INTERPRET | A TITEL | B TITEL | JAHR | LAND | NUMMER |
SHANNY | MEIN HERZ LÄSST EUCH GRÜSSEN | HEUT' BIN ICH SO | 1972 | D | 35 446 |
SHANTY CHOR BIELEFELD | GORCH FOCK LIED | IT'S A LONG TIME | 1977 | D | 30 019 |
SHAPIRO HELEN | DAS IST NICHT DIE FEINE ENGLISCHE (FLC) | TAKE DOWN A | 1970 | D | 11 005* |
SHAPIRO HELEN | DON'T TREAT ME LIKE A CHILD | WHEN I'M WITH YOU | 1962 | D | 22 061* |
SHAPIRO HELEN | EIN WEG ZU DEINEM HERZEN | ICH SUCH MIR | 1966 | D | 23 208* |
SHAPIRO HELEN | FRAG' MICH NICHT WARUM | KOMM SEI WIEDER | 1962 | D | 22 038* |
SHAPIRO HELEN | LITTLE MISS LONELY | I DON'T CARE | 1963 | D | 22 239* |
SHAPIRO HELEN | WALKIN' BACK TO HAPPINESS | KISS 'N' RUN | 1961 | UK | 21 959* |
SHAPIRO HELEN | YOU DON'T KNOW | MARVELLOURS LIE | 1961 | D | 21 919* |
SHARKEY FEARGAL | A GOOD HEART | ANGER IS HOLY | 1985 | D | 107 719 |
SHARKEY FEARGAL | I'VE GOT NEWS FOR YOU | I CAN'T BEGIN TO | 1991 | D | 113 985 |
SHARKEY FEARGAL | LISTEN TO YOUR FATHER | CAN I SAY I LOVE | 1984 | D | 106 902 |
SHARKEY FEARGAL | LOVING YOU | IS THIS AN EXPLAN. | 1985 | D | 107 476 |
SHARKEY FEARGAL | MORE LOVE | A BREATH OF | 1988 | D | 109 648-100 |
SHARKEY FEARGAL | OUT OF MY SYSTEM | A TOUCH OF BLUE | 1988 | D | 109 842-100 |
SHARKEY FEARGAL | SOMEONE TO SOMEBODY | COLDWATER | 1985 | D | 108 069 |
SHARKEY FEARGAL | WOMEN & I | I'LL TAKE IT BACK | 1991 | D | 114 327 |
SHARKEY FEARGAL | YOU LITTLE THIEF | THE LIVING ACTOR | 1985 | D | 107 894 |
SHARKS | HEY, KOMM IN DEN CLUB | BABY, KISS KISS | 1965 | D | 52 643* |
SHARKS | KUNG FU | ELEVATOR DANCIN | 1974 | D | 13 429* |
SHARON JEAN | DISCO LOVE | PAPA BLUE | 1978 | D | 6003 699 |
SHARON & HAYNES | I LOVE YOU ANYWAY | A FRIEND IS A | 1989 | D | 871 552-7 |
SHARP DEE DEE | YOU 'LL NEVER BE MINE | ROCK ME IN THE | 1963 | D | 10 352* |
SHARP TODD | I DON'T WANT TO LEAVE YOU | I'M THE ONE CRADLE | 1986 | D | 258 716-7 |
SHARPE AND NUMAN | CHANGE YOUR MIND | "REMIX; REMAKE" | 1985 | D | 881 657-7 |
SHARPE ROCKY & | A TEENAGER IN LOVE | YOU'VE GONE | 1980 | D | 0037 072 |
SHARPE ROCKY & | CLAP YOUR HANDS | TWENTY-FOUR HOURS | 1982 | D | 64 909 |
SHARPE ROCKY & | COME ON LETS GO | PLEASE DON'T SAY | 1981 | NL | 152 |
SHARPE ROCKY & | IF YOU WANNA BE HAPPY | IF YOU KNOW | 1983 | D | 810 568-7 |
SHARPE ROCKY & | IMAGINATION | GOT IT MADE | 1979 | D | 0037 059 |
SHARPE ROCKY & | MARTIAN HOP | A FOOL IN LOVE | 1980 | D | 0037 068 |
SHARPE ROCKY & | NEVER | OOP DOOP DOOP | 1979 | D | 0037 065 |
