| INTERPRET | A TITEL | B TITEL | JAHR | LAND | NUMMER |
| MELANIE & HAWKINS SING. | LAY DOWN | ANIMAL CRACKERS | 0 | UK | 610 054 |
| MELBINGER STEFAN | ALFRED EISENHARDT (FILM) | ICH MÖCHT | 1976 | D | 17 016 |
| MELISSA | BE MY DOCTOR IN LOVE AFFAIRS | DON'T BE A FOOL | 1981 | D | 1689 |
| MELISSA | FOCUS ON THE BASS | PT.II | 1991 | NL | 656 885 7 |
| MELISSA | HANKY PANKY WITH JOE | ATOMIC RACE | 1982 | D | 2393 |
| MELISSA | WE ALL LIVE TOGETHER - SO BAD | LUCY GORDON | 1983 | D | 1654 647 |
| MELLENKAMP JOHN | AUTHORITY SONG (COUGAR) | HURTS SO GOOD | 1982 | NL | 818 463-7 |
| MELLENCAMP JOHN | CHERRY BOMB (COUGAR) | SHAMA LAMA DING | 1987 | USA | 888 934-7 |
| MELLENCAMP JOHN | CRUMBLIN' DOWN (COUGAR) | GOLDEN GATES | 1983 | D | 814 485-7 |
| MELLENCAMP JOHN | GET A LEG UP | WHENEVER WE | 1991 | D | 868 998-7 |
| MELLENCAMP JOHN | LONLEY OL' NIGHT (COUGAR) | THE KIND OF FELLA | 1985 | D | 880 984-7 |
| MELLENCAMP JOHN | PAPER IN FIRE (COUGAR) | NEVER TOO OLD | 1987 | NL | 888 763-7 |
| MELLENCAMP JOHN | POP SINGER (COUGAR) | J,M,'S QUESTION | 1989 | D | 874 012-7 |
| MELLENCAMP JOHN | ROCK IN THE USA (COUGAR) | UNDER THE | 1986 | NL | 884 455-7 |
| MELLENKAMP JOHN | ROOTY TOOT TOOT (FACT) (COUGAR) | CHECK IT OUT | 1986 | NL | 870 327-7 |
| MELLENCAMP JOHN | SMALL TOWN (COUGAR) | PT.II | 1985 | D | 884 202-7 |
| MELLENCAMP JOHN | JACK & DIANE (COUGAR) | CAN YOU TAKE IT | 1982 | NL | 79 332 |
| MELLIN ROBERT | CAST YOUR FATE TO THE WIND | TO WENDY WITH | 1964 | UK | 35 206 |
| MELODIAN BOYS | FOXTROT-MEDLEY / HEISSER SAND/ | POLKA-MEDLEY | 0 | D | 2252 |
| MELODICON TRIO | DER ALTE TRAMP AUS MARYLAND | ROTER MOND | 0 | D | 345 657 |
| MELOS-QUARTETT | DAS KLEINE FESTKONZERT | PT.II | 0 | D | 913-07 |
| MELSEN MONIQUE | HAND IN HAND | SHOW ME | 0 | D | 071-17 006 |
| MELVIN HAROLD & BLUE | SATISFACTION GUARANTED | I'M WEAK FOR YOU | 1974 | D | S 2187 |
| MELSEN MONIQUE | POMME, POMME, POMME | FA-FA-FA | 0 | D | 92 381 |
| MEMBERS | WORKING GIRL | THE FAMILY | 1983 | D | 815 088-7 |
| MEMBERS ONLY | PARTY TIME | WE ARE ONE BIG | 1986 | D | 7004 |
| MEMO | FIRE IN THE NIGHT | HEART BREAK | 1984 | D | 881322-7 |
| MEMO REMIGI | GOCCE DI LUNA | SALVAMI | 1981 | I | 20 501 |
| MEMPHIS D. & FRIENDS | NAZI CAPTAIN/HEY LITTLE GIRL / | PILLS ON/LAPPL/ | 1988 | D | 1 |
| MEN AT WORK | DOWN UNDER | HELPLESS | 1981 | D | 2066 |
