INTERPRET | A TITEL | B TITEL | JAHR | LAND | NUMMER |
OLDFIELD MIKE | IN HIGH PLASES (FEAT. ANDERSON) | POISON ARROWS 6 | 1987 | UK | VS 955 |
OLDFIELD MIKE | INNOCENT | EARTH MOVING | 1989 | D | 112 383 |
OLDFIELD MIKE | ISLANDS (FEATUR.BONIE TYLER ) | TO WIND CHIMES | 1987 | D | 109 351 |
OLDFIELD MIKE | MAGIC TOUCH | MUSIC FOR THE | 1988 | D | 109 872* |
OLDFIELD MIKE | MISTAKE / (WALDBERG) THE REAK | FAMILY MAN/ | 1982 | D | 104 678 |
OLDFIELD MIKE | MOONLIGHT SHADOW | RITE OF MAN | 1983 | D | 105 390* |
OLDFIELD MIKE | ONE GLANCE IS HOLY | PT.II | 1989 | D | 112 761 |
OLDFIELD MIKE | PICTURES IN THE DARK | LEGEND | 1985 | D | 107 850* |
OLDFIELD MIKE | PORTHMOUTH (LC) | ARGIERS | 1976 | D | 17 422* |
OLDFIELD MIKE | SHADOW ON THE WALL | TAURUS III | 1983 | D | 105 780* |
OLDFIELD MIKE | SHINE (FEAT.ANDERSON) | THE PATH | 1986 | D | 108 134 |
OLDFIELD MIKE | THE TIME HAS GOME (FEAT.HEGERLAND) | NORTH POINT | 1987 | D | 109 542 |
OLDFIELD MIKE | TO FRANCE | IN THE POOL | 1984 | D | 106 590* |
OLDFIELD MIKE | TRICKS OF THE LIGHT | AFGHAN | 1984 | D | 106 810 |
OLDFIELD MIKE | WONDERFUL LAND | SHEBA | 1981 | D | 102 865* |
OLDFIELD MIKE | WONDERFUL LAND (A.H.) | SHEBA | 1981 | D | 102 865 |
OLDFIELD SALLY | ANDROMEDA RISING | STRANGERS IN THE | 1988 | NL | 651 366-7 |
OLDFIELD SALLY | CELEBRATION | EASY | 1979 | D | 103 191 |
OLDFIELD SALLY | GIVING ALL MY LOVE | TWO DIFFERENT | 1987 | NL | 103 191 |
OLDFIELD SALLY NATASHA | GUIDING STAR | KEEP THE FIRE | 1990 | NL | 656 532 7 |
OLDFIELD SALLY | I SAY SOMETHING | I THE HEAT OF THE | 1988 | NL | 102 357 |
OLDFIELD SALLY | MANDALA | WOMAN OF THE | 1980 | D | 102 357 |
OLDFIELD SALLY | MIRRORS | NIGHT OF THE | 1978 | D | 100 219 |
OLDFIELD SALLY | MORNING OF MY LIFE | LOVE IS EVERY. | 1980 | D | 102 742 |
OLDFIELD SALLY | NATASHA | MAYA | 1990 | NL | 656 280 7 |
OLDFIELD SALLY NATASHA | NO HEART | DARK NIGHT OF MY | 1992 | NL | 657 824 7 |
OLDFIELD SALLY | PATH WITH A HEART | ATRANG DAY IMN | 1983 | D | 106 120 |
OLDFIELD SALLY | PLAYING IN THE FLAME | IT'S A LONG | 1990 | D | 103 952 |
OLDFIELD SALLY | SILVER DAGGER | SOMETIMES I'M | 1987 | NL | 6508 14 7 |
OLDFIELD SALLY | THE SUN IN MY EYES | ANSWERING YOU | 1979 | D | 101 102 |
OLDFIELD SALLY | YOU SET MY GYPSY BLOOD FREE | WATER BEARER | 1978 | D | 100 831 |
OLDFIELD S. & HAYWARD | LET IT BEGIN | OLEANDERS | 1989 | NL | 654 598 7 |
