INTERPRET | A TITEL | B TITEL | JAHR | LAND | NUMMER |
"""O"" BOBBY & BANANA" | A MAN LIKE ME | PUMP IT UP | 1985 | D | 883 302-7 |
"""O"" BOBBY & BANANA" | WHISPER TO A SCREAM | PT.II | 1985 | D | 883 581-7 |
O. SILVI | DO YOU REMEMBER LOVE | PT.II | 1988 | D | 310 881 |
O R S -ORLANDO RIVA | FIRE ON THE WATER | THE BLAZE | 1980 | D | 101 820 |
O R S -ORLANDO RIVA | INDIAN RESERVATION | WE'RE NOT ALONE | 1979 | D | 100 788 |
O R S -ORLANDO RIVA | LADY LADY LADY | BODY TO BODY | 1979 | D | 100 432 |
O R S -ORLANDO RIVA | O.T.T. | PT.II | 1981 | D | 102 883 |
O R S -ORLANDO RIVA | WHO BUILT THE PYRAMIDS | ZEN | 1981 | D | 103 396 |
O'BANION JOHN | LOVE YOU LIKE I NEVER LOVED | SHE'S NOT FOR | 1981 | D | 12 528 |
O'CANGACEIRO | CHOEUR / VANJA ORICO | COGO / TOADA | 0 | D | 9634 |
O'CONNOR HAZEL | D - DAY | TIME IS FREE | 1981 | UK | 1009 |
O'CONNOR HAZEL | WE'RE ALL GROWN UP (COVER PLUS) | WHITE ROOM | 1981 | D | 103 524 |
O'CONNOR HAZEL | WE'RE ALL GROWN UP (COVER PLUS) | WHITE ROOM | 1981 | UK | 1018 |
O'CONNOR HAZEL & SING. | FIGHTING BACK | REACH | 1986 | UK | 182 |
O'CONNOR SINEAD | DON'T CRY FOR ME ARGENTINA | SCARLET RIBBONS | 1992 | EEC | 323 916 7 |
O'CONNOR SINEAD | MANDINKA | DRINK BEFORE THE | 1988 | D | 109 712 |
O'CONNOR SINEAD | MY SPECIAL CHILD | NOTHING COMPARES | 1989 | EEC | 323 733 7 |
O'CONNOR SINEAD | NOTHING COMPARES | JUMP IN THE | 1990 | D | 113 006 |
O'CONNOR SINEAD | NOTHING COMPARES (FACT) | JUMP IN THE | 1990 | D | 113 006 |
O'CONNOR SINEAD | NOTHING COMPARES (A.H.A.L.) | JUMP IN THE | 1990 | D | 113 006 |
O'CONNOR SINEAD | SUCCESS HAS MADE A FAILURE | YOU DO SOMETHING | 1990 | EEC | 323 898 7 |
O'CONNOR SINEAD | THE EMPEROR'S NEW CLOTHES | WHAT DO YOU | 1990 | EEC | 323 547 7 |
O'CONNOR SINEAD | THE EMPEROR'S NEW CLOTHES (A.H.A.L.) | WHAT DO YOU | 1990 | UK | 633-1 |
O'CONNOR SINEAD | THREE BABIES | DAMM YOUR EYES | 1990 | EEC | 323 598 7 |
O'DAY ALAN | UNDERCOVER ANGEL | JUST YOU | 1977 | D | 10 926 |
O'DAY LUCY | NUR BEIM TRÄUMEN | KOMM HEIM ZU | 0 | D | 13 704 |
O'HARA | FOREVER AN ONE DAY | LET ME LOVE YOU | 1988 | D | 110 751 |
O'JAYS | FOR THE LOVE OF MONEY | REOPLE KEEP | 1974 | D | 21 86 |
O'JAYS | LIVING FOR THE WEEKEND (FLC) | STAIRWAY TO | 1975 | USA | 3587 |
O'JAYS | LOVE TRAIN | WHO AM I | 1973 | D | 1181 |
O'JAYS | NOW THAT WE FOUND LOVE | YOU GOT YOUR | 1974 | D | 2577 |
O'MALLEY LEONORE | FIRST BE A WOMAN | PUT A RAINBOW | 1979 | D | 2095 181 |