SHARPE ROCKY & | NEVER BE ANYONE ELSE BUT YOU | PARADISE LOST | 1981 | D | 0037 079 |
SHARPE ROCKY & | RAMA LAMA DING DONG | WHEN THE CHIPS | 1978 | D | 0037 057* |
SHARPE ROCKY & | RAMA LAMA DING DONG (ORIG.) | WHEN THE CHIPS | 1978 | D | 0037 057* |
SHARPE ROCKY & | SHOUT! SHOUT! | HEY! HEY! GOOD | 1982 | NL | 3 |
SHAW KIRSTY | YUMMY YUMMY YUMMY | BREAKAWAY | 1988 | NL | 652 952-7 |
SHAW MARK | LOVE SO BRIGHT | SONG FOR LORRAINE | 1990 | EEC | 20 4097 7 |
SHAW SANDIE | ARE YOU READY TO BE HEARTBROKEN | STEVEN | 1986 | UK | 50 397 2 |
SHAW SANDIE | DU BIST WUNDERBAR | DEIN ANDERES | 1968 | D | 47-15 039* |
SHAW SANDIE | DU LÜGST SO WUNDERBAR | AN JENEM TAG | 0 | D | 47-15 075 |
SHAW SANDIE | DU WEISST NICHTS VON DEINEM GLÜCK | DAS IST UNMÖGLICH | 1965 | D | 14 381* |
SHAW SANDIE | FREDERICK | GO JOHNNY GO | 1986 | UK | 811 |
SHAW SANDIE | HAND IN GLOVE | I DON'T OWE YOU | 1984 | D | 110 165 |
SHAW SANDIE | HOW CAN YOU TELL | IF EVER YOU | 0 | UK | 15 987 |
SHAW SANDIE | HURTING YOU | TOMORROW | 1966 | D | 14 469 |
SHAW SANDIE | I DON'T NEED THAT KIND OF LOVIN' | OH NO HE DON'T | 1965 | D | 14 448* |
SHAW SANDIE | LONG LIVE LOVE | I'VE HEARD ABOUT | 1965 | D | 14 363* |
SHAW SANDIE | NOTHING LESS THAN BRILLIANT | I LOVE PEACE | 1988 | D | 48 |
SHAW SANDIE | PLEASE HELP HIM CAUSE AGAINST | LOVER OF THE | 1988 | D | 45 |
SHAW SANDIE | PUPPET ON A STRING | HAD A DREAM | 1967 | D | 300 081* |
SHAW SANDIE | PUPPET ON A STRING (A.H.) | HAD A DREAM | 1967 | D | 300 081* |
SHAW SANDIE | PUPPET ON A STRING (LC) | GIRL DON'T COME | 1967 | UK | 46 104 |
SHAW SANDIE | PUPPET ON A STRING | TELL THE BOYS | 1967 | UK | 17 272 |
SHAW SANDIE | THINK IT ALL OVER | MR. DUPOND | 1985 | D | 45 173 |
SHAW SANDIE | TODAY | LONDON | 1968 | D | 47-15 051* |
SHAW SANDIE | WIEDEHOPF IM MAI (PUPPET ON) | WAS KANN ICH | 1967 | D | 300 085* |
SHAW SANDIE | WIR SEH'N UNS JA WIEDER | ICH DENKE AN | 1966 | D | 300 034* |
SHAW & ANDREWS (NEU) | PUPPET ON A STRING | PRETTY BELINDA | 1967 | D | 12 245 |
SHAW TOMMY | REMO'S THEME (WHAT IF) | KISS ME HELLO | 1985 | D | 390 050-7 |
SHAWN CHRISTOPHER | DON'T LOSE THE MAGIC | PT.II | 1992 | D | 115 319 |
SHAWN ELLIOTT | SHAME AND SCANDAL IN THE FAMILY | MY GIRL | 0 | F | 19 5007 |
SHAY JACKY BAND | NERVES | FLIPPIN' OUT | 1979 | D | 6 12 619 |
SHAYNE RICKY | BUONA NOTTE, MARIA | NACHTEXPRESS | 1969 | D | 14 147* |
SHAYNE RICKY | DAS HAT DIE WELT NOCH NICHT | GOOD BYE IHR | 0 | D | 14 231 |