OLÊ OLÊ | LILI MARLEN | NO TE NECESITA | 1985 | EEC | 40 3094 7 |
OLIMPIO | BANANA JOE (FILM) | MOVIE, MOVIE | 1982 | D | 2040 345 |
OLIVER | GOOD MORNING STARSHINE (MUSICAL) | CAN'T YOU SEE | 1969 | D | 4435* |
OLIVER NICK | ABER NUR IN GEDANKEN | MEIN WEG MIT DIR | 0 | D | 21 366 |
OLIVER NICK | ANGELA JONES | THE FACT | 1974 | D | 2744 |
OLIVER NICK | ROSIE (MUSTERPLATTE) | KOMM UND TANZ | 1974 | D | 2511 |
OLIVER SVEN | AM 17.NOVEMBER | SO WIE ES EINMAL | 0 | D | 5014 |
OLIVER THOMAS | ICH FÜHL MICH SO EINSAM | PT.II | 1987 | D | 100 05 093 |
OLIVER THOMAS | SANTA MONICA | LIEBE SCHENKT | 1978 | D | 15 678 |
OLIVER THOMAS | WENN DEIN GIRL MIT EINEM | DISCO LADY LOU | 1977 | D | 11 651 |
OLM HANS-WERNER | SHIT-PARADE | PT.II | 1976 | D | 17 040 |
OLSEN BROTHERS | LOUISE | I'LL GIVE YOU ALL | 1983 | BEL | 69 010 |
OLSEN BROTHERS | MARIE, MARIE | FEELS LIKE I'M | 1982 | D | 9956 |
OLSEN BROTHERS | MY SWEET, SWEET BABY | WE'LL BE | 1974 | D | 6019 145 |
OLSEN BROTHERS | NEON MADONNA | NICE GIRLS | 1984 | D | 881 102-7 |
OLSEN BROTHERS | WINGS OF AN EAGLE | BABY BLUE | 1985 | D | 883 442-7 |
OLSEN FRANK | CLEMENTINE | I LOVE YOU, | 0 | D | 269 262 |
OLSEN JANINE | SIE WERDEN ES NIE VERSTEHEN | WAS WÄRE WENN | 1983 | D | 106 048 |
OLYMPIC UNION & | ZORBA'S DANCE | DIRLADA | 1978 | D | 6003 682 |
OMAR | DON'T MEAN A THING | USE ME | 1991 | D | 868 712-7 |
OMAR | THERE'S NOTHING LIKE THIS | I DON'T MIND THE | 1991 | D | 868 288-7 |
OMD | CALL MY NAME | WALK TALL | 1991 | D | 115 004* |
OMD | DREAMING | SATELLITE | 1988 | D | 109 702 |
OMD | ELECTRICITY | ALMOST | 1979 | D | 101 052 |
OMD | ENOLA GAY | ANNEX | 1980 | UK | 102 454 |
OMD | GENETIC ENGINEERING | 4 NEU | 1983 | D | 105 029 |
OMD | GENETIC ENGINEERING (A.L.) | 4 NEU | 1983 | NL | 105 029 |
OMD | IF YOU LEAVE | 88 SEVONDS IN | 1986 | D | 107 980 |
OMD | LA FEMME ACCIDENT | FIREGUN | 1985 | D | 107 715 |
OMD | LIVE AND DIE (FOREVER) | THIS TOWN | 1986 | D | 108 478 |
OMD | LOCOMOTION | HER BODY IN MY | 1984 | D | 106 377 |
OMD | MAID OF ORLEANS | NAVIGATION | 1981 | D | 103 894* |
OMD | MAID OF ORLEANS (A.L.) | NAVIGATION | 1981 | D | 103 894* |
OMD | MAID OF ORLEANS (PR) | NAVIGATION | 1981 | D | 104 075 |
OMD | MAID OF ORLEANS (A.H.A.L.) | NAVIGATION | 1981 | UK | 103 894 |
OMD | PANDORA'S BOX | ALL THE WANT'S | 1991 | D | 114 404 |
OMD | SAILING ON THE SEVEN SEAS | BURNING | 1991 | D | 113 790 |