| MEN AT WORK | DOWN UNDER (A.L.) | HELPLESS | 1981 | NL | 2066 |
| MEN AT WORK | DR. HECKYLL & MR. JIVE | NO RESTRICTIONS | 1983 | NL | 3667 |
| MEN AT WORK | EVERYTHING I NEED | SAIL TO YOU | 1985 | NL | 6276 |
| MEN AT WORK | IT'S A MISTAKE | SHINTARO | 1983 | NL | 3475 |
| MEN AT WORK | MARIA | SNAKES AND | 1985 | NL | 6464 |
| MEN AT WORK | OVERKILL | TILL THE MONEY | 1983 | NL | 3220 |
| MEN AT WORK | WHO CAN IT BE NOW? | ANYONE FOR | 1981 | NL | 1611 |
| MEN AT WORK | WHO CAN IT BE NOW? (A.H.A.L./ INFO) | ANYONE FOR | 1981 | NL | 1611 |
| MEN WITHOUT HATS | I GOT THE MESSAGE | UTTER SPACE | 1982 | UK | 105 925 |
| MEN WITHOUT HATS | THE SAFETY DANCE | SECURITY | 1982 | UK | 105 507 |
| MEN WITHOUT HATS | THE SAFETY DANCE (A.H.) | SECURITY | 1982 | UK | 24 |
| MEN WITHOUT HATS | POP GOES THE WORLD | THE END OF THE | 1987 | D | 888 859-7 |
| MEN WITHOUT HATS | WHERE DO THE BOYS GO? | EUROTHEME | 1984 | D | 106 333 |
| MENAGE | MEMORY (MUSICAL CATS) | PT.II | 1983 | D | 813 824-7 |
| MENDES SERGIO | NEVER GONNA LET YOU GO | CARNEVAL | 1983 | D | 9289 |
| MENDES SERGIO & | PAIS TROPICAL (BRASIL 77) | SO MANY PEOPLE | 0 | D | 10 421 |
| MENDES SERGIO & | THE DOCK OF THE BAY (BRASIL 66) | SONG OF NO | 1966 | D | 1073 |
| MENDES SERGIO & | THE FOOL ON THE HILL (BRASIL 66) | SO MANY STARS | 1966 | D | 210 035 |
| MENDT MARIANNE | A GLOCK'N' DIE 24 STUNDEN LÄUT' | WANN I EAHM NUR | 0 | D | 33 034 |
| MENKE FRL. | HOHE BERGE | DU MUSST MEIN | 1982 | D | 2042 390 |
| MENKE FRL. | MESSEGLÜCK IN DÜSSELDORF | SINGEN ÜBEN | 1983 | D | 815 314-7 |
| MENKE FRL. | TRAUMBOY | ICH SITZ AM | 1982 | D | 2042 419 |
| MENKE FRL. | TRETBOOT IN SEENOT | TAG DES HERRN | 1983 | D | 810 077-7 |
| MENNANA | KEEP OUR LOVE TOGTHER | PT.II | 1989 | D | 247 158-7 |
| MENTAL AS ANYTHING | DON'T TELL ME NOW | I'M GLAD | 1987 | NL | 651 122 7 |
| MENTAL AS ANYTHING | LET'T GO TO PARADISE | MY HANDS AE TIED | 1986 | UK | ANY 3 |
| MENTAL AS ANYTHING | LET'T GO TO PARADISE (A.L.) | MY HANDS AE TIED | 1986 | NL | 650 383 7 |
| MENTAL AS ANYTHING | LIVE IT UP (FILM) | GOOD FRIDAY | 1984 | NL | 650 319 7 |
| MENTAL AS ANYTHING | LIVE IT UP (FILM) (FACT) | GOOD FRIDAY | 1985 | NL | 6797 |
| MENTAL AS ANYTHING | TOO MANY TIMES | LET'S COOK | 1982 | NL | 9296 |
| MENTAL AS ANYTHING | YOU'RE SO STRONG (GIMMIXCOVER) | BUS RIDE | 1987 | UK | ANY G2 |