O'NEAL ALEXANDER | A BROKEN HEART CAN MEND | ARE YOU THE ONE | 1986 | UK | 6244 |
O'NEAL ALEXANDER | ALL TRUE MAN | HANG ON | 1991 | NL | 656 571 7 |
O'NEAL ALEXANDER | CRITICIZE | A BROKEN HEART | 1985 | NL | 651 158 7 |
O'NEAL ALEXANDER | FAKE | A BROKEN HEART | 1987 | NL | 650 859 7 |
O'NEAL ALEXANDER | FAKE 88 (FACT) | INNOCENT | 1988 | NL | 652 949 7 |
O'NEAL ALEXANDER | HEARSAY | YOU WERE MEANT | 1989 | NL | 654 667 7 |
O'NEAL ALEXANDER | IF YOU WERE HERE TONIGHT | PT.II | 1985 | NL | 6691 |
O'NEAL ALEXANDER | LOVE MAKES NO SENSE | PT.II | 1993 | D | 587 708 7 |
O'NEAL ALEXANDER | NEVER KNEW LOVE LIKE THIS | WHAT'S MISSING | 1995 | NL | 651 369 7 |
O'NEAL ALEXANDER | OUR FIRST CHRISTMAS | REMEMBER WHY | 1985 | NL | 654 511 7 |
O'NEAL ALEXANDER | THE LOVERS | PT.II | 1987 | NL | 651 595 7 |
O'NEAL ALEXANDER | THE OFFICIAL BOOTLEG | CRITICIZE | 1988 | NL | 655 050 7 |
O'NEAL ALEXANDER | TO MAKE YOU LOVE ME (WHAT CAN I SAY) | A BROKEN HEART | 1985 | UK | 652 852 7 |
O'NEAL ALEXANDER | WHAT IS THIS THING | CRYING OVERTIME | 1991 | NL | 656 731 7 |
O'NEAL ALEXANDER | WHAT IS THIS THING (FACT) | CRYING OVERTIME | 1991 | NL | 656 731 7 |
O'NEAL ALEXANDER | YOU WERE MEANT TO BE MY LADY | PT.II | 1985 | UK | 650 048 7 |
O'SULIVAN GILBERT | ALONE AGAINE (WARENPROBE) | ALONE AGAINE | 1972 | D | 71/49 621* |
O'SULIVAN GILBERT | AT THE VERY MENTION OF YOUR NAME | STICK IN THE MUD | 1988 | D | 6 15 025 |
O'SULIVAN GILBERT | CLAIR | WHAT COULD BE | 1972 | D | 84/52 157* |
O'SULIVAN GILBERT | CLAIR (NEU) | ALONE AGAIN | 1972 | NL | 45 162 |
O'SULIVAN GILBERT | GET DOWN | A VERY | 1973 | D | 96/53 005 |
O'SULIVAN GILBERT | GET DOWN (MUSTER) | A VERY | 1973 | D | 96/53 005 |
O'SULIVAN GILBERT | GET DOWN '90 | WHAT AM I DOING | 1989 | D | 246 487 7 |
O'SULIVAN GILBERT | HAPPINESS IS ME AND YOU | BREAKFAST | 1974 | D | 114/54 878 |
O'SULIVAN GILBERT | HELLO, IT'S GOODBYE | BREAK IT TO ME | 1980 | D | 9462 |
O'SULIVAN GILBERT | I DON'T LOVE YOU BUT I THINK | THAT'S A FACT | 1975 | D | 6 11 667 |
O'SULIVAN GILBERT | I'LL BELIEVE IT WHEN I SEE | JUST AS YOU ARE | 1975 | D | 6 11 727 |
O'SULIVAN GILBERT | LOST A FRIEND | YOU BETTER RUN | 1989 | UK | ROJ 1 |
O'SULIVAN GILBERT | MATRIMONY | ALONE AGAIN | 1972 | D | 71 |
O'SULIVAN GILBERT | MATRIMONY (A.L.) | YOU DON'T HAVE | 1976 | D | 98 477 |
O'SULIVAN GILBERT | NOTHING RHYMED | EVERYBODY KNOWS | 0 | 0 | 3/6101 651 |
O'SULIVAN GILBERT | OOH BABY | GOOD COMPANY | 1973 | D | 107/54 174 |