OMD | SECRET | DRIFT | 1985 | D | 107 519 |
OMD | SHAME | GODDESS OF LOVE | 1987 | D | 109 100 |
OMD | SHE'S LEAVING | THE ROMANCE OF | 1982 | D | 104 277 |
OMD | SO IN LOVE | CONCRETE HANDS | 1985 | D | 107 330 |
OMD | SOUVENIR | MOTION AND | 1981 | D | 103 520 |
OMD | SOUVENIR (A.H.A.L.) | MOTION AND | 1981 | UK | 103 558 |
OMD | TALKING LOUD AND CLEAR | JULIA'S SONG | 1984 | D | 106 534 |
OMD | TELEGRAPH | 66 AND FADING | 1983 | D | 105 285 |
OMD | TESLAGIRLS | TELEGRAPH | 1983 | D | 106 802 |
OMD | THEN YOU TURN AWAY | SUGAR TAX | 1991 | UK | 114 670 |
OMD | WE LOVE YOU | PT.II | 1986 | D | 108 603 |
OMS | DOOT DOOT | HOLD ME MOTHER | 1983 | NL | 3141 |
ONANO JIMMI | STELLA BIANCA | ROSASPINA | 1982 | I | 82/7581 |
ONDO JIMMY | FAISON L'AMOUR | QUAND TU RIS | 1977 | D | 030 061 |
ONE ALBERT | TURBO DIESEL | PT.II | 1984 | D | 106 638 |
ONE 2 ONE | ANGEL IN MY POCKET | WHERE'S THE | 1986 | D | 108 229 |
ONE 2 ONE | THERE WAS A TIME | WHERE'S THE | 1985 | D | 107490 |
ONE 2 MANY | DOWNTOWN | WELCOME TO MY | 1988 | D | 390 377-7 |
ONE TWO | NO SONG TO SING | PT.II | 1984 | D | 249 341-7 |
ONE WAY | LET'S TALK | PT.II | 1985 | D | 259 019-7 |
ONIDIS NICKY | BABY, I LOVE YOU (MUSIKLADEN) | I WILL GIVE YOU | 1982 | D | 110 512 |
ONIONS OLIVER | BULLDOZER (FILM) | JUST A GOOD BOY | 1978 | D | 2040 211 |
ONIONS OLIVER | BULLDOZER (A.L.) | JUST A GOOD BOY | 1978 | D | 2040 211 |
ONIONS OLIVER | BULLDOZER (A.L.) | JUST A GOOD BOY | 1978 | D | 2040 211 |
ONIONS OLIVER | CHRISTINE | OLD MAN | 1973 | D | 74 16 375 |
ONIONS OLIVER | DUNE BUGGER (FILM) | ACROSS | 1974 | D | 27 690 |
ONIONS OLIVER | FANTASY | BABY LOVE | 1982 | D | 2040 341 |
ONIONS OLIVER | FLYING THROUGH THE AIR (FILM) | PLATA AND SALUD | 1973 | D | 27 030 |
ONIONS OLIVER | GABBIANO (FILM) | LA SCOMMESSA | 1984 | D | 6 14 257 |
ONIONS OLIVER | GHOST (FILM) | SHADOW'S TANGO | 1984 | D | 6 14 264 |
ONIONS OLIVER | LULU' | LA NOTTE FINIRA | 1980 | D | 2040 297 |
ONIONS OLIVER | ORZOWEI | TEMA DI LARA | 1976 | D | 26 11 489 |
ONIONS OLIVER | ORZOWEI (A.H.) | TEMA DI LAURA | 1976 | D | 26 11 489 |
ONIONS OLIVER | PICCOLA BAMBOLA | COME UN CAFFE | 1982 | D | 2040 380 |
ONIONS OLIVER | QUANTI SEU BELLA STASERA | ANCORA IO | 1981 | D | 2040 310 |
ONIONS OLIVER | SANDOKAN | SWEET LADY BLUE | 1976 | D | 6091 |
ONIONS OLIVER | SANDOKAN (A.H.) | SWEET LADY BLUE | 1976 | D | 6091 |