| MENTAL ELLA | LIGHT UP MY LIFE | SONG FOR JENNY | 1989 | D | 922 839-7 |
| MENZIES IAN | THE FISH MAN (FLC) | SALTY DOG | 0 | D | 14 479 |
| MENZINGER BUAM | EIN HEND'L ZWEI RADI UND DREI | OKTOBERFEST IST | 0 | D | 10 702 |
| MERCAMBO PEPITA | PEPITO | SALVE REGGINA | 0 | D | 45 182 |
| MERCOURI MELINA | EIN SCHIFF WIRD KOMMEN (FILM) | DIE GLEICHEN | 1960 | D | 24 353* |
| MERCOURI MELINA | EIN SCHIFF WIRD (A.L.)(FILM) | DIE GLEICHEN | 1960 | D | 24 353 |
| MERCOURI MELINA | LES ENFANTS DU PIREE (FILM) | NEVER ON | 0 | D | 453 205 A |
| MERCOURI MELINA | SONNTAGS...NIE / LES ENFANTS (FLC) | MAINTITLE/NEVER | 1960 | D | 463 201 |
| MERCOURI MELINA (NEU) | EIN SCHIFF WIRD KOMMEN (FILM) | DIE GLEICHEN | 1960 | D | 887 554-7 |
| MERCURY FREDDIE | I WAS BORN TO LOVE YOU | STOP ALL THE | 1985 | D | 6019 |
| MERCURY FREDDIE | I WAS BORN TO LOVE YOU (A.L.) | STOP ALL THE | 1985 | NL | 6019 |
| MERCURY FREDDIE | IN MY DEFENCE | LOVE KILLS | 1992 | UK | 6331 |
| MERCURY FREDDIE | LIVING ON MY OWN | MY LOVE IS | 1985 | NL | 6555 |
| MERCURY FREDDIE | LOVE KILLS | ROTWANG'S PARTY | 1984 | D | 4735 |
| MERCURY FREDDIE | MADE IN HEAVEN | SHE BLOWS HOT | 1985 | NL | 6413 |
| MERCURY FREDDIE | THE GREAT PRETENDER | EXERCISES IN | 1987 | EEC | 20 1647 7 |
| MERCURY FREDDIE | THE GREAT PRETENDER (A.H.A.L.) | LOVE KILLS | 1987 | EEC | 880 382 7 |
| MERCURY FREDDIE | TIME (MUISCAL) | PT.II | 1986 | EEC | 201 257 7 |
| MERCURY & CABALLE | BARCELONA | EXERCISES IN | 1987 | D | 887 075-7 |
| MERCURY & CABALLE | BARCELONA (A.L.) | EXERCISES IN | 1987 | D | 887 075-7 |
| MERCURY & CABALLE | HOW CAN I GO ON | OVERTURE PICC. | 1988 | D | 871 394-7 |
| MERCY, MERCY | IT MUST BE HEAVEN | PT.II | 1984 | D | 106 996 |
| MERCY, MERCY | IT MUST BE HEAVEN (A.H.A.L.) | PT.II | 1984 | UK | ENY 515 |
| MERENDEZ MIGUEL | BRIGITTE BARDOT | EM RIO DE | 0 | F | 70 756 |
| MERIS IRIS | CREATIVE | AFTER ALL THOSE | 1990 | D | 57 650 |
| MERKENER MANDOLINEN. | WIEN BLEIBT WIEN / HERRLICH | AKROPOLIS ADIEU | 0 | D | 570 |
| MERRIT M.& METEORS | SLIPPING AWAY ( SERIE DERRICK ) | A LITTLE EASIER | 1977 | D | 99 497 |
| MERRITT M.& METEORS | LET IT SLIDE (LC) | GOTTA HAVE YOUR | 1976 | USA | 49 |
| MERS EDDY | ZWEI KLEINE ITALIENER / | GELD WIE HEU / | 1962 | D | 708 |
| MERSEYS THE | LOVELY LORETTA | DREAMING | 1968 | NL | 267 865 |