SHAYNE RICKY | DELTA QUEEN | EINSAMKEIT | 0 | D | 12 391 |
SHAYNE RICKY | DELTA QUEEN (A.L.) | EINSAMKEIT | 0 | D | 12 391 |
SHAYNE RICKY | DU BIST ZU SCHÖN, UM ALLEIN ZU SEIN | ICH KANN BEI | 0 | D | 14 048 |
SHAYNE RICKY | ES WIRD EIN BETTLER ZUM KÖNIG | HEISS WIE FEUER | 1969 | D | 14 355* |
SHAYNE RICKY | FACE THE WORLD ALONE (ZDF SERIE) | BRIGHT EYES | 1988 | D | 247 224-7 |
SHAYNE RICKY | FANTASTIC | 1000 DOLLAR | 1969 | D | 14 522* |
SHAYNE RICKY | GINNY, KOMM NÄHER | FRÜHLING, SOMMER | 1971 | D | 10 035* |
SHAYNE RICKY | GLÜCK IM SPIEL | MEIN BESTER | 1970 | D | 14 667 |
SHAYNE RICKY | HARMONY | WAS SOLL ICH | 0 | D | 12 617 |
SHAYNE RICKY | ICH GEB' NIEMALS AUF | HEISS WIE EIN | 0 | D | 15 035 |
SHAYNE RICKY | ICH LIEBE DICH HEUT' NACHT | TRÄUME VERBOTEN | 1982 | D | 6005 282 |
SHAYNE RICKY | ICH MACHE KEINE KOMPLIMENTE | IN CHICAGO | 1968 | D | 14 424* |
SHAYNE RICKY | ICH SPRENGE ALLE KETTEN | MIT TRAURIGEN | 1967 | D | 47-9760* |
SHAYNE RICKY | ICH WILL DICH GANZ FÜR MICH | KLEINE MELODIE | 1967 | D | 13 608 |
SHAYNE RICKY | IN FESTEN HÄNDEN | DU LEBST NUR | 1971 | D | 14 778* |
SHAYNE RICKY | JEDER TAG BRINGT MICH NÄHER ZU | IM DSCHUNGEL | 0 | D | 13 170 |
SHAYNE RICKY | MIR IST DER GROSSE WURF GELUNGEN | JEDER TAG BRINGT | 1974 | NL | 13 231 |
SHAYNE RICKY | NIEMALS (REACH OUT) | TON SUR TON | 1984 | D | 881 374-7 |
SHAYNE RICKY | UND ICH BIN NICHT VERLOREN (FILM) | ER WAR EIN | 0 | D | 12 087 |
SHAYNE RICKY & | MAMY BLUE | HEISSE LIEBE | 1971 | D | 10 499* |
SHE AND THE BAND | HOUSE OF LOVE | GREY DAY | 1990 | D | 43 601 |
SHE-MAN | NEVER CAN SAY GOODBYE | FULL STRETCH | 1987 | EEC | 7007 |
SHEAR JULES | STEADY | STILL I SEE YOU | 1985 | EEC | 20 0556 7 |
SHEARSTON GARY | I GET A KICK OUT OF YOU | WITNESSING | 1974 | D | 6073 358 |
SHEARSTON GARY | I GET A KICK OUT OF YOU | WITNESSING | 1974 | UK | 6073 356 |
SHEENA SCOTT+ MIKE | SAMEN OP 'N STRANDFIETS | IN HET HART VAN | 1974 | NL | 6 838 |
SHEER IREEN | ACH, LASS MICH NOCH EINMAL IN DEINE | DAS MEER SINGT | 1975 | D | 2041 676 |
SHEER IREEN | BYE BYE I LOVE YOU (FRANZ.ORGINAL.) | TOUS LES GRAND | 1974 | D | 2041 538* |
SHEER IREEN | DAS LIED DER SCHÖNEN HELENA | ALEXANDER | 1979 | D | 45 698 |
SHEER IREEN | DU MUSST NICHT MEHR WEINEN | OH, MON AMOUR | 1977 | D | 006 32 079 |
SHEER IREEN | ERST WENN DIE SONNE NICHT | SO EIN KUSS | 1982 | EEC | 46 699 |
SHEER IREEN | FANTASY ISLAND | VERLOREN IN DEN | 1990 | D | S 207 |