ONIONS OLIVER | SANTA MARIA | SUPERDONNA | 1980 | D | 2040 278 |
ONIONS OLIVER | SANTA MARIA (A.H.) | SUPERDONNA | 1980 | D | 2040 278 |
ONIONS OLIVER | SHERRIFF (FILM) | DREAMING WOMAN | 1979 | D | 2040 251 |
ONIONS OLIVER | SIX WAYS | HAPPINESS | 1979 | D | 2040 229 |
ONIONS OLIVER | WHY IS EVERYONE SO MAD | LONDON TOWN | 1974 | D | 26 11 253 |
ONIONS OLIVER & BUD | COCK A DOODLE DOO | MY NAME IS ZULU | 197800% | D | 2040 216 |
ONKEL TEDDY & BOYS | BIER HER | JUNGE, WIE DIE | 0 | D | 45 179 |
ONYX | BREAK | OCTAGON | 1983 | D | 6 13 715 |
OPEN AIR | MAMA GOES JAMAICA | MIDNIGHT LADY | 1985 | D | 883 158-7 |
OPUS | A NIGHT IN VIENNA | WHAT WE GONNA | 1990 | AU | 877 348-7 |
OPUS | ELEVEN | KEEP YOUR MIND | 1982 | D | 5966 |
OPUS | FASTER AND FASTER | DEEP INSIDE | 1987 | D | 887 292-7 |
OPUS | FLYIN' HIGH | OPUS POCUS | 1985 | D | 6 143 49 |
OPUS | FLYIN' HIGH (A.H.A.L.) | OPUS POCUS | 1982 | D | 9967 |
OPUS | FLYIN' HIGH (A.H.A.L.) | OPUS POCUS | 1982 | D | 883 069-7 |
OPUS | LIVE IS LIFE | UP AND DOWN | 1984 | D | 881 792-7 |
OPUS | ROCK ON THE ROCKS | DREAMIN' TAKES | 1985 | D | 883 451-7 |
OPUS | WHEN THE NIGHT COMES | DANCE LITTLE | 1990 | D | 873 462-7 |
OPUS III | IT'S A FINE DAY | EVOLUTION RUSH | 1992 | D | 76 557-7 |
ORANGE JUICE | RIP IT UP | SNAKE CHARMER | 1983 | D | 2059 598* |
ORB | PERPETUAL DAWN | STAR | 1991 | D | 867 222-7 |
ORBIS KID | HAVANNA LOVE | RADETZKY-DIEXIE | 0 | D | 2117 |
ORBIS TRIO | PETIT FLEUR | WILD CAT BLUES | 1987 | D | 2105 |
ORBISON ROY | BLUE ANGEL (BILDPLATTE) | ONLY THE LONELY | 1987 | EEC | 25 |
ORBISON ROY | CALIFORNIA BLUE | BLUE BAYOU | 1989 | D | 112 389 |
ORBISON ROY | CRYING | FALLING | 1992 | D | 115 506 |
ORBISON ROY | I DROVE ALL NIGHT | FOREVER FRIENDS | 1991 | D | 17 858 |
ORBISON ROY | IN DREAMS (FLC) | SHAHDAROBA | 1963 | D | 20 689 |
ORBISON ROY | IT'S TOO LATE (BILDPLATTE) | OOBY DOOBY | 1987 | EEC | 77 |
ORBISON ROY | MEAN WOMAN BLUES | BLUE BAYOU | 1964 | D | 20 728 |
ORBISON ROY | OH, PRETTY WOMAN | IT'S OVER | 1964 | NL | 650 480 7 |
ORBISON ROY | OH PRETTY WOMAN (A.H.) | CLAUDETTE | 1987 | D | 112 772 |
ORBISON ROY | OH PRETTY WOMAN (FACT/MUSTER) | CLAUDETTE | 1987 | D | 112 772 |
ORBISON ROY | ONLEY THE LONELEY (FLC) | HERE COMES THAT | 1960 | D | 20 341* |
ORBISON ROY | PRETTY PAPER (FLC) | SUMMERSONG | 1964 | D | 20 774* |
ORBISON ROY | PRETTY WOMAN | YO TE AMO MARIA | 1964 | D | 20 767* |