| MERSEYS THE | SORROW | SOME OTHER DAY | 0 | D | 148 559 |
| MERZ KIM | DER TYP NEBEN IHR | HERZSCHLAG | 1983 | D | 105 666 |
| MERZ KIM | KLICK ( SIE SCHAUT MICH AN ) | WENN ICH TANZ | 1984 | D | 106 812 |
| MERZ KIM | MASKENBALL | PRINZESSIN ODER | 1984 | D | 107 713 |
| MESSENGERS | THE GOVERNOR | JUST ANOTHER | 1976 | D | 16 808 |
| META FOUR | THE WIND BENEATH MY WINGS | PUT A LITTLE LOVE | 1991 | D | 4157 7 |
| METALLIC MOOG BAND | SPRING FEVER | JUPITER | 1976 | D | 18 424 |
| METALLICA | ENTER SANDMAN | STONE COLD CRAZY | 1991 | D | 868 732-7 |
| METALLICA | NOTHING ELSE MATTERS | ENTER SANDMANN | 1991 | D | 866 708-7 |
| METALLICA | THE UNFORGIVEN | KILLING TIME | 1991 | D | 866136-7 |
| METEORS | CANDY | IT SUCKS | 1980 | NL | 26 594 |
| METRO | GEMINI | THE FACE | 1980 | D | 63 897 |
| METRO GEORGE & | SÄNNECHÄPPLI | 1-2-3-VIERWALDST. | 1970 | D | 11 058 |
| METTERNICH JOSEF | DA ICH NUN VERLASSEN SOLL | ICH BIN DAS | 0 | D | 30 076 |
| METTERNICH JOSEF | DA ICH NUN VERLASSEN SOLL (A.L.) | ICH BIN DAS | 0 | D | 7RW 506 |
| MEY REINHARD | ABER DEINE RUHE FINDEST DU NICHT | ZWEI HÜHNEN | 1973 | D | 22 330-5 |
| MEY REINHARD | ANNABELLE, ACH, ANNABELLE | BEVOR ICH MIT | 1972 | D | 22 290-1 |
| MEY REINHARD | DADDY BLUE | ALLES IST GUT | 1978 | D | 110 059 |
| MEY REINHARD | DAS MEER | DIE MAUERN | 1988 | D | 192 632 |
| MEY REINHARD | DER MÖRDER IST IMMER DER | LÄNGST | 0 | D | 22 262-0 |
| MEY REINHARD | DER MÖRDER IST IMMER (A.L.) | LÄNGST | 0 | D | 22 262-0 |
| MEY REINHARD | DIE BALLADE VOM PFEIFFER | ANKOMME FREITAG | 0 | D | 256-02 |
| MEY REINHARD | DIE HEISSE SCHLACHT AM KALTEN | NEUN..UND VORBEI | 1972 | D | 22 268-7* |
| MEY REINHARD | DIE HEISSE SCHLACHT AM (A.L.) | NEUN..UND VORBEI | 1972 | D | 22 268-7* |
| MEY REINHARD | DIPLOMATENJAGD | KOMM, GIESS MEIN | 1973 | D | 22 261-2 |
| MEY REINHARD | DR.NAHTLOS, DR.SÄGEBERG UND DR.HEIN | WAS WEISS ICH | 1979 | D | 110 071 |
| MEY REINHARD | ES GIBT TAGE, DA WÜNSCHT' ICH, | ES BLEIBT EINE | 1975 | D | 22 368-5 |
| MEY REINHARD | IST MIR DAS PEINLICH | MEIN ERSTES | 1977 | D | 110 046 |
| MEY REINHARD | KEINE RUHIGE MINUTE | ULLA UND ICH | 1979 | D | 110 083 |
| MEY REINHARD | LASST SIE REISEN | ICH GRÜSSE | 1985 | D | 110 182 |
| MEY REINHARD | MANN, AUS ALEMANNIA | ÜBER DEN WOLKEN | 1974 | D | 22 351-1 |