SHEER IREEN | FEUER (GP 78) | OH, MON AMOUR | 1978 | D | 32 891 |
SHEER IREEN | GEH WENN DU WILLST | DAS IST KEIN | 1981 | EEC | 46 496 |
SHEER IREEN | GOODBYE MAMA | JEMAND WARTET | 1973 | D | 2041 408 |
SHEER IREEN | HAB' ICH DICH HEUT' NACHT VERLOREN | MANCHMAL WÜNSCH | 1985 | D | 883 319-7 |
SHEER IREEN | HEUT' ABEND HAB' ICH KOPFWEH | PT.II | 1991 | D | 9011 110 |
SHEER IREEN | HEUT' ABEND HAB' ICH KOPFWEH | TIEF IN MIR | 1991 | D | 9010 220 |
SHEER IREEN | HEY JUNGE, SAG DAS NOCH EINMAL | SO SCHÖN IST | 1978 | D | 32 717 |
SHEER IREEN | HINTER DEM WEISSEN BERG | ALLE WEGE | 1974 | D | 2041 614 |
SHEER IREEN | ICH BIN DA | TOGETHER WE ARE | 1988 | D | S 110 |
SHEER IREEN | KEINE LIEBT DICH SO WIE (AUTOGRAMM) | MEIN BESTER FR. | 1972 | D | 2041 295 |
SHEER IREEN | MACH DIE AUGEN ZU | EIN KUSS KOMMT | 1977 | D | 32 164 |
SHEER IREEN | NUR EIN CLOWN VERSTECKT DIE TRÄNEN | INSEL DER | 1978 | D | 46 364 |
SHEER IREEN | OH LOVE - MY LOVE | EIN GLÜCKLICHES | 1972 | D | 2041 237 |
SHEER IREEN | SEIT DU FORT BIST | DU GEFÄLLST MIR | 1991 | D | 9010 750 |
SHEER IREEN | SPIEL DAS NOCHMAL | KOMM WIEDER | 1979 | D | 45 981 |
SHEER IREEN | UND WENN DIE SONNE SCHEINT | MORGEN IST EIN | 1973 | D | 2041 478 |
SHEER IREEN | WENN DU EINE FRAU WÄRST UND ICH | DU BIST MEINE | 1986 | D | 885 252 |
SHEER IREEN | WO SOLL DENN DIE LIEBE BLEIBEN | SPANISH GIPSY | 1979 | D | 45 318 |
SHEER IREEN | XANADU | ICH HABE ANGST | 1980 | D | 46 135 |
SHEER IREEN | XANADU (A.H.) | ICH HABE ANGST | 1980 | D | 46 135 |
SHEILA | ADIOS AMOR | LE PORTE EN | 1966 | D | 373 995* |
SHEILA | ADIOS AMOR (A.L.) | LE PORTE EN | 1966 | F | 373 995 |
SHEILA | C'EST TOI QUE J'AIME / IL FAUT | IL FAIT / ENFIN | 0 | F | 437 079 |
SHEILA | LE CINEMA | JE T'AIME | 1965 | F | 373 773 |
SHEILA | LITTLE DARLIN' | PUT IT IN WRITING | 1981 | D | 2044 210 |
SHEILA | LITTLE DARLIN' (A.L.) | PUT IT IN WRITING | 1981 | F | 49 773 |
SHEILA | L'ARCHE DE NOÉ | UNE FILLE NE | 1977 | F | 49 273 |
SHEILA | TWEEDLE DEE TWEEDLE DUM | UNE FEMME | 0 | D | CQA 103 |
SHEILA B.DEVOTION | KING OF THE WORLD | MAYDAY | 1980 | F | 49 573 |
SHEILA B.DEVOTION | LOVE ME BABY | PT.II | 1977 | D | 2040 177 |
SHEILA B.DEVOTION | NO NO NO NO | TENDER SILENCE | 1979 | F | 49513 |
SHEILA B.DEVOTION | SEVEN LONELY DAYS | CHEILA COME | 1979 | D | 2044 140 |
SHEILA B.DEVOTION | SINGIN' IN THE RAIN | PT.II | 1977 | D | 2044 103 |
SHEILA B.DEVOTION | SPACER | DON'T GO | 1979 | D | 2044 164 |