ORBISON ROY | SHE'S A MYSTERY TO ME | CRYING | 1989 | D | 112 150* |
ORBISON ROY | SHE'S A MYSTERY TO ME (A.L.) | CRYING | 1989 | UK | 1173 |
ORBISON ROY | THE COMEDIANS (MUSTER) | PT.II | 1989 | D | 113 081 |
ORBISON ROY | WINDSURFER | MOVE ON DOWN | 1989 | D | 113 423 |
ORBISON ROY | WINDSURFER ((FACT/MUSTER) | MOVE ON DOWN | 1989 | D | 113 423 |
ORBISON ROY | WINDSURFER ((FACT/MUSTER)(A.H.) | MOVE ON DOWN | 1989 | D | 113 423 |
ORBISON ROY | YOU GOT IT | THE ONLY ONE | 1989 | D | 112 000 |
ORBISON ROY (NEU) | DREAM BABY (HOW LONG MUST I DREAM) | CRYING | 1988 | 0 | 4602 |
ORBISON ROY (NEU) | OH PRETTY WOMAN | IN DREAMS | 1974 | NL | 8716 |
ORBISON ROY (NEU) | OH, PRETTY WOMAN | IT'S OVER | 1964 | D | 5747 |
ORBISON ROY (NEU) | OH, PRETTY WOMAN | IT'S OVER | 1964 | NL | 650 480 7 |
ORBISON ROY & EASTON | I DROVE ALL NIGHT | FOREVER FRIENDS | 1991 | UK | 1652 |
ORCH. ALBRECHT | BANJO BOY / OH, OH ROSI | ICH STEH' AN / | 0 | D | B 07 |
ORCH. ALBRECHT | CARIOCA | BRASIL | 0 | D | 9989 |
ORCH. ALBRECHT | MITTERNACHTS-BLUES (FILM) | THE RIVER KWAI MAR. | 0 | CH | 9888-45 |
ORCH. ALBRECHT | SWING AUS PARIS | GERSHWIN-MELODIEN | 0 | D | 344 800 |
ORCH. ALVAREZ | FIRESTA TROPICANA | PT.II | 0 | 0 | 977 |
ORCH. ARLT HANS G. | DIE POST IM WALDE (SO.AUFLAGE) | GROSSMÜTTERCHEN | 0 | D | 35 693 |
ORCH. ARLT HANS G. | DIE POST IM WALDE (A.L.) | GROSSMÜTTERCHEN | 0 | D | 19 646 |
ORCH. BALLHAUS | HEUT' WOLL'N WIR LUSTIG SEIN / WER | HEIN SPIELT ABENDS | 0 | DD | 50 946 |
ORCH. BAMBERGER SYMP. | HÄNDEL ORCHESTERKONZERT | PT.II | 1955 | D | 37 040 |
ORCH. BAMBERGER SYMP. | NOTRE DAME / CAVALLERIA RUSTICANA | DONNA DIANA | 0 | D | 30 565 |
ORCH. BAMBERGER SYMP. | UNDINE / NUN IST'S VOLLBRACHT | SO WISSE, DAS IN | 1957 | D | 30 042 |
ORCH. BAMBERGER SYMP. | UNDINE (FLC) | ZAR U. ZIMMERMANN | 1957 | D | 32 017 |
ORCH. BANTER HARALD | PATRICIA / GANZ LEIS SCHLÄGT | PT.II | 0 | D | 2869 |
ORCH. BÁRANY TIBOR | CHARMAINE / BLAUER HIMMEL | DAS GIBT'S / | 0 | D | 4113 |
ORCH. BÁRANY TIBOR | SPRICH ZU MIR VON LIEBE / BEI | EINMAL SAGT / | 0 | D | 4106 |
ORCH. BARNAY TED | MILORD | PT.II | 0 | D | 4953 |
ORCH. BAYR.RUNDFUNK | BAYRISCHE G'SCHICHTEN | DIE GEHEIMNISSE | 0 | D | 4930 |
ORCH. BAYR.RUNDFUNK | DON CARLOS SIE HAT MICH NIE GELIEBT | DON GIOVANNI | 1958 | D | 30 077 |
ORCH. BAYR.RUNDFUNK | LOHENGRIN (WAGNER ) IM FERNEN LAND | TANNHÄUSER | 1956 | D | 30 048 |