| MEY REINHARD | NEIN, MEINE SÖHNE GEB' ICH NICHT | ASCHE UND GLUT | 1986 | D | 110 236 |
| MEY REINHARD | TRILOGIE AUF FRAU POHL | DAS GEHEIMNIS IM | 0 | D | 22 202-02 |
| MEY REINHARD | WIR SIND ALLE LAUTER ARME, KLEINE | FREUNDE, LASST | 1980 | D | 110 096 |
| MEYER ANITA | BLAME IT ON LOVE | RESCUE ME | 1982 | NL | 106 275 |
| MEYER ANITA | IDAHO | IF LIVING IS WITHOUT | 1982 | NL | 104 690 |
| MEYER ANITA | SANDY'S SONG | BREAKEWAY | 1983 | NL | 105 999 |
| MEYER ANITA | THE ALTERNATIVE WAY | YOU SHOWED ME | 1976 | NL | 618 |
| MEYER ANITA | THE ALTERNATIVE WAY (A.H.A.L.) | YOU SHOWED ME | 1976 | D | 2058 730 |
| MEYER ANITA | THE ONE THAT YOU LOVE | RESTLESS | 1982 | BNL | 104 927 |
| MEYER ANITA | THEY DON'T PLAY OUR LOVESONG | GETTIN' TO KNOW | 1981 | NL | 103 676 |
| MEYER ANITA | WHY TELL ME, WHY | PLACES WHERE WE | 1981 | D | 6 13 236 |
| MEYER ANITA | WHY TELL ME, WHY (A.H.) | PLACES WHERE WE | 1981 | D | 6 13 236 |
| MEYER ANITA | YOU ARE MY LIFE | NEVER GONNA LET | 1981 | D | 6 13 236 |
| MEYER BAND WILLI | WARUM BIST DU NICHT HIER | ICH HAB DICH SO | 0 | D | 5054 |
| MEYER ELFRIEDE | DIE GRILL-PARTY | ICH MAG KEINE | 0 | D | 18 921 |
| MEZZOFORTE | EXPRESSWAY | TAKE A BREATH | 1989 | D | 42 707 |
| MEZZOFORTE | GARDEN PARTY | EARLY AUTUMN | 1983 | NL | JS 4502 |
| MEZZOFORTE | MIDNIGHT SUN | GARDEN PARTY | 1984 | D | 817 856-7 |
| MEZZOFORTE | ROCKALL | GAZING AT THE | 1983 | NL | JS 4504 |
| MEZZOFORTE | TAKE OFF | PT.II | 1985 | D | 881 804-7 |
| MFSB | FREDDIE'S DEAD | FAMILY AFFAIR | 1974 | D | PIR S 2854 |
| MFSB | LET'S CLEAN UP THE GHETTO | PT.II | 1977 | D | PIR S 5451 |
| MFSB | LET'S GO DISCO | MFSB | 1975 | D | PIR S 3403 |
| MFSB | PICNIC IN THE PARK | I'M ON YOUR | 1976 | D | PIR S 4495 |
| MFSB | PICNIC IN THE PARK MUSTERPLATTE | I'M ON YOUR | 1976 | D | PIR S 4495 |
| MFSB | SEXY | HUMAN MACHINE | 1975 | D | PIR S 3381 |
| MFSB | TSOP (THE SOUND OF PHILADEL.) | TOUCH ME IN THE | 1974 | D | PIR S 2128 |
| MI - SEX | PEOPLE | PAGES AND | 1980 | NL | 8960 |
| MIAMI SOUND MACHINE | BAD BOY | SURRENDER | 1985 | NL | 6255 |
| MIAMI SOUND MACHINE | BAD BOY (REMIX) | SURRENDER | 1985 | NL | 6255 |
| MIAMI SOUND MACHINE | CONGA | MUCHO MONEY | 1985 | NL | 650 060 7 |
| MIAMI SOUND MACHINE | CONGA (A.H.A.L.) | MUCHO MONEY | 1985 | NL | 6361 |