SHEILA B.DEVOTION | SPACER (A.H.A.L.) | DON'T GO | 1979 | F | 49 653 |
SHEILA B.DEVOTION | YOU LIGHT MY FIRE | GIMME YOUR | 1978 | D | 2044 121 |
SHEILA E. | A LOVE BIZARRE | PT.II | 1985 | D | 928 890-7 |
SHEILA E. | DROPPIN' LIKE FLIES | PT.II | 1991 | D | 19 285-7 |
SHEILA E. | HOLLY ROCK | TOY BOX | 1985 | D | 928 704-7 |
SHEILA E. | HOLD ME | THE WORLD IS HIGH | 1986 | D | 928 580-7 |
SHEILA E. | KOO KOO | PARADISE GARDENS | 1987 | D | 928 348-7 |
SHEILA E. | SISTER FATE | PT.II | 1985 | D | 928 955 |
SHEILA E. | THE BELLE OF ST.MARK | TOO SEXY | 1984 | D | 929 180-7 |
SHEILA E. | THE GLAMOROUS LIFE | PT.II | 1984 | D | 929 285-7 |
SHEILA E. | THE GLAMOROUS LIFE (PR) | PT.II | 1984 | D | 929 285-7 |
SHEILA & CLYDE | ES WAR SO WUNDERSCHÖN | BRAND NEW MORN. | 1974 | D | 2001 540 |
SHELL AND THE OCEAN | DESIRE | YOU ARE MINE | 1989 | EEC | 147 413 7 |
SHELLER WILLIAM | UNE CHANSON NOBLE ET SENTIMENTALE | UN ENDROIT POUR | 1981 | F | 6010 343 |
SHELLEY PETE | TELEPHONE OPERATOR | MANY A TIME | 1983 | D | 105 169 |
SHELLEY PETER | LITTLE JULIE | I'M FLYIN | 1975 | UK | 35 |
SHEPSTONE & DIBBENS | MAN KANN FRAUEN SELTEN TRAUEN | CHINATOWN UND | 1973 | D | 2040 112 |
SHEPSTONE & DIBBENS | SHADY LADY | CHINA HEART | 1973 | D | 2040 110 |
SHERBET | HOWZAT | MOTOR OF LOVE | 1976 | D | 4574 |
SHEREE | RONNIE - TALK TO RUSSIA | PT.II | 1988 | D | 109 920 |
SHEREE | RONNIE - TALK TO RUSSIA | PT.II | 1988 | D | 109 920 |
SHERIDAN TONY | ICH WILL BEI DIR BLEIBEN | ICH LASS DICH NIE | 1967 | D | 52 834* |
SHERIDAN TONY & BIG SIX | HEY! BA-BA-RE-BOP (FLC) | VIVE L'AMOUR | 1965 | D | 421 009* |
SHERMAN BROTHERS | EVERYBODY ON THE FLOOR | PT.II | 1984 | NL | 880 166-7 |
SHERMAN BROTHERS | I DON'T KNOW WHAT COMES OVER ME | EMILY | 1986 | NL | 884 640-7 |
SHERMAN BROTHERS | LIVIN FOR THE NIGHT | PT.II | 1984 | NL | 880 479-7 |
SHERMAN TONY | ELLOVEE - EE | PT.II | 1982 | BNL | 104 381 |
SHERMAN TONY & LOKO | TOO BIG FOR WORDS | FANTASY | 1991 | BNL | 102 898 |
SHERRICK | JUST CALL | I'M SCARED' A YOU | 1987 | D | 928 380-7 |
SHERRIES DIE | LUP - DI - LU | ZERO - ZERO | 1963 | D | 52 024* |
SHINE THE | SHADOW DANCING | KISS ME | 1985 | D | 107 828 |
SHINING | STAIRWAY TO HEAVEN | STAY FOR A WHILE | 1985 | D | 881 494-7 |
SHIRELLES THE | THANK YOU BABY / BABY IT'S YOU | DOOMS DAY / MAMA | 1964 | F | 8268 |
SHIRELLES THE (NEU) | WILL YOU LOVE ME TOMORROW | SOLDIER BOY | 1962 | D | 613 002 |
SHIRLEY & COMPANY | DISCO SHIRLEY | PT.II | 1975 | D | 6146 409 |
