE LARRY | ME AND ME BABY (MUSTER) | PT.II | 1990 | D | 113 542 |
| MC DONALD JOE | JOURS TRANQUILLES (FILM) | PT.II | 0 | F | 119 029 |
| MC DONALD JOE | LOVE IS A FIRE | I NEED YOU | 1976 | D | 18 477 |
| MC DONALD ROBERT OR. | TARZAN (FILM) | CHEETAH | 1977 | I | PS 1 |
| MC DONALD MALCOLM | I SHOT THE SHERIFF | GOOD SHERIFF | 1986 | EEC | 11 8769 7 |
| MC DONALD MICHAEL | SWEET FREEDOM (FILM) | THE FREEDOM | 1986 | D | 258 606-7 |
| MC DONALD MICHAEL | TEAR IT UP (PR) | PLAIN OF JARS | 1990 | D | 19 769-7 |