| MIAMI SOUND MACHINE | CONGA (A.L.) | MUCHO MONEY | 1985 | NL | 6361 |
| MIAMI SOUND MACHINE | DR.BEAT | WHEN SOMEONE | 1984 | NL | 4614 |
| MIAMI SOUND MACHINE | FALLING IN LOVE | SURRENDER | 1985 | NL | 7257 |
| MIAMI SOUND MACHINE | PRISONER OF LOVE | I NEED YOUR LOVE | 1984 | NL | 4800 |
| MIAMI SOUND MACHINE | WORDS GET IN THE WAY | MOVIES | 1985 | NL | 650 079 7 |
| MICAELA | LA ISLA BONITA | PT.II | 1986 | NL | 175 |
| MICAELA | SI SENOR | PT.II | 1988 | NL | 110 075 |
| MICHAEL FRANK | ICH DENK AN DICH | PT.II | 1983 | D | 24 9617-7 |
| MICHAEL GEORGE | A DIFFERENT CORNER | PT.II | 1986 | NL | EPCA 7033 |
| MICHAEL GEORGE | A DIFFERENT CORNER (A.H.) | PT.II | 1986 | NL | EPCA 7033 |
| MICHAEL GEORGE | A DIFFERENT CORNER (A.H.) | PT.II | 1986 | NL | EPCA 7033 |
| MICHAEL GEORGE | A DIFFERENT CORNER (A.L.) (FLC) | PT.II | 1986 | 0 | 13-68 704 |
| MICHAEL GEORGE | CARELESS WHISPER | PT.II | 1984 | NL | 4603 |
| MICHAEL GEORGE | COWBOYS AND ANGELS | SOMETHING TO | 1991 | NL | 656 774 7 |
| MICHAEL GEORGE | FAITH | HAND TO MOUTH | 1987 | NL | 651 119 7 |
| MICHAEL GEORGE | FATHER FIGURE | LOVE'S IN NEED | 1987 | NL | 651 321 7 |
| MICHAEL GEORGE | FREEDOM | FANTASY | 1990 | NL | 656 390 7 |
| MICHAEL GEORGE | HEAL THE PAIN | SOUL FREE | 1990 | NL | 656 647 7 |
| MICHAEL GEORGE | I WANT YOUR SEX | PT.II | 1987 | UK | LUST 1 |
| MICHAEL GEORGE | I WANT YOUR SEX (A.H.) | PT.II | 1987 | UK | LUST 1 |
| MICHAEL GEORGE | I WANT YOUR SEX (A.H.) | PT.II | 1987 | NL | 650 783 7 |
| MICHAEL GEORGE | KISSING A FOOL | PT.II | 1987 | NL | 653 049 7 |
| MICHAEL GEORGE | MOKEY | PT.II | 1987 | NL | 651 700 7 |
| MICHAEL GEORGE | ONE MORE TRY | LOOK AT YOUR | 1987 | NL | 651 532 7 |
| MICHAEL GEORGE | PRAYING FOR TIME | IF YOU WERE MY | 1990 | NL | 656 198 7 |
| MICHAEL GEORGE | TOO FUNKY | CRAZY MAN DANCE | 1982 | NL | 658 058 7 |
| MICHAEL GEORGE & ELTON | DON'T LET THE SUN GO DOWN | I BELIEVE | 1991 | UK | 657 646 7 |
| MICHAEL RONNY | UND ICH REITE UNGEZÄHMTE | LEEREN - SONG | 0 | D | 45-103 |
| MICHAELIS MARIA | DAS ERSTE MAL | HALLO SUE | 1975 | D | 16 035 |
| MICHAELS LEE | CAN I GET A WITNESS | YOU ARE WHAT | 0 | D | 10 881 |
| MICHAELS SUZANNE | MANDELAY | IT'S YOU | 1981 | NL | 18 766 |
| MICHEL FRANK & ORCH. | ALS ICH NOCH EIN KLEINER JUNGE | MISSOURI-COWBOY | 0 | D | 15-278 |
| MICHEL & HAFENSIRENEN | FAHR MICH IN DIE FERNE MEIN BLONDER | DER BLAUE PETER | 0 | D | 121 |