O'SULIVAN GILBERT | OOH-WAKKA-DOO-WAKKA-DAY | BUT I'M NOT | 1972 | D | 78/51 451* |
O'SULIVAN GILBERT | SO WHAT | PT.II | 1990 | D | 71 428-7 |
O'SULIVAN GILBERT | SO WHAT | WE WILL | 1987 | D | 6 14 966 |
O'SULIVAN GILBERT | WHAT'S IN A KISS | DOWN, DOWN, | 1980 | NL | 8929 |
O'SULIVAN GILBERT | WHAT'S IN A KISS (FACT) | DOWN, DOWN, | 1980 | NL | 8929 |
O'SULIVAN GILBERT | WE WILL | I DIDN'T KNOW | 0 | D | 30/49 589 |
O'SULIVAN GILBERT | WHY, OH WHY, OH WHY | YOU DON'T HAVE | 1974 | D | 111/54 432* |
O'SULIVAN GILBERT | YOU'VE GOT ME GOING | MY LOVE AND I | 1977 | D | 99 129 |
OAK RIDGE BOYS | BACK IN YOUR ARMS AGAIN | BOBBIE SUE | 1981 | D | 104 061 |
OAK RIDGE BOYS | ELVIRA (FLC) | A WOMAN LIKE YOU | 1981 | NL | 103 365 |
OASIS | SUMMER HOLLIDAY | THAT'S IT | 1982 | D | 104 117 |
OBERBRANDACHER WALT. | STELLA ROMANTICA | ES IST VORBEI | 0 | D | 145 484 |
OBERST NICHOLSON'S | 100 MANN UND EIN BEFEHL | DSCHUNGEL | 0 | D | 2301 |
OBERST NICHOLSON'S | LOST PATROL | JERICHO | 1962 | D | 24 997 |
OBERST NICHOLSON'S | LOST PATROL (A.L.) | JERICHO | 1962 | D | 129 |
OBSESSION | ARMY OF LOVERS | PT.II | 1991 | D | 9 505-7 |
OBSESSION | COVER ME | DEEP IN MY HEART | 0 | D | 6 |
OCASEK RIC | EMOTIOM IN MOTOION | P.F.J. | 1986 | D | 928 617-7 |
OCCHIENA MARINA | SERENATA | DALLES ORCHEST. | 1982 | D | 6 13 580 |
OCEAN BILLY | AMERICAN HEARTS | MY LOVE | 1979 | D | 244 |
OCEAN BILLY | ARE YOU READY | MAYBE TONIGHT | 1979 | NL | 259 |
OCEAN BILLY | BITTERSWEET | PT.II | 1986 | D | 6 14 707 |
OCEAN BILLY | CALYPSO CRAZY | LET'S GET BACK | 1988 | D | 6 15 078 |
OCEAN BILLY | CARIBBEAN QUEEN | EUROPEAN QUEEN | 1984 | F | 13 583 |
OCEAN BILLY | EUROPEAN QUEEN | PT.II | 1984 | D | 6 14 144 |
OCEAN BILLY | EUROPEAN QUEEN (A.H.) | PT.II | 1984 | D | 6 14 144 |
OCEAN BILLY | EUROPEAN QUEEN (A.H.)(FACT) | PT.II | 1984 | D | 6 14 144 |
OCEAN BILLY | GET OUTTA MY DREAMS, GET INTO MY | SHOWDOWN | 1986 | D | 6 15 035 |
OCEAN BILLY | LICENCE TO CHILL | PLEASURE | 1989 | UK | 431 125 |
OCEAN BILLY | LOVE IS FOREVER | SUDDENLY | 1986 | D | 6 14 755 |
OCEAN BILLY | LOVE ON DELIVERY (L.O.D.) | MR BUSINESS MAN | 1976 | D | 2099 162 |
OCEAN BILLY | LOVE REALLY HURTS WITHOUT YOU | PT.II | 1986 | D | 108 739 |
OCEAN BILLY | LOVE ZONE | PT.II | 1986 | D | 6 14 653 |
OCEAN BILLY | LOVERBOY | PT.II | 1984 | D | 6 14 289 |
OCEAN BILLY | LOVERBOY (A.H.) | PT.II | 1984 | D | 6 14 289 |
OCEAN BILLY | MYSTERY LADY | IF I SHOULD | 1985 | D | 6 14 416 |