ORCH. BAYR.RUNDFUNK | LOHENGRIN (WAGNER) (A.L.) BRAUTCHOR | TANNHÄUSER | 0 | D | 30 085 |
ORCH. BAYR.RUNDFUNK | EINE KLEINE NACHTMUSIK KV 525 | PT.II | 1955 | D | 30 053 |
ORCH. BAYR.RUNDFUNK | FIGAROS HOCHZEIT | PT.II | 0 | D | 32 124 |
ORCH. BAYR.RUNDFUNK | NABUCCO | PT.II | 1959 | D | 30 125 |
ORCH. BAYR.RUNDFUNK | TRANSEAMUS | AVE VERUM | 0 | D | 32 021 |
ORCH. BCN | QUIEN TU TE CREES | PT.II | 1990 | ESP | 110 204 7 |
ORCH. BERG ERICH | WUNDERLAND BEI NACHT | BLUEBERRY HILL | 0 | D | 665 |
ORCH. BERGAMINI | SAN REMO | PT.II | 0 | D | 882 005 |
ORCH. BERLIN | ACH, ICH HAB' SIE JA / SCHENKT MAN | GERN HAB' ICH / | 0 | D | 5609 |
ORCH. BERLIN | AIDA TRIUMPHMARSCH UND BALLETTM. | PT.II | 0 | D | 41 023 |
ORCH. BERLIN | AVE MARIA | AIR | 0 | D | 45 514 |
ORCH. BERLIN | AVE MARIA, OP.52 NR.6 | LARGO | 0 | D | 45 515 |
ORCH. BERLIN | AVE MARIA / AIR | TRÄUMEREI | 0 | D | 228 |
ORCH. BERLIN | AUS DER WELT DER OPER FOLGE 3 | WIE EISKALT IST | 0 | D | 4194 |
ORCH. BERLIN | BELIEBTE OPERNMUSIK | PT.II | 0 | D | 4 4195 |
ORCH. BERLIN | CARMEN | PT.II | 0 | D | 205 |
ORCH. BERLIN | CHOR DER GEFANGENEN (NABUCCO) | SCHON DIE ABEND. | 0 | D | 152 |
ORCH. BERLIN | CHOR DER GEFANGENEN (NABUCCO) | WACH AUF! ES | 0 | D | 45 722 |
ORCH. BERLIN | CHOR DER GEFANGENEN (NABUCCO) | WARUM KLAGT IHR | 0 | D | 41 366 |
ORCH. BERLIN | DER VOGELHÄNDLER | PT.II | 0 | D | 45-7751 |
ORCH. BERLIN | DIE BLUME VON HAWAII | CLIVIA | 0 | D | 4526 |
ORCH. BERLIN | DIE BLUME VON HAWAII | CLIVIA | 0 | D | 4528 |
ORCH. BERLIN | DIE BLUME VON HAWAII (A.L.) | PT.II | 0 | D | 34 392 |
ORCH. BERLIN | DIE CARDASFÜRSTIN | PT.II | 0 | D | 70 820 |
ORCH. BERLIN | GEFANGENENCHOR (FIDELIO) | ABSCHEULICHER | 0 | D | 50 036 |
ORCH. BERLIN | MASKE IN BLAU | IM WEISSEN RÖSSEL | 0 | D | 4502 |
ORCH. BERLIN | MEISTER DER OPERETTE | PT.II | 0 | D | 947 20 |
ORCH. BERLIN | MEISTER DER OPERETTE | PT.II | 0 | D | 947 21 |
ORCH. BERLIN | PIGERCHOHR AUS TANNHÄUSER | MATROSENCHOR | 0 | D | 4198 |
ORCH. BERLIN | REICH MIR DIE HAND | PAPAGENA | 0 | D | 15 331 |
ORCH. BERLIN | REICH MIR DIE HAND | PT.II | 0 | D | 26 100 |
ORCH. BERLIN | REICH MIR DIE HAND / WENN DIE SANFTEN | VIVAT BACCHUS / | 1957 | D | 30 274 |
ORCH. BERLIN | SEHT, WIE DIE WOLKEN / O, SIGNORE | SCORRENDO UNITI | 0 | D | 6008 |
ORCH. BERLIN | WIENER BLUT | PT.II | 0 | D | 5038 |
ORCH. BERLIN | ZWISCHENSPIEL UND BACCAROLE (FLC) | LEUCHTE, HELLER SP, | 0 | D | 540 |