| MICHEL & SHANTIES | WEIT IST DIE SEE | WEIT WAR DER | 0 | D | 139 |
| MICHELANGELO | DU BIST MEINE LIEBE | HAND AUFS HERZ | 0 | D | 1164 |
| MICHELE | MAGIC LOVE | PT.II | 1977 | UK | 25 770 |
| MICHELLE | PRINZ EISENHERZ | WILDE TRÄUME | 1993 | D | 659 210 7 |
| MICHELLE AND THE | LEAVE IT ALL BEHIND | DO IT | 1989 | UK | 875 132-7 |
| MICHELS | DO YOU STILL DIG IT | RAMONA FROM ROM | 1978 | D | 6 12 245 |
| MICHL WILLY | BAHNHOFS BLUES | WILLYS LIEBESL. | 1975 | D | 16 155 |
| MICK UND MICKY | EINE ROTE JALOUSIE | SWEET,SWEET | 1965 | D | 52 540 |
| MICKY | BYE, BYE FRAEULEIN | BRUJA POR AMOR | 1976 | D | 16 304 |
| MICKY | BYE, BYE FRAEULEIN (A.H.A.L.) | BRUJA POR AMOR | 1975 | ESP | 16 304 |
| MICKY | THE MOUTH ORGAN BOY | FOLLOW ME | 0 | D | 74-16 138 |
| MICKY MAUS | HALLO KINDER HIER IST MICKY (FACT) | PLUTO | 1982 | D | 6 13 598 |
| MIDDLE OF THE ROAD | BOTTOMS UP | SEE THE SKY | 1972 | D | 74-16 213 |
| MIDDLE OF THE ROAD | BOTTOMS UP (A.L.) | SEE THE SKY | 1972 | D | 74-16 213 |
| MIDDLE OF THE ROAD | BONJOUR CA VA | JITTER BUGGIN' JILDY | 1975 | D | 13 666 |
| MIDDLE OF THE ROAD | CHIRPY CHIRPY CHEEP CHEEP | RAININ''N PAINI | 1971 | D | 74-0407 |
| MIDDLE OF THE ROAD | CHIRPY CHIRPY CHEEP CHEEP (A.H.) | RAININ''N PAINI | 1971 | D | 74-0407 |
| MIDDLE OF THE ROAD | CHIRPY CHIRPY CHEEP (SPANISCH) | RAININ''N PAINI | 1971 | ESP | 3-10 617 |
| MIDDLE OF THE ROAD | HAPPY SONG | DO YOU WANNA | 1975 | D | 13 936 |
| MIDDLE OF THE ROAD | HONEY NO | UNION SILVER | 1973 | D | 74-16 395 |
| MIDDLE OF THE ROAD | KAILAKEE KAILAKO | BLIND DETONATI. | 1973 | D | 74-16 338 |
| MIDDLE OF THE ROAD | ONE MORE NIGHT | THE FEELIN'S RIGHT | 1989 | NL | KANT 1 |
| MIDDLE OF THE ROAD | ROCKIN' SOUL | GONE'S THE TIME | 1974 | D | 13 327 |
| MIDDLE OF THE ROAD | SACRAMENTO | LOVE SWEET LOVE | 1974 | 0 | 74-16 127 |
| MIDDLE OF THE ROAD | SAMBA D'AMOUR | WINTERS'S SUN | 1973 | D | 12 990 |
| MIDDLE OF THE ROAD | SAMSON AND DELILAH | THE TALK OF ALL | 1972 | D | 74-16 151 |
| MIDDLE OF THE ROAD | SOLEY SOLEY | TO REMIND ME | 1971 | D | 74-16 108 |
| MIDDLE OF THE ROAD | SUGAR JO JO | LONELY | 1980 | D | 030 301 |
| MIDDLE OF THE ROAD | TWEEDLE DEE TWEEDLE DUM | GIVE IT TIME | 1971 | D | 74-16 077 |
| MIDDLE OF THE ROAD | YELLOW BOOMERANG | EVE | 1973 | D | 74-16 280 |