OCEAN BILLY | NIGHTS (FEEL LIKE GETTING DOWN) | EVERLASTING | 1980 | NL | 286 |
OCEAN BILLY | SUDDENLY | LUCKY MAN | 1984 | D | 6 14 344 |
OCEAN BILLY | STAND AND DELIVER | PLESURE | 1988 | D | 6 15 164 |
OCEAN BILLY | STAND AND DELIVER (FACT) | PLESURE | 1988 | D | 6 15 164 |
OCEAN BILLY | STAY THE NIGHT | WHAT YOU DOING | 1980 | NL | 271 |
OCEAN BILLY | STOP ME (IF YOU'VE HEARD IT) | LET'S PUT OUR | 1976 | D | 2099 172 |
OCEAN BILLY | THE COLOUR OF LOVE | IT'S NEVER TOO LATE | 1988 | NL | 145 433-7 |
OCEAN BILLY | THERE'LL BE SAD SONGS | IF I SHOULD LOSE | 1986 | D | 6 14 575 |
OCEAN BILLY | WHEN THE GOING GETS TOUGH, THE | PT.II | 1986 | D | 6 14 516 |
OCEAN BILLY | WHEN THE GOING GETS (A.H.) | PT.II | 1986 | D | 6 14 516 |
OCEANIC | A INSANITY (PR) | REALITY | 1991 | D | 75 567-7 |
OCEANIC | A INSANITY (FACT) | REALITY | 1991 | D | 75 567-7 |
OCEANS THE | SUPER SNOOPER | DO YA | 0 | D | 10 05 030 |
OCEANS THE FANTASTIC | MOVIN' CRUSIN' (FILM) | CORBUCCI'S | 1981 | D | 103 698 |
ODDI GIANNI | DREAM CONCERT | HUNGARIAN DANCE | 1978 | I | 1024 |
ODEMAN ROBERT T. | DAMEN BITTE WEGHÖREN | WORT UND STIMME | 0 | D | 13 011 |
ODEMAN ROBERT T. | VERSE EINES DREISTEN ZEITGEN. | PT.II | 0 | D | 13 008 |
ODEMAN ROBERT T. | VERSE EINES DREISTEN ZEITGEN. (A.H.) | PT.II | 0 | D | 13 008 |
ODYSSEY | EASY COME, EASY GO | OH NO, NOT MY BABY | 1977 | D | 9822 |
ODYSSEY | GOING BACK TO MY ROOTS | BABA AWA | 1981 | D | 2240 |
ODYSSEY | GOING BACK TO MY ROOTS | BABA AWA | 1981 | NL | 2240 |
ODYSSEY | GOING BACK TO MY ROOTS (FLC) | BABA AWA | 1981 | NL | 2240 |
ODYSSEY | HANG TOGETHER (FLC) | DOWN BOY | 1980 | UK | 2240 |
ODYSSEY | I KNOW IT | LAUGHING AND | 1985 | UK | BUTCH 1 |
ODYSSEY | INSIDE OUT | LOVE'S ALRIGHT | 1982 | USA | 226 |
ODYSSEY | IT WILL BE ALRIGHT (FLC) | OH NO NOT MY BABY | 1982 | USA | 128 |
ODYSSEY | NATIVE NEW YORKER | EVER LOVIN' SAM | 1977 | D | 1129 |
ODYSSEY | USE IT UP AND WEAR IT OUT | DON'T TELL ME | 1980 | D | 1962 |
ODYSSEY | USE IT UP AND WEAR IT OUT (A.H.A.L.) | DON'T TELL ME | 1980 | NL | 1962 |
ODYSSEY (NEU) | USE IT UP AND WEAR IT OUT (FLC) | INSIDE OUT | 1982 | UK | 9835 |
Ö.E.T. | JA,WIR WOLLEN SO GERN EINEN | JETZT WIRD DIE | 1986 | D | 107 874 |
OFARIM ABI | ZEIT IST GELD (MUSTER) | SOLANG ICH NOCH | 0 | D | 16 088 |
OFARIM ESTHER | DAS IST MEINE LIEBE | DITY OLD TOWN | 1968 | D | 384 513 |
OFARIM ESTHER | MORGEN IST ALLES VORÜBER | BONJOUR, L'ANOUR | 1963 | D | 345 650 |