SHIRLEY & COMPANY | I LIKE TO DANCE | JIM DOC C'AIN | 1975 | D | 6146 425 |
SHIRLEY & COMPANY | SHAME, SHAME, SHAME | "MORE ""SHAME""" | 1975 | D | 6146 400 |
SHIRLEY & COMPANY | SHAME, SHAME, SHAME (A.L.A.H.) | MORE SHAME | 1975 | F | 6146 400 |
SHIRLEY & COMPANY | SHAME, SHAME, SHAME (A.L.) | "MORE ""SHAME""" | 1975 | UK | 6146 301 |
SHIRLEY & CO. (NEU) | SHAME, SHAME, SHAME | SINGIN' IN THE | 1975 | D | 614 929 |
SHIRLEY & ORCHESTER | BITTE GEH' | MEINEN MANN | 0 | D | 22 746 |
SHIRTS THE | LAUGH AND WALK AWAY | MAYBE, MAYBE NOT | 1979 | D | 071 36 |
SHIRTS THE | TELL ME YOUR PLANS | CYRINDA | 1978 | D | 067 63 |
SHIT-WARMERS | ELA ELALA LILA | PLEM - PLEM | 1973 | D | 5004 |
SHIT-WARMERS | ELA ELALA LILA (A.H.) | PLEM - PLEM | 1973 | D | 5004 |
SHOCKED MICHELLE | ANCHORAGE | FOGTOWM | 1988 | NL | 870 616-7 |
SHOCKED MICHELLE | ON THE GREENER SIDE | MUST BE LUFF | 1989 | D | 876 222-7 |
SHOCKED MICHELLE | WHEN I GROW UP | 5 A.M. IN AMSTERD. | 1989 | D | 872740-7 |
SHOCKING BLUE | BLOSSOM LADY | IS THIS A DREAM | 1971 | D | 2001 215* |
SHOCKING BLUE | EVE AND THE APPLE | WHEN I WAS A GIRL | 1972 | D | 2001 415* |
SHOCKING BLUE | HELLO DARKNESS | PICKIN' TOMATOES | 1970 | D | 25 275* |
SHOCKING BLUE | INKPOT | GIVE MY LOVE | 1972 | D | 2001 298* |
SHOCKING BLUE | LET ME CARRY YOUR BAG | I SAW YOU IN | 1973 | D | 2001 477* |
SHOCKING BLUE | MIGHTY JOE | WILD WIND | 1969 | D | 25 185* |
SHOCKING BLUE | NEVER MARRY A RAILROAD MAN | ROLL ENGINE | 1970 | D | 25 213* |
SHOCKING BLUE | OH LORD | IN MY TIME OF | 1973 | D | 2001 447* |
SHOCKING BLUE | OUT OF SIGHT, OUT OF MIND | I LIKE YOU | 1971 | D | 2001 266* |
SHOCKING BLUE | ROCK IN THE SEA | BROKEN HEART | 1972 | D | 2001 358* |
SHOCKING BLUE | VENUS | HOT SAND | 1969 | D | 25 161* |
SHOCKING BLUE | VENUS (A.L.) | HOT SAND | 1969 | 0 | 22 015 |
SHOCKING BLUE (NEU) | MIGHTY JOE | NEVER MARY A | 1984 | NL | 45 060 |
SHOCKING BLUE (NEU) | VENUS | MIGHTY JOE | 1969 | D | 30 071 |
SHOCKING BLUE (NEU) | VENUS (BHF REMIX) | ORG.VERSION | 1990 | NL | 120 |
SHOES | FACE TO FACE | NO ONE KNOWS | 1974 | D | 14 322 |
SHOES | OSAKA | FLUTES, HORNS, | 1968 | D | 14 612* |
SHOES | WHEN PUSH COMES TO SHOVE | OH, ANGELINE | 1984 | D | 69 252 |
SHOOT TO THRILL | CINCO DE MAYO (FLC) (VINYL) | BAJA BOULEVARD | 1988 | D | 113 030 |
SHOOTING PARTY | I GO TO PIECES | THINGS THAT YOU DO | 1989 | D | 246 755 7 |
SHOOTING PARTY | LET'S HANG ON | SHOW ME THE WAY | 1990 | D | 71 326-7 |