OFARIM ESTHER & ABI | CINDERELLA - ROCKEFELLA | TE ADOR | 1968 | D | 384 513* |
OFARIM ESTHER & ABI | CINDERELLA - ROCKEFELLA | LONESOME ROAD | 1968 | A | 384 508 |
OFARIM ESTHER & ABI | ICH FRAG' MICH. WAS WIRD AUS MIR | BYE. BIDDY-BYE, BYE | 0 | D | 345 840 |
OFARIM ESTHER & ABI | IN THE MORNING OF MY LIFE | ALIVE AGAIN | 1989 | D | 889 918 7 |
OFARIM ESTHER & ABI | LES TROIS CLOCHES | DRUNTEN IM TALE | 0 | D | 345 854 |
OFARIM ESTHER & ABI | MORNING OF MY LIFE | GARDEN OF MY | 1967 | D | 346 080* |
OFARIM ESTHER & ABI | NEVER GROW OLD | PURPEL EYES | 1968 | D | 384 569* |
OFARIM ESTHER & ABI | NOCH EINEN TANZ | WENN ICH BEI | 1966 | D | 345 764* |
OFARIM ESTHER & ABI | ONE MORE DANCE | GONE HOME | 1968 | A | 384 547 |
OFARIM ESTHER & ABI | SING HALLLELUJAH | I'M GOING HOME | 1966 | D | 346 012* |
OFARIM ESTHER & ABI | WENN ICH BEI DIR SEIN / NOCH (SONDER.) | LES TROIS/ DRUNTEN | 0 | A | 80 020 |
OFERO CARLOS | WEINE KEINETRÄNEN UM MICH, BELLA | DIE ROTEN SEGEL | 0 | D | 24 586 |
OFF | BAD NEWS | PT.II | 1985 | D | 100 07 370 |
OFF | ELECTRICA SALSA (BABA BABA) | (DUB VERSION) | 1986 | D | 1256 |
OFF | EVERYBODY SHAKE | PT.II | 0 | D | 1420 |
OFF | HIO HOP REGGAE | PT.II | 1989 | D | 112 456 |
OFF | STEP BY STEP | PT.II | 1987 | D | 1300 |
OFF - SHORE | GOT TO GET AWAY | PT.II | 1991 | D | 657 638 7* |
OFFENBACH & TERRY | EINMAL IST BESSER ALS (FACT) | WEISST DU, WAS | 1978 | D | 45 112 |
OFFENBACH & TERRY | WORAN MAG ES LIEGEN | WEISST DU, WAS | 1979 | D | 45 974 |
OFFENBACHER KICKERS | ROT UND WEISS SIND UNSRE FARBEN | BUNDESLIGA MELOD. | 0 | D | 21 534 |
OH WELL | OH WELL | RIO DE JANEIRO | 1988 | 0 | 2 02992 7 |
OH WELL | RADAR LOVE | STOP THE WORLD | 1990 | 0 | 2 03721 7 |
OHAYOS DIE | CHASON D'AMOUR | SCHLAF',LIEBL. | 0 | D | 23 762 |
OHIO EXPRESS | CHEWY CHEWY | FIREBIRD | 1968 | D | 201 023* |
OHIO EXPRESS | DOWN AT LULU'S | SHE'S NOT | 1968 | D | 201 019* |
OHIO EXPRESS | MERCY | ROLL IT UP | 1969 | D | 201 046 |
OHIO EXPRESS | SWEETER THAN SUGAR | NOTHING SWEETER | 1968 | D | 201 038* |
OHIO EXPRESS | YUMMY YUMMY YUMMY | ZIG ZAG | 1968 | D | 201 012* |
OHIO EXPRESS | YUMMY YUMMY YUMMY (A.L.) | CHEWY CHEWY | 1984 | USA | 3503 |
OHIO PLAYERS | FIRE | TOGETHER | 1974 | D | 6167 058 |
OHIO PLAYERS | FUNKY WORM | PAINT ME | 1973 | D | 18 183 |
OHRNER TOMMI | 5 O'CLOCK ROCK | MISTER | 1981 | D | 102 881 |
OHRNER TOMMI | ALL THE GIRLS AROUND THE WORLD | BABY IT'S YOU | 1981 | D | 103 667 |
OHRNER TOMMI | FRAG' NICHT SO DUMM | WIR WAR'N GUTE | 1982 | D | 104 089 |
OHRNER TOMMI | IM DSCHUNGEL IST DER TEUFEL LOS | PT.II (FILM) | 1982 | D | 104 714 |
OHRNER TOMMI | MANNI, DER LIBERO (FILM) | PT.II | 1982 | D | 18 934 |
OHRNER TOMMI | ROCK'N ROLL IN OLD BLUE JEANS | I LIKE EVERY | 1980 | D | 101 670 |
OINGO BOINGO | WAKE UP | SWEAT | 1983 | NL | 9730 |
OINGO BOINGO | WE CLOSE OUR EYES | WHERE DO ALL MY | 1987 | D | 258 289-7 |
OIO | ALMERIA | SOHORO | 1992 | D | 115 230 |
OISTRACH DAVID & IGOR | BACH (VIOLINDUETT + KLAVIER) | PT.II | 0 | 0 | 969 |
OISTRACH DAVID & IGOR | HAYDN (VIOLINDUETT) | PT.II | 0 | 0 | 517 |
OISTRACH DAVID & IGOR | HAYDN (VIOLINDUETT) | PT.II | 0 | F | 517 |
OISTRACH IGOR | LUDWIG VAN BEETHOVEN ( VIOLINE) | PT.II | 1961 | D | 30 246 |
O.K. | OKAY! | PT.II | 1987 | D | 01-3761 |
O.K. | OKAY! (A.H.A.L.) | PT.II | 1987 | D | 01-3761 |
OK-SINGERS DIE (HEINO) | DIE SUSI MIT DEM MINIROCK | LIESCHEN,DEIN | 1966 | D | PE 1* |
OK-SINGERS DIE (HEINO) | ICH KANN NIE MEHR VON DIR (AUTOGR.) | JOHNNY KEHR HEIM | 1965 | D | 23 114* |
OKAY | AMERIKA | SUMMERTIME BABY | 1970 | D | 6 198 098 |
OKAY | EDUCATION | WHY? BOYS! | 1987 | D | 674970 |
OKKO, LONZO, BERRY & | WOLFGANG AMADEUS | LUDWIG V.W. | 1976 | D | 2041 824 |
OKLAHOMA BOYS | ROSA-LINDA | JOHN BROWN'S | 0 | D | 24 483 |
OLA & JANGLERS | LET'S DANCE | HEAR ME | 1966 | D | 14 213 |
OLA & JANGLERS (NEU) | LET'S DANCE | LA LA LA | 1968 | D | 12 250* |
OLAF TEDDY | PEGGY - LU | DER FLÖSSER | 0 | D | 20 921 |
OLD MERRY TALE JAZZBAND | DAS LIED VOM ANGELN | DER THEODOR IM | 0 | D | 12 912 |
OLD MERRY TALE JAZZBAND | AM SONNTAG WILL MEIN SÜSSER (LC) | WOLGALIED | 1961 | D | 12 904 |
OLD MERRY TALE JAZZBAND | DER MAI IST GEKOMMEN | GET THE BUCKET | 0 | D | 12 910 |
OLD MERRY TALE JAZZBAND | HOT TIME | LAZY RIVER | 1974 | D | 22 353-7 |
OLD MERRY TALE (NEU) | AM SONNTAG WILL MEIN SÜSSER (LC) | WOLGALIED | 0 | D | 887 559-7 |
OLD SHATTERHAND,SUSAN | STERNE, DIE AM HOHEN HIMMEL STEH'N | PT.II | 1980 | D | 13 081 |
OLDFIELD MICHAEL | GIMME BACK | EXPERPT II FROM | 1991 | D | 114 430 |
OLDFIELD MICHAEL | HEAVEN'S OPEN | EXCERPT I FROM | 1991 | D | 113 951 |
OLDFIELD MIKE | ARRIVAL | POLKA | 1980 | D | 102 389* |
OLDFIELD MIKE | CRIME OF PASSION | JUNGLE GARDENIA | 1983 | D | 106 102* |
OLDFIELD MIKE | ETUDE | EVACUATION | 1984 | D | 106 980 |
OLDFIELD MIKE | FIVE MILES OUT | LIVE PUNKADI. | 1981 | D | 103 920* |
OLDFIELD MIKE | FLYING START | THE WIND CHIMES | 1988 | D | 109 718* |